Fuji X-Pro1

X-Pro1 – Comparing the Fuji Look to the Fuji Look | Adam Bonn

Last time (see part 4 of this series Click Here) I spoke of archiving old images and re-discovering the “X-Pro1 Look”, leading me to decide to re-acquire the camera to use alongside my X-T1. I want to keep that theme going this week! People have so many questions about cameras, about the AF, or the DR, the start up time etcetc. My first question about a camera is; ‘so how do the images look’ I don’t mean at 100% view, I don’t mean after lengthy post process or with filters applied to the files. I simply mean; ‘what’s the look to the files?’ This to me is the big thing. Not that the other stuff isn’t important, of course it is! But to me, the look of the file is the gateway to the feeling of the image, and that can’t be underestimated. (Your opinion may vary!) So, having convinced myself that the X-Pro1 files had a signature that I liked, I wondered about what the actual differences were, and did some research to try and understand more…….

Source: X-Pro1 – Comparing the Fuji Look to the Fuji Look | Adam Bonn Photography

‚Our goal is to satisfy everyone‘: an interview with Fujifilm execs | Barney Britton

Following the launch of the Fujifilm X-T2 last week, we sat down with senior executives from Fujifilm.

  • Yuji Igarashi, general manager of Fujifilm’s Electronic Imaging Division.
  • Takashi Ueno, manager of Fujifilm’s Electronic Imaging Group Sales and Marketing and Optical Device and Electronic Imaging Products Divisions.
  • Ryouichi Takamoto, Optical Device & Electronic Imaging Products Division, Sales and Marketing Staff.

We talked about the X-T2, Fujifilm’s plans for lenses, and why the company is putting a lot of energy into video. The following interview is taken from on-record portions of our conversation, and has been edited slightly for flow and clarity. …..

Source: ‚Our goal is to satisfy everyone‘: an interview with Fujifilm execs: Digital Photography Review

Review: Cactus V6 Mark II | Piet Van den Eynde

I am joking obviously, at least with regards to the contents of the image. This is by all accounts a crappy, ill-composed flash-lit picture of a toy bulldozer. Yet, it’s the fact that it was obviously lit by flash that makes this picture so interesting. Because… look at the Exif-info: that 1/8.000th isn’t a typo. No, after 5 years of Fujifilm X-series, it marks the start of a new era where Fujifilm users who like flash photography, will no longer be limited by their Fuji’s sync speed. On an X-Pro 2, that is 1/250th, on an X-T1, it’s 1/180th of a second. From now on, you’ll be able to shoot with flash at up to 1/8.000 of a second. The little wonder of technology that makes this possible is a radio transceiver called the Cactus V6 Mark II. And the opening shot is the first image I shot with it. As I wrote in this review, I was already quite fond of the original Cactus V6 Mark I as a radio trigger for Fujifilm cameras because it lets you control the power of say a Nikon SB900 manually and remotely by connecting it to a V6 switched to Rx (receiver) mode…..

Source: Review: Cactus V6 Mark II | FUJI LOVE

Introducing the “Hot-shoe mount flash EF-X500” for the X Series digital cameras | Fujifilm Global

FUJIFILM Corporation (President: Kenji Sukeno) has announced that, in September, 2016, it will add the high-end multi-function external flash “Hot-shoe mount flash EF-X500” to the lineup of accessories for the X Series of digital cameras. The EF-X500 is a hot-shoe mount flash with the maximum guide number of approx. 50*. High-speed flash synchronization, FP mode, offers the flash at any shutter speed. This means you can concentrate on shooting even when a faster shutter speed is required, for example, in order to use a near-maximum aperture to produce beautiful bokeh. The EF-X500 also features wireless multi-flash TTL auto function. Setting up multiple flashes and freely controling light on a subject and background offer a creative result. The TTL auto function is available with multi-flash setup as well as single flash, so that you can start shooting without making additional adjustments to light output……

Source: Introducing the “Hot-shoe mount flash EF-X500” for the X Series digital cameras | Fujifilm Global

Why Fujifilm Mirrorless? | G. Dan Mitchell

I purchased a Fujifilm XE1 near the beginning of 2013. My initial thinking was that I wanted a smaller system for some overseas travel, so I got it well ahead of time in order to run it through its paces. The primary Fujifilm alternatives to the XE1 at that time were the X-Pro1 and the X100 bodies. All are wonderful cameras, and all use essentially the same 16MP sensor. (Fujifilm’s tends to use the same sensor across their entire line, at least among cameras using the same sensor format.) 16MP is plenty for most purposes, particularly for handheld photography. I know this because I had made rather large fine art prints from earlier cropped sensor cameras and later from the 12MP Canon 5D. Here is a quick rundown of the three models at that time. The X100 (along with its successors the X100s and X100t) was a simple fixed lens rangefinder style camera with 23mm lenses, equivalent to 35mm lenses on 35mm film cameras or full frame. The X-Pro1 was an interchangeable lens rangefinder style camera that provided an ingenious hybrid optical/electronic viewfinder system. It was introduced as the high-end camera in the set. The X-E1 (like its successors the X-E2 and X-E2s) is a very small (almost as small as the X100) rangefinder style camera with an electronic viewfinder and interchangeable lenses.Recently, after relying on the X-E1 for over three years, I upgraded to the X-Pro2. I’ll have more to say about that below, but for now consider it much like the X-Pro1, though with a 24MP sensor and other improvements……

