Oktober 2014

X-T1 does WiFi | John Caz

My X-T1 combined with a smartphone or iPhone that has Fujifilm’s free app “Camera Remote” installed becomes lethal for some street photography scenarios as well as some wildlife situations. I can pretty much control most aspects of the camera except for exposures longer than 30sec. It took me a little while to figure out, but once you know the basics, it becomes real easy to use. Follow these simple steps to get you started with your smartphone…….

Source: www.johncaz.net
 


Fuji X-T1

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Rawtherapee 4.2.1 official | Sebastien Guyader

The new stable version of Rawtherapee has just been released, you can download Windows and OSX 10.7 builds on the official website (http://rawtherapee.com/downloads). As new features are added or bugs are corrected (like bad pixel filter fix for xtrans), I’ll make newer Windows builds that I’ll share on my Google drive (link nelow). Please note that I’m not a developer, nor a member of the Rawtherapee team, I’m just a contributor and builder for Windows system……

New features since 4.1

  • RawTherapee-4.2 includes many speed, precision, stability and memory usage optimizations. As such, users of 32-bit operating systems may now find that they can enjoy more stability while using the most memory intensive tools. Of course users of 64-bit systems benefit from this as well. Refer to the full changelog for more information.
  • Powerful color toning tool.
  • Curve control of luminance noise reduction.
  • Median filter in the noise reduction tool.
  • Film simulation tool using Hald CLUT pattern files.
  • Command-line option to define bit depth of output TIFF/PNG file.
  • Multiple improvements to dead/hot pixel handling, see RawPedia.
  • Filename of currently opened image shown in the titlebar.
  • Clip control for the flat-field correction tool.
  • Demosaic method „Mono“ for monochrome cameras, and „None“ for no demosaicing.
  • Copy/paste processing profile keyboard shortcuts for right-handed users using Ctrl/Shift-Insert.
  • Update to dcraw 9.22 1.467
  • New or improved support for:
    • Canon EOS 7D
    • Canon EOS 7D Mark II
    • Canon PowerShot G7 X
    • Canon PowerShot SX60 HS
    • Fujifilm cameras using the X-Trans sensor
    • Fujifilm X30……

Source: www.dpreview.com

Fuji X100S Review | Marius Masalar

It has been a little over ten months since I became the happy owner of a Fuji X100S. This charming rangefinder-style compact mirrorless remains among the most universally lauded cameras of its generation. Since its release, there has been no shortage of first impression reviews, spec analyses, and pixel-peeping comparisons against cameras within and beyond its class. Instead of adding my voice to that choir, this review falls into the category of experiential reviews, which aren’t quite as numerous. To be clear, photography is not my main source of income, nor even a meaningful one. Photography is my hobby, and I would rather keep it that way than try to force money out of it at the expense of enjoyment. A camera is a difficult thing to review, and only now do I finally feel like I’ve spent enough time using this one to be able to offer my perspective. I won’t waste time telling you what the Fuji X100S looks like—you can see that for yourself at first glance. Instead, I want to talk about my X100S in particular………

Source: mariusmasalar.me
 


Fuji X100S

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REVIEW: Fujinon XF60mm f2.4 v Fujinon XF56mm f1.2 | Jeff Carter

Last month I added the superb Fujinon XF56mm f1.2R lens to my camera bag, which is the seventh Fujinon lens I have bought for my X-Series kit. It is also the third lens that covers the short telephoto range, the others being the XF55-200mm f3.5/4.8 zoom and the XF60mm f2.4R macro. This had me wondering if I could sell off one of the lenses or did each lens offer something that meant I could justify hanging on to all three? Well for starters we can ignore the 55-200mm zoom as this lens offers the long telephoto reach I need for my landscapes and wildlife. It is an excellent all round zoom lens that has a place in my camera bag. So that leaves the two prime lenses…….

Source: macleancomms.blogspot.de
 


Fujifilm Fujinon XF 60mm F2.4

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Tabletop Studio Setup | Glori Berkel

In my last post, I talked about my Ikea hack for a small tabletop studio. I thought I’d write about it today because I really like this setup. I bought an Ikea kitchen cart called the Bekväm for $59.00. A great little cart with a really nice butcher block type top, 2 shelves and wheels on 2 of the legs. Oh, and solid wood! Once I got it put together, which was pretty easy, I was impressed at how solid it is. I knew that I wanted to add some way of attaching a backdrop so I drilled a couple holes so that I could shove a couple PVC pipes, around 20″ long, into the top of the cart. I added a couple elbows then another PVC pipe across the top. Voila! Backdrop support. The PVC was 3/4″ pipe. I was a little nervous about drilling holes in a perfectly good top but I figured what the hell…….

Source: www.concreteshadows.com

Always look on the “wide” side of life –
The Fujifilm XF 10-24mm f/4 Review | MirrorLessons

I couldn’t recommend the 10-24mm more highly to Fujifilm users who appreciate a versatile wide-angle lens for landscapes, architecture and other genres. While certainly bigger and slower than the XF 14mm f/2.8, it is far more versatile and allows for further creativity. The image quality is also nothing short of impressive. The 10-24mm is perfect for many genres, and could easily become a lens that you keep mounted on your camera for various situations, while with the 14mm, I would inevitably feel the need to switch to a longer focal length on certain occasions…….

