Fuji X-E1

What’s in the Bag – Italy for a Month | Dave Burns

This last May, I was lucky enough to spend my honeymoon in Italy. I couldn’t go on a trip of this scale without some serious photography (luckily my wife already knew this) so I put a lot of thought into what gear I wanted to bring. I’ve been enjoying my Fuji X-T1 lately and, although the last trip I did of this length was with my full-frame Canon gear, this time I wanted to bring a much lighter kit. So what gear did I bring to Italy? The problem is, I’m a lazy photographer and changing lenses is sometimes a deterrent from shooting. In addition, my instincts from my African photo safaris mean I’m nervous unless I have backups. So even though I feel like I packed light, it’s all relative and some of my more hardcore street photographer friends will raise an eyebrow at my kit. I decided to bring two Fuji X-T1s (one mine, one rented from LensProToGo), each with a lens attached. I then brought a couple of other lenses to fill out my range…

Source: www.daveburnsphoto.com

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Wedding Photojournalism with the Fuji X-T1 | Paul Richards

The X range of cameras has received a huge amount of critical acclaim and their fair share of criticism too. There are an awful lot of both professional and enthusiast photographers out there making some wonderful images with the Fuji line up, across a wide range of disciplines. One group of photographers that I think the Fuji line up makes particular sense for are wedding photographers. I’ve been using Fuji X-cameras as secondary cameras at weddings for about a year now and have found them to be very useful as an addition to my regular Canon 5d3 setup. Inspired by Kevin Mullins excellent wedding reportage work, I’d used both the Fuji X-Pro and Fuji X-100s, with mixed success. To be honest, while I loved using them as a backup and in some of the quieter moments of the day, I didn’t feel that I could completely convert to them from my DSLR’s…….

Source: www.albionrow.com

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Two lens portrait shoot-out — the Zeiss Touit 50mm macro and
Fuji 56mm f/1.4 on the X-T1 | Tom Grill

This is not a contest to see which lens is best. They are both exceptional at what they do, but do have differences that make them suitable for different tasks when shooting portraits. For this very reason, for my Nikon system I keep both the Nikon 85mm f/1.4 and the Nikon 105mm macro lenses for photographing beauty and portraits. I do comparison shoot-out like this with new equipment so I can gain experiential knowledge I can apply to later shoots. It helps me decide quickly what lens I need in any given situation. For most portrait situations it isn’t going to make much of a difference, but when you need a distracting background thrown completely you’ll be wishing you had the f/1.2 aperture of the Fuji 56mm, and when you try to move in for a tighter composition with the model’s face you will appreciate the macro capabilities of the Zeiss Touit 50mm allowing you to get as close as 1:1…..

Source: aboutphotography-tomgrill.blogspot.de

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Samyang 12mm f/2 NCS CS review | Alessio Michelini

I wanted an ultra wide lens since I bought my little Fuji X-E1, the kit lens was a good lens overall, and while for street photography it’s definitely a great lens, for landscapes 18mm (equivalent to a 27mm on a 35mm) are not enough to me, I always felt like it was too long for me. So three weeks ago I decided to sell it in favour of a new ultra wide lens from the Korean manifacturer Samyang (or Rokinon in the States, Walimex somewhere else), the 12mm f/2 NCS CS. I generally read thousands of review before buying a lens, but in this case I couldn’t find much as this lens came out on the market just a few months ago, but the few reviews I found were all very positive, and I often read good things about Samyang lenses, so I decided to give it a try……..

