Fuji X-E1

Rawtherapee 4.2.1 official | Sebastien Guyader

The new stable version of Rawtherapee has just been released, you can download Windows and OSX 10.7 builds on the official website (http://rawtherapee.com/downloads). As new features are added or bugs are corrected (like bad pixel filter fix for xtrans), I’ll make newer Windows builds that I’ll share on my Google drive (link nelow). Please note that I’m not a developer, nor a member of the Rawtherapee team, I’m just a contributor and builder for Windows system……

New features since 4.1

  • RawTherapee-4.2 includes many speed, precision, stability and memory usage optimizations. As such, users of 32-bit operating systems may now find that they can enjoy more stability while using the most memory intensive tools. Of course users of 64-bit systems benefit from this as well. Refer to the full changelog for more information.
  • Powerful color toning tool.
  • Curve control of luminance noise reduction.
  • Median filter in the noise reduction tool.
  • Film simulation tool using Hald CLUT pattern files.
  • Command-line option to define bit depth of output TIFF/PNG file.
  • Multiple improvements to dead/hot pixel handling, see RawPedia.
  • Filename of currently opened image shown in the titlebar.
  • Clip control for the flat-field correction tool.
  • Demosaic method “Mono” for monochrome cameras, and “None” for no demosaicing.
  • Copy/paste processing profile keyboard shortcuts for right-handed users using Ctrl/Shift-Insert.
  • Update to dcraw 9.22 1.467
  • New or improved support for:
    • Canon EOS 7D
    • Canon EOS 7D Mark II
    • Canon PowerShot G7 X
    • Canon PowerShot SX60 HS
    • Fujifilm cameras using the X-Trans sensor
    • Fujifilm X30……

Source: www.dpreview.com

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REVIEW: Fujinon XF60mm f2.4 v Fujinon XF56mm f1.2 | Jeff Carter

Last month I added the superb Fujinon XF56mm f1.2R lens to my camera bag, which is the seventh Fujinon lens I have bought for my X-Series kit. It is also the third lens that covers the short telephoto range, the others being the XF55-200mm f3.5/4.8 zoom and the XF60mm f2.4R macro. This had me wondering if I could sell off one of the lenses or did each lens offer something that meant I could justify hanging on to all three? Well for starters we can ignore the 55-200mm zoom as this lens offers the long telephoto reach I need for my landscapes and wildlife. It is an excellent all round zoom lens that has a place in my camera bag. So that leaves the two prime lenses…….

Source: macleancomms.blogspot.de

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Always look on the “wide” side of life –
The Fujifilm XF 10-24mm f/4 Review | MirrorLessons

I couldn’t recommend the 10-24mm more highly to Fujifilm users who appreciate a versatile wide-angle lens for landscapes, architecture and other genres. While certainly bigger and slower than the XF 14mm f/2.8, it is far more versatile and allows for further creativity. The image quality is also nothing short of impressive. The 10-24mm is perfect for many genres, and could easily become a lens that you keep mounted on your camera for various situations, while with the 14mm, I would inevitably feel the need to switch to a longer focal length on certain occasions…….

Source: www.bestmirrorlesscamerareviews.com

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LONG EXPOSURE COLLECTION 2013 | Wilson Chiew

Back to April 2012, When I first purchased the variable ND filter (Vivitar Series 1) from Ebay. I desperate wanted to try out the newly acquired filter. Thus then, my bosses, colleagues and I went for a short trip in Kuantan’s Teluk Cempedak Beach and I couldn’t wait to shoot it with my X-Pro1 and 35mm. I got my first long exposure picture since then and these are the photos I uploaded to internet and felt proud about it. However, as I go through at the photos by the time I posting this. They just don’t look nice at all (Not afraid to show them). These pictures are over sharpening (probably due to filter glass quality so I did the harsh sharpening), color casting (overturned the variable ND filter and tried to have Big Stopper effect but epic failed), over exposure at the top part and composition are out……

All photos were taken by Fujifilm X-Pro1 and XE-2 with Samyang 8mm, 23mm, 35mm and 56mm

Source: wilsonchiew.exposure.co

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How to Reduce Noise with Photo Ninja | Digital Photography School

Reducing noise in a digital photo is a hot topic, particularly for photographers who frequently shoot at high ISOs. Even if you’re not a typical low light shooter, the temptation may arise with some of the newer digital cameras that offer incredibly high ISO speeds which still produce pretty pleasing images, even with noise. There are many factors that can produce noise in your images, and there are many ways to reduce or sometimes even avoid noise all together. This article in particular will highlight one post-processing trick to reduce noise using a third party plugin called Photo Ninja. Made by the folks over at PictureCode, Photo Ninja is a RAW converter for both Windows and Mac OS X computers. It uses a built-in browser to open most RAW file formats, as well as JPEG and TIFF images. It also integrates well with many photo browsing and editing applications including Adobe Photoshop and Lightroom. The plugin has been around since 2003 when it was launched under the name Noise Ninja. Today, the current product has expanded and is now known as Photo Ninja,  and it offers a host of editing adjustments with its signature Noise Ninja 3.0 included……..

