Overall, the Fuji X-E1 is an extremely interesting proposition that we can see being incredibly successful. Combining the fantastic technology of the Fuji X-Pro1 with a more consumer-friendly price and a smaller, more streamlined CSC body will surely appeal to a wide range of people. Adding a new 18-55mm kit lens to the lineup of the X range is also a smart move, which is again likely to appeal to a new crowd looking for something a little more versatile. It’s nice to see that Fuji’s premium quality and build has gone into the design of the kit lens, elevating it far above the realms of the usual bundled optic.
The improved autofocus speeds that Fuji’s new firmware brings, coupled with the 18-55mm kit lens, make this a fantastic camera to easily take on its DSLR rivals.
There’s not many things to dislike about the camera, with just a few small niggles keeping it from perfection. It would be nice to have seen a touchscreen, while the autofocus speed when using other lenses could do with being improved.
The premium end of the compact system camera market is now looking extremely interesting. This new camera competes much more closely with the Olympus OM-D and Sony NEX-7 than the Fuji X-Pro1 was able to. As such, other manufacturers are likely to carefully watch Fuji’s proposition. Currently, Nikon and Canon don’t have anything in this niche segment of the market, while Panasonic’s cameras arguably sit just underneath. It’ll be interesting what kind of responses we see to the camera in the coming year. With the X-E1, Fuji has brought the next evolution of the X series of interchangeable lens cameras. As the system is set to grow in the coming year, we can see this camera appealing to a large group of people.
See full article on tech.blogsvoice.com
There are many reviews on the web that delve deep into the technical aspects of this little technological marvel, but I’m here to talk about what everyone interested in this camera really wants to know: how does it handle in real-world situations? Is it good enough for professional work? Will it attract the opposite sex? Well that’s what I’m here to (hopefully) answer.
Love at First Sight
When it comes to the Fujifilm XE-1, there is one thing that you won’t find many arguments against: it’s a beautiful piece of kit. I will admit that the styling of the XE-1 is what grabbed me first. The XE-1 and its predecessors the X-Pro 1 and the X-100 all share a classic design that looks very similar to a Leica rangefinder, with a little bit of modern flair. It’s a camera for camera lovers. I collect classic 35mm rangefinder cameras, and I’ve always dreamed of a digital version- a perfect blend of form and function, a small take-anywhere camera that is both beautiful and produces images that are just as stunning as those made using the big guns. This may be as close as one can get to that ideal without spending $12,000 for a Leica M9 + Lens!
Ok I promised not to get too technical, but there are a few things you should know before we get to the good stuff. The Fujifilm XE-1 is a compact digital interchangeable-lens mirrorless camera equipped with an APS-C sized sensor. Fuji isn’t the first to put a large DSLR-sized sensor into a compact camera- Sony did this with the exceptional NEX line of cameras introduced a few years ago. The Fujifilm X-Series cameras are an evolution of what Sony helped pioneer. One of the most attractive features of the X-Series is its viewfinder technology. With the X-100, Fujifilm introduced an innovative viewfinder that offered both optical and digital views with the ability to switch between them on the fly. The X-Pro 1 expanded on the X-100 with the ability to change lenses. The XE-1 is a slightly smaller, less expensive version of the X-Pro 1. With the XE-1, Fujifilm ditched the optical finder in exchange for a beautiful 2.36 megapixel digital-only finder, the highest resolution digital viewfinder to date. Everything else remains similar to the other Fuji cameras – the awesome manual controls, small size, classic styling, and excellent sensor. It is technologically advanced, and almost everything one could want in a modern camera…..
See full article on www.briandougher.com
This is my review of the Fujifilm XE-1 camera. I am a Canon user for the past 25 years and purchased this camera as a lightweight travel alternative. I consider myself to be a photog enthusiast with special interest in portrait, nature, and landscape photography.
This review will not discuss the specifications and other details that are widely covered on the web. My focus is how I felt using this over a family vacation to Washington DC. Most of the shots were indoors (Museums/Botanical garden), with a few outdoor shots.
I bought this camera from Amazon, with the intent to try it out and then decide whether I will keep it or return (Amazon has a holiday return policy till the end of this month). I am going to keep it. I think I found my perfect travel camera. I am also seriously contemplating on selling my Canon gear and just having this system.
I take portraits of classical Indian dancers (for their brochures etc.), and want to use this in my home studio and see how it performs. If it meets my requirements, then this will be the only system that I will have. I plan on getting one of the nicer primes for portraits (56/60) and slowly build my system.
FYI: For studio work, I use a cheap ebay trigger to fire off my strobes. I tried that with this camera and was able to remotely trigger my strobes.
