A First Look at Capture One’s X-Pro 1 Support | Thomas Fitzgerald

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If you’re a fuji user or even just a fan you’ve probably been reading the reports of upcoming X-Pro1 and XE-1 support to be added to Capture One, the high end Raw converter from Phase One. Reports had been steadily leaking out from people using the beta and the general consensus was that it was an improvement over Adobe’s implementation in Lightroom. They released the final version today, and I decided to have a look and see if it lived up to the hype. In case you’re not following this blog regularly, let me just tell you where I’m coming from with regard to this subject, just so you can put my opinions in context. I had been a relatively early adopter of the X-Pro1 but I had eventually sold mine, partly due to the lack of a good workflow for handling the raw files. It was actually the Lightroom support that pushed me over the edge. I was very critical of it, and found the “watercolour” artefacts to be completely unacceptable. Needless to say I got a lot of criticism for those comments (from both die hard Fuji fans who think the X-Pro1 is perfect in every way, and die hard Lightroom fans who believe the same thing about Lightroom.) I’ve done a lot of testing and playing around with settings trying to find a way to live with Lightroom’s conversions, but I stand by my opinion, that the quality of the raw processing of X-Pro1 files in Lightroom is seriously sub par. To be fair, I am hyper-critical when it comes to image quality. I have worked for years in broadcast television, and a critical part of my job is making sure the images I produce meet broadcast standards, so quality control is drilled into me. Anyway, I just want to put that out there, because I was so critical of the raw conversion to date, that it says so much more when I say that am blown away by the difference with Capture one. DP Review did some initial testing today and they were somewhat skeptical of the differences, but I have to disagree with their findings. I’ve spent a few hours with it now and I have to say the difference is night and day. There is still a degree of the watercolour effect with capture one, but it is much less obtrusive than Adobe’s. Images are also much sharper even with the default settings. In fact, in my opinion you need to turn the sharpness down a little. I don’t want to go mad with lots of comparison images because there are lots of them out there on the web already, and you can download a 60 day trial and try it for yourself if you want to do your own comparisons. But I do want to point out a few things. It should be noted that it’s not just the smearing that Capture one does better. The whole image seems to be much sharper, and also there is much better colour in details too……

See full article on blog.thomasfitzgeraldphotography.com

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