Source: digital-photography-school.com

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What Fujinon XF Lens Should I Buy? | Leigh Diprose

Fujinon lenses are famous for their high quality build and their ability to produce clean, sharp images. Used in various industries, including broadcast, satellite and mobile technologies, these award-winning lenses lead the way for the highest of image quality. When it comes to choosing a Fujinon lens for your new X-Series camera what one should you buy, and more importantly what photographic scenario is each lens best suited for? The below guide is a real world explanation on what lens you would use for taking a particular type of photograph. Before going into the lenses let’s explore what a focal length and aperture are……

Source: www.fujifilm.com.au

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REVIEW: The New XF50-140mm f2.8 – First Impressions | Jeff Carter

Last weekend at the Fuji International Speedway, where I was working on the Japanese round of the FIA World Endurance Championship, I had the opportunity to see the new Fujinon  XF50-140mmF2.8 R LM OIS WR lens ahead of its release in the UK this November.  My thanks to the guys from Fujifilm Japan, who brought one along to the race. Because it was race day I was unable to go out and shoot with the lens, hopefully I will be able to remedy this later this year, but here are my first impressions of this new fast telephoto lens. During my 18 years shooting with Nikon, my favourite lens was the Nikkor 80-200mm f2.8 AF-D that I bought new in 1996. I kept this lens for the entire time I used Nikon both as an enthusiast and professional photographer and I sold it, reluctantly, in May of this year. It is probably the one lens that I miss the most,  so when Fujifilm announced a constant f2.8 mid range zoom (76mm-213mm equivalent) I was eager to get my hands on a copy to see what it is like……

Source: macleancomms.blogspot.de

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Fuji XF 14mm lens review | Mark Richards

There is something that new users need to know about the Fujinon XF 14mm f/2.8 lens –  as the X series are not full-frame cameras then the lens is really equivalent to a 21mm lens when it comes to the field of view and should be considered with this in mind.  This is not like the Voigtländer 15mm lens in terms of its field of view so it is important you manage your expectations.  It remains however an ultra-wide angle lens by any standards and gives a pretty extreme angle of view at 89º.  The lens I am using as a benchmark for this review is the Zeiss Biogon T* 2.8/21 for the Contax G2 as that was my stock 21mm lens for years and is outstanding quality. One of the first photographs I took with the Fuji 14mm lens is the one of Tower Bridge (above) which was taken with the Fujifilm X-Pro1 camera.  Click on the images to enlarge (but please remember the sample images are copyright and shouldn’t be used without my permission) ……

Source: photoponica.com

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Fuji XF 55-200mm, field review | Steeve Marcoux

Telephoto zoom lenses are very popular because of their versatility and space saving compared to having several prime lenses to cover the same range. I’ve owned some of them in different mounts, so when i switched to Fuji i wanted to cover the maximum range with the minimum lenses. So i bought the 18-55mm and not long after i bought the XF 55-200mm because of it’s attributes (aperture ring, built quality and OIS) and IQ. Sure the XC 50-230mm is smaller and lighter but i wanted the better IQ and built of the XF 55-200mm. I will be talking on how this lens performs in the field as a Nature photography telephoto lens, covering landscape, close-ups and some wildlife. Telephoto zoom lenses in that range are very useful in my photography, a big part of what i photograph is covered by the XF 55-200mm…….

Source: steevemarcoux2.com

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Fujifilm RAW and Lightroom: How Are Things as 2015 Nears? |
Romanas Naryškin

As good as X-Trans sensors are in terms of performance, most software makers have had some trouble with demosaicing the slightly unusual RAW files in the past. Adobe Photoshop Lightroom has been noticeably trailing behind in this regard even back when version 5 was introduced, as I found out in the review. That’s not brilliant given that X-Trans has been around for, what, almost three years now? To be completely fair, the paint-like rendering isn’t as much of an issue in most cases as one might think, and yet I can’t help but wish Lightroom was able to render X-Trans RAW files at least as well as Fujifilm does with its in-camera conversion. After all, superior technical image quality is the whole point of RAW, and Lightroom should certainly deliver. So the question is – does it? Since the X-E2 has permanently taken residence in my camera bag and is now my second tool, if not quite the first one yet, I am very curious to see how my favorite RAW converter will perform. Careful, now. I am about to get technical…….

Source: photographylife.com

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