See full review and pictures on seenudatari.blogspot.de
Hi, I thought I would share some shots of the Fuji X-E1 that arrived today, give some brief first impressions and a few quick image samples. The weather has been horrid and I have not been able to get out and stretch the legs of this camera, but I have taken a few quick images to try and get some early feedback and first impressions. I will start with a bunch of sexy shots because this thing is cute thing to look at. As you can see this is a great looking camera and lens, its not as retro as the X100 or the X-Pro1 but it does retain a high level of retro with a cool modern minimalistic style. So my first impression, to be honest I was disappointed when first unwrapping and picking up the body, it was lighter and less well built than I expected. Compared the the all metal X100 I can certainly feel the X-E1 is only half metal and plastic back, the bottom is no where near as solid as the X100, its again only half metal. The dials are much better that the X100 they have more heft and positive in movement. The size is great and virtually exactly the same as X100. The little front bump and designed rear thumb support is a great addition. The quality of the push buttons and the change from a rotation selection wheel to a 4 way selector is also better quality and much better in operation than the X100. At this point I am not over impressed. Unwrapping the lens was good. The 18-55m is a really small lens, very light but well screwed together, with lovely smooth operation of zoom,focus and aperture rings. Very nice action, attaching it to the body is no problem however there remains some slack in the connection once clicked into place, I really don’t like it, it seems sloppy engineering not to be completely connected to fit perfectly. Placing the lens and body together made a big difference to how it feels in the hands. I felt a little happier the more I held it. I had to wait some time to charge the battery as it was completely flat. Once charged it was time to set up the Fuji X-E1 and take some shots. The two main things I wanted to review with camera as soon as possible was the new hi resolution EVF and the manual focus operation. I have not checked yet what software revision for the body and lens I am on, I am assuming its up to date, I will look that up later but I can say this is where my initial disappointments started to fade. The EVF is wonderful and much better than the one in the X100. Bright and detailed it does lag but I am used to that anyway, I won’t miss the OVF as I don’t use it in the X100……
See full article on simonpeckham.wordpress.com
So again, overall, the build quality of this camera is what I have come to expect from Fuji. When compared to the X-Pro1, I would say that the X-Pro1 has a more solid or confident feel to it. This could be because the X-Pro1′s entire body is made out of magnesium where as only the top and bottom plate of the X-E1 are made from this material. The X-Pro1 feels slightly better built but what do you expect? It’s priced 40% higher than the X-E1. But this should not deter anyone from purchasing the Fuji X-E1 because it is a solid, and wonderful camera that’s very rewarding to own. What are other differences between these two cameras? Well, while the LCD on the X-E1 is smaller, and lower in resolution than the X-Pro1′s, the X-E1 does offer a few things that the X-Pro1 does not. For example, the X-E1 offers an electronic remote release, built in diopter, an external microphone jack, and a built-in pop up flash. However, the X-E1 does not offer an X-sync terminal, and it also does not have the shutter speed dial lock of the X-Pro1 that I mentioned before. The X-E1 also does not have a hybrid viewfinder but Fuji found a great way the remedy this…..
See full article and more pictures on findingrange.com
After a passionate yet somewhat impetuous relationship with the Fujifilm X-Pro 1 I couldn’t resist a little fling with his younger brother the Fujifilm X-E1 I’d spend sleepless nights wondering if he could deliver the same image quality as the X pro 1 but at almost half the cost of the Fuji X Pro 1 I was in serious doubt… Appearance wise, albeit the slimed down body, slightly smaller LCD, additional pop-up flash, but lack of the much talk about hybrid view finder, the look and function of these camera are almost identical, to the point that they could be twin – they both posses the X-Trans CMOS sensor, 16 million pixels resolution and a high ISO sensitivity which all attribute to the X pro 1’s outstanding image quality. Though, the thing that really enticed me into this adulterous fling was the new.Fujinon XF Lens: XF18-55mm F2.8-4 R LM OIS kit zoom lens.