Source: Why Fujifilm Mirrorless?G Dan Mitchell Photography

Instax Share SP-2: first impressions | FUJI LOVE

When Fujifilm announced the Instax Share SP-1 printer I asked myself what I would use it for, and for long couldn’t find an answer that would justify the relatively high cost of each print. Later I realized that I could utilize it as a marketing tool, and all of a sudden I had so many ideas popping up that I just had to get one. Among other neat ideas I use Instax prints as my business card – could you think of a better business card for a photographer than…a photo? I couldn’t. But every coin has two sides and the SP-1 sure has its quirks, so the news that Fujifilm were about to release a new version of this printer caught my attention right away, leaving a bad taste in my mouth.The batteryIn my opinion the only real improvement is that the SP-2 has a rechargeable battery. The CR2 batteries used for the SP-1 are relatively hard to get (especially abroad when travelling) and expensive and last for only about 60 prints. The new SP-2 printer comes with a rechargeable NP-45S battery but – at least from what I can see from the official press releases – without a charger. Considering the fact that the printer has a USB port I hope that standard USB chargers can be used with this product. This would also allow for firmware updates unless charging is the only purpose of this port. For travel I would recommend the purchase of at least one more NP-45S battery……

Source: Instax Share SP-2: first impressions | FUJI LOVE

Nikon D500 | Back to Nikon from Fuji? | Rick Lewis

This is not a review, but rather a collection of some thoughts for the serious non-professional photographer, about the Nikon D500.  I say for the non-professional because if you are making money with photography you pretty much know what is going to work for you and what is not.  And, by “serious” I mean folks that tend to shoot mainly or always in RAW.  If you are shooting in Jpeg, and there is nothing wrong with that at all, I still recommend Fuji cameras over all others.  Again, this is not scientific, just my thoughts.  Your milage will vary! A few days ago I took delivery of the D500.  I’ve shot quite a number of images now, using most all of the features that are touted by Nikon.  One exception is shooting fast action.  I don’t get much opportunity to do so, and, to be quite honest, if this thing has the same focus system as the D5, well, my guess is it’s pretty darn good at tracking……

Source: Nikon D500 | Back to Nikon from Fuji? – Rick Lewis Photography

The Fujifilm instax SHARE SP-2 Can Add Filters to Your Prints | The Phoblographer

When Fujifilm launched their Instax printer a while back, we honestly couldn’t imagine a way that it could be improved or reworked. But Fujifilm has proven us wrong with their announcement of the Share SP-2 printer. The company claims that it has improved WiFi connectivity, quieter operation with a print appearing in 10 seconds as opposed to 16, and an improved app to work in conjunction with it. But that’s not all. According to the press release issued today, they’re also offering the new printer in a silver and gold option. Beyond this, much of the new functionality comes with new app itself. You can now apply filters and templates to your photos. Additionally, you’ll have control of the brightness, contrast and saturation of each photo. On top of that, you can form a collage of up to four images on one print. More specs are after the jump.…….

Source: The Fujifilm instax SHARE SP-2 Can Add Filters to Your Prints

Good News for Fujifilm Shooters! – Adobe Updates Lightroom and Photoshop | Dan Bailey

Well, good news! Adobe updated both Lightroom CC and Photoshop CC this month, and it looks like Adobe has dramatically improved their X-Trans processing capabilities. It’s not something they announced, but after a few tests, I’m pleased to report that both programs now produce much shaper conversions of Fujifilm RAW files, and they’ve even added color profiles for the new Acros black and white film simulation that were included in the X-Pro 2. Adobe apps automatically apply their own standard Adobe color profile to any RAW file. This means the Fuji film sim you chose for that picture is erased once you open the file in Photoshop or Lightroom. However, you can reapply whatever Fuji color profile you wish under the “Camera Calibration” tab in both programs. Note, they’re not perfect reproductions of the actual Fuji film simulations, but they’re pretty close…..

Source: 06-24-2016 – Good News for Fujifilm Shooters! – Adobe Updates Lightroom and Photoshop

It’s Not Your Camera, It’s Your Lens: How Glass Can Change Your Perspective | Keenan Hastings

Through my short time of shooting I’ve always been faced with the question „What camera do you shoot with?“. When I had my Canon T3i, I hated this question, I felt answering it honestly would cause other photographers to think I was less of a professional. I didn’t know much about the business then, I just knew my camera was one of the cheaper ones, I myself felt inadequate, and because my camera was considered a consumer option I rarely shot with it. After a few months went by I noticed the Canon 60D starting to significantly drop in price, I was able to pick one up a second-hand unit for $500. The first thing I noticed was that it had the dial on the left-hand side of the camera, I remember someone telling me that only the professional cameras had that option, so I was ready to take over the world at that point.At the time I didn’t know this too was an APS-C sensor, I thought I was walking around with top quality, and my lens collection was A+ as well. I had the Sigma 18-35 f/1.8 and the Canon 24-105, I was covered in every area and my images were great for my level of experience……

Source: It’s Not Your Camera, It’s Your Lens: How Glass Can Change Your Perspective — KeenanRIVALS

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