Fuji X-Pro1

A Year with the Fuji X-Pro1 – Review | Richard Nixon

The X-Pro1 had instant appeal; I had harboured a mild and ongoing interest in photography ever since I owned my first capable camera – the iPhone 4s – but had never been drawn in by the idea of the DSLR touting lifestyle. The X-Pro1 was the answer I hadn’t even realised I was waiting for – the image quality, performance “sex appeal” it offered was all there and everything I suddenly needed. However, a quick price check revealed that my student budget wasn’t letting this happen anytime soon. The article was bookmarked and forgotten. Cue 2014 – a couple of graduations and a few months of employment later – and I have an income, firmware updates have fixed the cameras biggest issues and Fuji are offering the X-Pro1 and their 18mm F2 at a discounted rate along with the offer to claim another lens of your choice free. It all came flooding back; I was sold. I chose the 35mm F1.4. Obviously. One year later and it’s apparent that was one of the best purchases I’ve ever made. It was my starting point as a photographer and my ability has come on leaps and bounds with it as my companion…….

Source: inlightofview.com
 


Fuji X-Pro1

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Nocturnus – f0,95 35mm | Meyer Optik Goerlitz

Das Nocturnus f0,95 35mm besticht durch außergewöhnliche Lichtstärke und ermöglicht Fotografen mit spiegellosen Kameras einen besonders großen kreativen Spielraum beim bewussten Einsatz von Schärfe und Unschärfe. Das manuelle Objektiv ermöglicht auch in Aufnahmesituationen mit wenig Licht eine äußerst präzise Fokussteuerung, die gerade für Aufnahmen bei Offenblende mit geringer Tiefenschärfe von besonderem Wert ist. Die optische Konstruktion ermöglicht auch bei f0,95 eine hervorragende Schärfeleistung im Fokusbereich und sorgt für maximale Reduzierung chromatischer Aberration. Zehn Blendenlamellen kreieren ein harmonisches Bokeh…..

Source: www.meyer-optik-goerlitz.de

Fujifilm XF 16-55mm f/2.8 R LM WR Review | PhotographyBLOG

The Fujifilm XF 16-55mm f/2.8 R LM WR is a new professional weather-resistant standard zoom lens for Fujifilm’s X-series interchangeable lens cameras. The Fujifilm 16-55mm F2.8 lens boasts an angle-of-view range similar to that of a 24-84mm lens in a 35mm system and features a constant maximum aperture of f/2.8 throughout the range. Other highlights include a close-focus point of 30cm, an iris diaphragm with nine rounded blades, Fujifilm’s unique HT-EBC (High Transmittance Electron Beam Coating) and Nano-GI (Gradient Index) coating technologies, a linear motor-driven focusing system that allows the camera to lock focus on the subject in 0.06 second, and silent operation for video recording…..

Source: www.photographyblog.com
 


Fujifilm Fujinon XF 16-55mm F2.8

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Fuji XT1 Wedding Photography | Mariano Sfiligoy

Hi! My name is Mariano Sfiligoy. I’m a father, a husband and a wedding photographer since 2011. I grew up surrounded by film cameras and black and white photos, each telling stories of my family. At home the bath was a darkroom. Since the moment I started photographing, I was always looking for the best cameras and lenses but then, I realised that smaller gear was an important contribution to my photos. Today I travel light which allows me to get close to the action and document weddings as I see them in my mind. For that reason I decided in late 2014 switch from Nikon Df to Fujifilm X-T1…..

Source: shotkit.com
 


Fuji X-T1

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Fujinon XF 56mm f/1.2 R review | Wim Arys

Real-life performance and use

The Fujinon XF 56mm f/1.2 R complements the Fujifilm X-T1 perfectly both in finish and size. The only issue might be that the XF56mm is not weather proofed, limiting the use to dry conditions. I mainly use a lens like this for portraiture and shallow depth-of-field effects. It is truly stunning at large apertures with a beautiful blur in the out-of-focus parts. Focussing is always going to be challenging with a f/1.2 large aperture lens because of the very shallow depth-of-field, but it focus targets very accurately on the X-T1. It would be even more useful if it incorporated image stabilization, but I guess we’ll have to wait for a newer version or sensor stabilization in a future Fujifilm camera model for that. In daylight shooting, I did find the large degree of color fringing quite bothersome. I guess the camera corrects this when shooting Jpeg’s, but if you’re a RAW shooter take note. A fast lens like this also lends itself well to low-light photography. You’ll be able to keep ISO down while still getting a decently exposed image. I always use center spot autofocus on the X-T1, and this works well with the 56mm too…….