Admittedly I could have purchased this separately to use solely with the X pro 1 but the kit price and buzz surrounding the X-E1 was just too tempting…and as Oscar Wild states ‘I can resist everything but temptation’ ) My first though was to take this seedy affair around the back streets of soho, mainly to test out the infamous noise free high IOS settings and also the new built in pop-up flash; However as me and the lovely model Allana from Milk management set out on our quest, it was clear life had other plans for us:) As the temperature that night slowly decreased to sub zero temperatures and drunken tourist tried to muscle in on our shoot. We only managed to get a handful of shots around Soho
See more pictures on creativelondonphotographer.wordpress.com
I liked the X-Pro1. I like the X-E1 just a tiny bit more, mostly because of the slightly smaller size and diopter on the EVF. In shooting with the X-Pro1 I found that, over time, I relied upon the optical side of the hybrid viewfinder less and less. Lenses poke into the frame in the optical view, and getting precise framing with the optical view is not possible. Given my personal preference for getting framing dead on in camera, if possible, I flipped the switch to the EVF an awful lot on my X-Pro1. With the X-E1 I’m not really missing the optical viewfinder; I don’t find myself trying to flip out of the EVF view. Given that we now have a very capable zoom lens in the XF mount (the 18-55mm f/2.8-4), the reliance on an EVF goes up a little more. I do wish the EVF had a higher refresh rate, but I can live with what Fujifilm gave us, especially at the price point. Since I try not to keep cameras around that I’m not using, I can also speak to the ultimate decider: I’ve decided to sell my X-Pro1. I don’t need two XF bodies, and I value the compactness of the X-E1 more than the hybrid viewfinder of the X-Pro1, so it’s an easy decision. Aside: I’d guess that Fujifilm will update the X-Pro1 in 2013. In so doing, I also suspect that they would try to add a few features to differentiate that model from the X-E1. There aren’t a lot of obvious such features, but a positionable LCD might be one. Both are good cameras, and you need to make sure that none of the small list of differences tilts you one way or the other, but in terms of performance, they’re essentially equal. The great JPEG quality Fujifilm is known for is present equally in both cameras. The handling is the same, though slightly miniaturized in a couple of places on the X-E1. The raw files are the same. The build quality is in the same league with both. In short, near identical twins, with only a couple of small feature differences differentiating them. The lower price helps tilt things the X-E1’s way, too. At the US$1000 body price, it’s going up against the NEX-6 and NEX-7, the Olympus OM-D E-M5, and not much else. And it holds its own on the image quality side. Indeed, the X-E1 would be the best low light camera of that group. It would also be the slowest focusing camera of that group. The X-E1 has the most straightforward and understandable controls and menus of that group. The OM-D E-M5 has a wider range of lenses and accessories, but the existing Fujifilm lenses are all quite good—there’s not a truly weak performer in the bunch (at least so far). Note that the X-Pro1, at US$400 more, has only the hybrid viewfinder to further stand out against those competitors. So kudos to Fujifilm. They took a fine camera, did some careful liposuction and one feature cut, and didn’t harm the patient at all. If anything, they created a slightly more compelling product due to the lower price point. One last point: if you’re into Leica lenses, the X-E1 is like the X-Pro1: with the Fujifilm M-mount adapter and the built-in lens corrections, these X-Trans cameras are the best crop sensor Leica M-mount option out there.
Features — Other than sensor stabilization, nothing to complain about.
Performance — the most controversial of my ratings, I’m sure. Thing is, for image quality it’s probably a four star product despite the color smearing issue. But all the battery and focus performance factors would be a two compared to the competition (in other words, lower than average). A lot of you will see this differently than I. Image quality hounds would likely give this camera four stars. I, however, believe that performance is the sum of the parts, thus my rating.
Value — Another area where I’m going to get disagreement. The lower price with basically only the removal of the hybrid viewfinder as a significant change pushes this camera slightly towards being a good value. That’s especially true if you are a low light shooter, shoot with M-mount lenses, or can get by with the very good 18-55mm f/2.8-4 zoom.
See full review on www.sansmirror.com
It took a while for my second post in my comparison. The last couple of days have been busy. I’ve had the chance to shoot the three cameras at some social events here and there – running into many low-light situations. So my next point of comparison is:
I love the way all three cameras look and handle with all those external controls. And I love the excellent lenses – particularly the Fujinon 35mm 1.4. However, I am again and again frustrated by the performance of the autofocus. From my experience, there is no difference between the Fujifilm X-E1 and the X-Pro1 in terms of autofocus performance with the latest firmware on both cameras. Similar findings have been made elsewhere. Autofocus struggles in low light and with backlit subjects. I came from using manual lenses on a Sony Nex-7, so I am not a „spoiled“ DLSR-user, but I somehow feel I am missing much more shots with the Fujifilm X-Pro1 and X-E1 than with manual focussing on the Nex-7 (using focus peaking). I had several situations where the AF (slowly) hunted and my subjects were getting impatient. Of course I am really talking low-light here – shooting around ISO 1600 to 6400 with the lens at 1.4. Quite surprisingly, my impression is that the Fujifilm X100 actually seems to struggle less with autofocus than the other cameras (comparing those with the 35mm 1.4). Maybe the reason is just that the X100 needs to move less glass, so hunting is possibly quicker. Nevertheless, I felt less frustrated with the X100 than with the other two cameras. I would be very interested hearing other peoples thoughts on this.