Source: www.bestmirrorlesscamerareviews.com
 


Fujifilm Fujinon XF10-24mm F4.0

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LONG EXPOSURE COLLECTION 2013 | Wilson Chiew

Back to April 2012, When I first purchased the variable ND filter (Vivitar Series 1) from Ebay. I desperate wanted to try out the newly acquired filter. Thus then, my bosses, colleagues and I went for a short trip in Kuantan’s Teluk Cempedak Beach and I couldn’t wait to shoot it with my X-Pro1 and 35mm. I got my first long exposure picture since then and these are the photos I uploaded to internet and felt proud about it. However, as I go through at the photos by the time I posting this. They just don’t look nice at all (Not afraid to show them). These pictures are over sharpening (probably due to filter glass quality so I did the harsh sharpening), color casting (overturned the variable ND filter and tried to have Big Stopper effect but epic failed), over exposure at the top part and composition are out……

All photos were taken by Fujifilm X-Pro1 and XE-2 with Samyang 8mm, 23mm, 35mm and 56mm

Source: wilsonchiew.exposure.co

THIS CITY on Exposure | Jonathan Wilson

I haven’t put very large dent in my travel bucket list, but Havana, Cuba was most definitely on it. Living in Miami for the last 8 years, I went in with expectations in my head, most of which didn’t align with what I experienced in my short stay.Finally after a few false alarms myself, Dillon Hearns, Conall Keenan, John Mahoney and Matt Sosna joined a group from Amigo Skate. We loaded up our bikes, snorks and heavy bags of parts to help keep BMX and skateboarding alive in Cuba. All of the travel details of how this trip came to be are confusing and long winded. Travel to Cuba is somehow simple and complicated. Weight limits on all luggage. Exchanging money – US Dollars -> Euro -> Cuban Convertible Currency (CUC) to avoid the additional taxes. Having no phones once there. Questions from the TSA, German Shepherds before getting on the plane…The hours before takeoff were intense, I didn’t really believe I was going to Cuba directly from Miami until the plane was in the air.Somehow a 30 minute flight became spending half the day in both MIA and HAV airports. Finally we made through the excruciating moments of waiting for our bikes and the damage they may have incurred. Finally we made it to the exterior of José Martí International Airport, I was hit with what I could only described and some kind of sensory overload. Typically when I land at an airport I scatter to a tram or my motorcycle and I’m off. In Havana we were greeted by a few hundred locals, taxi drivers and assorted characters. It was surreal…..

Source: jjjonathan.exposure.co

Fuji X-T1: Is it a better street camera than the X100T? | Mike Evans

Currently I’m putting Fuji’s highly acclaimed X-T1 through its paces. It came with the standard 18-55 zoom but I have managed to borrow a remarkable little pancake, the 27mm f/2.8. I reckon it is just about the bee’s knees when it comes to street photography. My first question, though, is how this combination compares with the lionised X100/S/T, the camera that started Fuji on to X series road in 2010. It seems incredible now that we have seen the X cameras spawn like crazy from such a simple beginning. But, more important, Fuji has launched perhaps the most comprehensive array of pro-quality lenses ever seen in such a short period. The X100 range with its 35mm-equivalent fixed focal length and ingenious hybrid viewfinder has rightly won its place high on the list of streettog desirables. This little Leica M3 lookalike is probably the most popular go-to camera for street enthusiasts……

Source: macfilos.com
 


Fuji X-T1

Do you love my work and want to support me? If you’re planning on buying camera gear, you can check out above-noted links. Prices remain the same for you, but a small percentage of your purchase value is valued back to me. Thank you!


 

WCL-X100 The Wide Wide Street | Jonas Rask

So what has changed? Well for the most part I think that I have changed. I now appreciate it as a tool to create a certain change in my usual routine. It is a way to challenge myself, and my typical type of street photography. I didn’t see it as such 2 years ago. Back then it was more about object separation and bokeh! ;) Shooting street for me is about people. Everyday people living everyday life, doing everyday things. I don’t seek to portray deeper symbolic meaning in my street shots, I don’t seek ultimate truth in reviewing these shots afterwards. I seek to portray humans. For that reason I look at my street photography more like street portraiture. To me the streets are the backdrops. The elements on which the caracters sit, and emerge from. Of course I like the certain interplay some characters have with the environment. It can make the photo, and give it a sense of story. But most of the time I just want focus to be on the character. For this reason the shallow DOF from a fast standard 35/50mm FOV lens has proven time and time again to be just right for me in my pursuit in capturing this imagery. Wider angles cannot deliver this. What they instead deliver is ALOT of sub-/context into the frame……

Source: jonasraskphotography.com
 


Fuji WCL-X100

Do you love my work and want to support me? If you’re planning on buying camera gear, you can check out above-noted links. Prices remain the same for you, but a small percentage of your purchase value is valued back to me. Thank you!


 

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