Source: www.wimarys.com
 


Fujifilm Fujinon XF 56mm F1.2

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Fujinon XF 10-24mm f/4 R OIS (Tested) | SLRgear

Conclusion
There’s not a ton of choice for shooting wide-angle in the Fuji system – either this lens, or either of the 14mm or 18mm primes. That said, the 10-24mm ƒ/4 R OIS is a very capable performer, offering sharp results at every focal length with the possible exception of 24mm, plus the added versatility of a zoom design and OIS. If you want to shoot ultra-wide on a Fuji X-mount camera, there’s no alternative at this time that offers the same features…..

Source: slrgear.com
 


Fujifilm Fujinon XF10-24mm F4.0

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Taking the Fujifilm X-T1 to Far West Texas | Steven Dempsey

Enter the EVF with the electronic level. This thing is a miracle! Gone are the days where my horizon line is leaning. Now I can confirm my compostions are correctly lined up before I press the shutter. I can’t overemphasize how much this has changed my life! In fact, having all the information, including a histogram available while shooting is a much better shooting experience than the good old days of my optical viewfinder. Even in the few short weeks I have been working with the X-T1, I’m not sure I would ever want to give up my EVF! When I first began to consider downsizing from my DSLR to a mirrorless system, I was most nervous about compromising the quality of my landscape photography. Going from 22mpx to 16mpx seemed like a lot but I’ve been very pleased so far. I would even venture to say that some of the photographs have a magical quality that I have never seen in my Canon work……

Source: stevendempseyphotography.blogspot.fr
 


Fuji X-T1

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Fujifilm 10-24mm f/4 Lens Review: A stand-out, versatile,
ultra-wide zoom | William Brawley

Fuji announced the 10-24mm f/4 R OIS lens at the end of 2013, and it finally released several months later. This ultra-wide zoom lens offers an equivalent 15-36mm field of view, optical image stabilization, and a constant maximum aperture of f/4. This all makes for a rather unique and versatile ultra-wide lens for Fuji shooters since there aren’t really any alternatives — from Fuji or 3rd parties — for a super-wide angle of view with zoom functionality. Like many of Fuji’s lenses, this XF-series lens is very well-built with an all-metal contrstruction and a smooth, black satin finish. For an ultra-wide mirrorless zoom lens, it isn’t all that heavy (just over 14 oz.), but mounted on the smaller X-mount bodies it does make for a package that’s not quite as compact as some might prefer…..

Source: www.imaging-resource.com


Fujifilm Fujinon XF10-24mm F4.0

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First Impression: Fuji XF 18mm | Rivals

Okay so the “First Impression” title may be a reach, I say this because the Fuji XF 18mm was one of the first lenses to ever bless my body (that sounds weird). When I purchased it several months ago I was debating between a Ricoh GR or X-T1 with this lens as my street photography kit, ultimately I ended up with X-T1, but the Fuji X100T has taken over as my go to street kit, and ever since then the XF 18mm f/2 rarely sees the light of day. The lens honestly has a bit of an odd spot in my kit, I normally shoot strictly with the X100T and the 56 f/1.2 for the majority of my work, the 35/85 full frame eqv focal length is all I really need to get any job done. In rare cases where I need to go wide, I step back, but for whatever reason I can’t let this lens go…….

Source: www.rivalsvs.com
 


Fujifilm Fujinon XF 18mm F2.0

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The Fuji XT-1 and XC 50-230 meet Australian Wildlife |
Caveira Photography

Most of us are guilty of spending our dollars on getting that ‘perfect lens’ or piece of gear that will ‘make my photos so much better’. It’s bred into us via the internet and marketing and I am certainly guilty of such things considering photography isn’t my bread and butter, yet I own a pretty nice but simple Canon rig, and my Fuji rig is growing steadily. After recently adding more Fuji gear to my arsenal (XT-1 & XF56 1.2) I decided to check out a ‘cheap’ Fuji zoom lens for testing my skills in areas I’ve not worked much in before – wildlife photography. For $240 AUD (~$190 USD) the XC 50-230mm f4.5-6.7 is a relatively compact and very quiet zoom lens covering a 76-350mm focal length and it also has Optical Image Stabilization (OIS). As I’ve said to my best mate before and fellow camera and Transformer’s enthusiast, ‘I’m just like Optimus in that I’m a Prime kinda guy’, so this is the first zoom lens I’ve ever purchased, which opens up a lot of opportunities and a different way of shooting compared to what I’m used to. Regardless, I had a lot of fun with it and was pleasantly impressed with the results……

Source: www.caveiraphotography.com
 


Fujifilm Fujinon XC50-230mm F4.5-6.7

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