From the point of view of autofocus performance, I would definitely keep the X100, because the main purpose of that camera (to me) is that it can always with me. For such a camera, I don’t expect lightning fast AF performance. However, I would expect a little more from the X-Pro1 and the X-E1.
Autofocus for me is really the one reason that sometimes makes me doubt, whether switching to Fujifilm X system was really the right decision, considering that a small DSLR (e.g. Pentax K-5 II) would just give me much more reliable autofocus. Autofocus is perfectly OK if you shoot outdoors and shoot mainly static or slowly moving subjects. So for one part of my photography this is perfectly OK. However, shooting my children outside, at home or at events is currently another big part of my photography. So I would really like to own a main camera system that can cover both needs……
See full article on www.fujifilm-x-opinions.net
The Fujifilm X-E1, as a concept, is irresistible. Whoever drew up the design spec for the X-series was either a photographer, or really understood them. As the furthest evolution of the X100 to the X10 and the X-Pro1, the X-E1 and the XF lenses stand as a testament to knowing what photographers want: Small body, large sensor, access to controls, fast lenses and beautiful image quality.
In translating that spec to reality though, some things seem to have been lost in translation. AF performance has improved, but not yet to the level of today’s best mirrorless cameras, i.e. current generation Micro Four Thirds or Nikon 1 cameras (at this point, we think Fujifilm should just license the technology from somebody). Changing AF points is a chore, just as it’s always been.
The X-Trans sensor giveth and taketh away. It provides exceptional clarity, the kind you can’t get with an AA filter in your way, plus exceptional high ISO/low noise performance which easily ranks it among the cream of the APS-C sensor crop. At the same time however, color smearing and edge glows (which might be part of the same phenomena) can happen, so you’ll need to decide if the increased acuity is worth the potential trade-off. The RAW image workflow also presents a challenge; if you shoot RAW and work in anything other than Fujifilm’s Silkypix, then you might have to consider how best to process your images.
So while we think the X-series is one of the most promising mirrorless systems for photographers, we also think it still has some way to go. The X-E1 is certainly a fine camera which will produce a lot of beautiful images, but it’s not perfect by any means. Its faster AF speeds over the X-Pro1 make it an easier camera to love, but it’s still a camera for a considered, slower pace of shooting than something with a wicked fast AF like the Olympus E-M5 or a DSLR camera.
And the camera is certainly not for someone who wants to shoot video, while it can shoot 1080/24p video with stereo, you’ll notice that there are no video controls placed front and center. This is really a stills camera geared for the stills photographer.
Now, price. The X-E1 is cheaper than the X-Pro1, but it’s not cheap by any means. The X-E1 with the XF 18-55mm kit lens will set you back S$2099, while the body alone is S$1499. The X-Pro1 body alone was S$2399. Lest you think that’s a massive discount, consider the competition. An XF prime lens will cost you S$899 per lens. If you go body alone with a 35mm f/1.4 prime, that’s a retail price of S$2398. Not exactly competitive in a landscape full of mirrorless system cameras going for less. If the retro look and AA filter-less APS-C sensor appeals to you, then maybe. If not, there are other cameras that can get you, if not as good, but good enough image quality for less money.
While using the X-E1, we never felt at any point that it was a diluted version of the X-Pro1. Rather, the X-E1 feels to us like a smaller, concentrated version of its more expensive predecessor, with all its strengths as well as (some) weaknesses.
See full review on www.hardwarezone.com.sg
Today attention for the FujiFilm X-E1 or as I call it the Sexy-1.
It’s no secret that I absolutly love the FujiFilm cameras. It all started when was handed an FujiFilm X100 during a Photowalk and although at that time I did not like the focus etc. (was solved later) I fell in love with the fact that it felt like a real camera…. now what do I mean with a “real camera”. In most smaller cameras you are getting a camera that feels like a digital brick that can take photos, but the whole feel of a camera is gone. Want to change the exposure compensation? go into the menu, want to change the zoom? press a few buttons and it zooms, want to change ISO? go into the menus, want to change … etc.
In other words I love a camera that has a more real camera feel and the FujiFilm cameras have this.
For example the Exposure compensation is right on top of the camera (where it should be), setting the aperture is on the lens itself, zooming (even on the X10) is done on the lens and not via a weird feeling button system, also shutterspeed etc. is all set on top of the camera and if you want everything to be auto… no problem set both on A and you’re in auto mode. So now that this is out of the way, let’s look at the “sexy-1″……
Frank is an international Fashion and Glamour Photographer and born in Amsterdam (Netherland). He still conducts magazine and advertising shoots, with a particular interest for artists and high fashion, however his main focus is teaching workshops throughout the world.
See full review on www.frankdoorhof.com