Source: musicphotographer.eu

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How to get the Fujinon XF60mm f/2.4 R to 1:1 magnification ratio? |
André Heid

The Fujinon XF60mm macro lens was one of “starter” lenses introduced with the X-Pro1 early 2012. I guess everyone ever has used this lens was surely happy with the overall picture quality, detail sharpness and the lightweight and excellent build body. But many of these users may also complained about the very slow and noisy autofocus and the limited magnification factor of ‘only’ 1:2. In the meantime the autofocus performance was subsequently improved by firmware updates and is in my opinion on the par with full frame macro lenses with noisy micro motors. What of course could not be changed through firmware is the magnification factor…

Source: lichtklicker.de

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Firmware Upgrade Touit E-Mount | ZEISS United Kingdom

A firmware update to Version 02 is now available for the Touit 2.8/50M with E-mount. It corrects the following behaviour that may have occurred with the previous lens firmware version with particular camera menu setting and in particular situations:
 
• clearly noticeable shutter release delays when pressing the release button with activated flash
• ‘hunting’ for the focus point with the camera in AF-C mode

Source: www.zeiss.co.uk

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ThinkTank Retrospective Fan Club | Justin Balog

Conclusion

If I could only choose one bag, it would be the 30. It isn’t much bigger in size, but it does make packing/accessing your gear a bit easier if you are rocking a DSLR or two bodies. However, if you are the mirrorless type (even with two bodies) the 7 would be my choice. My doctor says I’m 5′ 8.5″, but pride myself on being 5’9″ and all the bags fit me pretty good…..

Source: www.thephotofrontier.com

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Fujifilm updates X-mount lens roadmap through end of 2015 |
Digital Photography Review

FUJIFILM Corporation (President: Shigehiro Nakajima) is pleased to release an updated road map for X mount interchangeable lenses.

A large-diameter medium telephoto lens (the XF90mmF2.0R) features for the first time on the development road map for first half 2015. The next available lens will be the XF50-140mm F2.8 R OIS WR. Following on from the XF18-135mm lens, this will be Fujifilm’s second weather resistant lens designed to partner its X-T1 camera. Other updates to the road map include the previously announced “Ultra-wide angle lens” being confirmed as the “XF16mmF1.4 R” with a guide launch date of mid 2015. And the planned launch of the XF16-55mmF2.8 WR lens moving to Spring 2015 and the Super Tele-Photo Zoom lens to Winter 2015. Highly regarded for their outstanding image quality, resolution and well-built bodies, the unique X mount lens range now includes super-wide angle to super-telephoto range lenses and a large-diameter lens with rich bokeh and high resolution…….

Source: www.dpreview.com

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Fujifilm 27mm Review | David Cleland

I have been using the Fujifilm 27mm pancake lens for almost a year and I am yet to actually give the lens the attention or acknowledgement it deserves. The Fujifilm 27mm lens has in a sense, become my much loved ‘off duty’ lens, tending to be my go-to lens for general days out exploring. As one of Fujifilm’s least expensive lenses the 27mm is deserving of attention especially by those photographers who really want to travel light. During this year’s annual holiday I used just the X-T1 and 27mm to document days out to the beach, amusements, walks and outings, with the 27mm making the X-T1 feel more like the X100s in form factor but with the option of additional lenses. That said the Fujifilm X100s will always remain an exceptionally special camera in my mind. ….

Source: www.flixelpix.com

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Fujifilm Fujinon XF 56mm F1.2 R Lens Review | Patrick Leong

A fast short-tele portrait lens is a “must-have” for many photographers, especially for those in the wedding and portrait industry yet for a long time, it was missing in the Fuji X Series lineup.  There are third party versions, and there’s also the sharp, compact XF 60mm F2.4 but nothing made by Fuji, below the F2.0 range.  As of spring 2014, that changed with the release of the XF 56mm F1.2 R lens, an optic that many have been patiently waiting for.  With the crop factor taken into account, the 56mm F1.2 is approximately an 84mm equivalent, which is a preferred focal length for many portrait and wedding photographers.  Its fast aperture is also prized in this type of lens both for available light photography and for creating beautiful shallow depth of field or as some refer to as “bokeh”.  So far, the details sound promising but does the XF 56mm F1.2 really cut it?  Is it worth its asking price of $999.00?  Was it worth the wait?  Let’s find out……

Source: findingrange.com

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