In February I wrote an article about the Fuji Instax SHARE SP-1 Printer called “A photograph needs to be real: The beauty of the Fuji Instax printer“. In that article I shared my thoughts about “growing up” in the era of digital photography and how, recently, I had come to realize the value of the printed photograph. I discussed the impact an amazing printed photograph has on me, and also my desire to print more often. While thinking about some upcoming photography projects I was planning, and a photography trip I was about to take, I realized how valuable the Fuji Instax SHARE SP-1 printer would be. Thankfully it worked out that I could receive one before I left for my trip. I have to admit that I was like the little kid on Christmas day waiting for the courier to deliver the printer. I will always be the guy who nerds out on new gear, but this time it had special meaning to me……..
To be honest I have kept away from the blog for a long period now as we have been concentrating on developing our wedding photography business. So please excuse the long winded article. I am not a fantastic blog writer so please bear with me. As always happy to answer any questions you may have which you can direct to me on Face Book, Twitter or indeed in the comments section of the blog. Moving camera systems is not a decision any professional photographer takes lightly. Once you choose a camera system for professional use the addition of lenses flash systems and spare camera bodies starts to represent a very significant investment indeed and as professionals we need to make sure we get a return on our investment as well as ensuring we have the right equipment available to do the specific job we need it to do…….
For a couple of weeks I have been inundated with emails about the rumor that Fuji has decided not to make the 120mm f 2.8 Macro lens that goes 1:1! First I do not know whether that is true or not. I’m sure Fuji will produce some kind of longer focal length Macro lens, until they do I have a my Macro System; the 90mm f 2!! Below is a series of images made with the 90mm lens, each are labeled. The 90mm f 2 is one of the very sharpest lenses I’ve ever shot, maybe “the most”! If you have the two Fuji automatic extension tubes ( the MCEX-16 and the MCEX-11), and if you can pick up a high quality two element diopters like the old Nikon 5T and 6T you can do a lot of close-up work to beyond life size or 1:1……
Sometimes you collaborations between camera bag companies and camera manufacturers (like Leica and ONA) and this time around we’re seeing just time. Fujifilm and Domke are partnering to create new editions of two of their camera bags. The Domke F-5XB and the F-803 are receiving a special refresh for these reasons with special Fujifilm X series branding on the bags. The branding is subtle and sticks with Domke’s overall low profile look. The bags have waxed cotton canvas and leather accents. They come in a RuggedWear sand color and are available in a 10 inch and 13.5 inch variety…….
Maggie and I have recently returned from our Venice trip and I’ve spent the last four days editing the images, so I thought I’d share some with you. Despite still owning a Nikon DSLR kit my preferred choice for travelling is my Fuji Kit, and has been for a few years now. So I took a stripped down kit consisting of my Fuji X-E1, Fuji X-M1 and Fuji’s 18-55mm f2.8/4, 55-200mm f3.5/4.6 and the 35mm f1.4 – leaving my 14mm 2.8 and 60mm 2.4 at home. My modus operandi for daytime photography was to take the Fuji X-E1 plus the 18-55mm and the 55-200mm, these fitted comfortably into my Lowepro Passport Sling bag, with some additional dividers fastened with velcro…….
It’s been exactly a year ago, when these photographs were taken. Sometimes I wonder, why it takes me such a long time to share them. I think it’s the combination of procrastination and being lazy. It’s not that I don’t want to share, or think these are bad images…. I mean I wouldn’t be sharing them at all if I thought they were bad. Just that I have a huge back log of images that just sitting in a dropbox folder, all dusted and almost forgotten. It seems that I must be taking too many images :) I think it’s also a little bit of a memory lane. Going through the old images and think about the times they were taken. Funny thing is, I remember exactly what I was doing at that time. What me and Kasia were talking about. Yet I can’t remember what I did last week. Funny that…….
We as Fujifilm users have a bit of a love hate relationship with Adobe and Lightroom. The combined asset management and image development makes for a great workflow environment, but the way Fujifilm X files are handled can be a little tear inducing at times. Previews especially take much longer to generate and read than normal Bayer Array based sensors. Even at Import, you have to wait while the tiny thumbnails load one at a time into the image preview area. If you’re Importing from a card where images have already been imported, it also takes ages for Lightroom to find the ‘Suspected Duplicates’ and show them as already imported. Other camera systems seem to zip along in comparison. Once the previews have been created on Import, everything runs the same as any other camera system……
I’m really digging what I can do with the not so heavy XF100-400 lens around town. The lens is pretty versatile from grabbing birds in flight to shooting flowers as I showed in the previous post highlighting the lens. This series is a range from XF10mm in the first one then XF16mm all the up to the end of the XF100-400 at various focal lengths. Going out to a for reaching 560mm which starts to have issues with general air pollution and haze. The 560 is reached with the 400mm and the 1.4xTC – so an X focal length of 560mm or converted to conventional 35mm this would be equal to approximately 840mm. There is a street sign sort of lower left of center which I zoom in on as we look at the high power view…….
Earlier, I reviewed the excellent Godox Ving V850 manual flash. It still is one of my favorite flashes for off-camera flash photography in general and on my Fuji system in particular. However, recently, I’ve also been working a lot with another manual system: the Cactus RF-60 flash and the Cactus V6 transceiver. As this is a manual system, it isn’t exclusive to Fuji users: almost any camera with a central firing pin on the hotshoe can use it. That’s the beauty of manual flashes: they work on every camera. In this blog post, I’ll focus on the V6 transceiver……
I am currently running Fuji X cameras alongside a Canon 5D Mk3 although I suspect this will not last for long, I feel so much more comfortable with the X-T1 and X-Pro2 and the lesser weight of the Fuji X system suits me too. With the Canon I needed the 100mm Lee Filter System but I experimented with the Seven5 on the Fuji X cameras. I have wondered for some time what I would take with me when I sold the Canon and so it seemed sensible to make a comparison of the graduated filters and weigh up the pros and cons. First step was to make a proper comparison of the extent of the graduation and see how much difference there is in the fall off; simple enough to do by placing identical strength filters from each system along side each other. The pictures tell the story quite clearly. Now what of other considerations? …….