Lenses and Accessoires

My 3 day affair with the Fuji XF 55-200mm lens | Josh McLeod

I have been wanting a telephoto or telephoto zoom lens for my Fuji X-T1 for some time now. The longest focal length I had for the Fuji X-System is the amazing Fuji 1,2/56mm lens (85mm equivalent), and since selling my DSLR gear I really miss some of the longer focal lengths. The lens I miss the most is the Carl Zeiss Sonnar T* 1,8/135mm so when I heard the rumor that Fuji is considering releasing a 2/90mm lens I got excited. The other lens that kind of interests me is the hopefully soon to be released 2,8/50-140mm lens. When I am wanting to shoot with longer focal lengths I have been using my Olympus OM-D EM-1 with a Sigma 2,8/60mm lens (120mm equivalent), which incidentally is probably one of the best value lenses on the market today (Click here to see my review of the Sigma 2,8/60mm)…….

See on joshmcleodphotography.wordpress.com
 


Fujifilm Fujinon XF55-200mm F3.5-4.8

Do you love my work and want to support me? If you’re planning on buying camera gear, you can check out above-noted links. Prices remain the same for you, but a small percentage of your purchase value is valued back to me. Thank you!


 

Filters: Part 2 – ND Filters | Josh McLeod

Put simply Neutral Density or ND filters reduce the amount of light entering the lens. They are available in different optical densities and are usually described/quantified by their f-stop reduction. I use these types of filters in one of 2 ways. Either to enable me to shoot at a wider apertures in bright conditions and give me greater DOF control, or for me more commonly to shoot with a longer shutter speed (long exposures), usually for landscape photography. A Graduated Neutral Density filter is similar to a regular ND filter except the intensity varies across the surface of the filter. This is useful when one region of the image is bright and the rest is not, such as the sky in a sunset/sunrise landscape scene. I often use this type of filter for landscape photography, and often conjunction with an ND filter. There are also variable ND filters available, which offer a lot more flexibility over carrying around various filters of different densities. I have limited experience with variable ND’s but each time I have used one I have experienced various issues including a loss of image quality. I have tried a number of different brands, all without success………

See on joshmcleodphotography.wordpress.com

Rokinon 12mm f/2.0 NCS CS Review | Ian Norman

Can the new Rokinon 12mm f/2.0 NCS CS compete with the Zeiss Touit 12mm f/2.8? Here are my thoughts on this unique lens. A few months ago I showed readers how to pick a lens for milky way photography. In the conclusion of the guide, there was one particular type of lens that stands out above all the rest: the fast wide angle. Rokinon has been a particularly popular manufacturer for photographers interested in astrophotography because their lenses often outperform many of the more expensive offerings from Canon or Nikon at a much lower price. The lenses from Rokinon eschew the typical modern norm of autofocus or image stabilization, instead focusing solely on the optical performance. You can find the same lenses under other brand names too: the original manufacturer is Samyang and their lenses are available under the names Rokinon, Bower, Walimex and a few others……

See on www.lonelyspeck.com

Review: Fujifilm XF 55-200mm f3.5-4.8 R LM OIS (X Mount) |
The Phoblographer

In my nascent tenure as a Fujifilm shooter, I’ve worked primarily in the medium to wide focal spectrum, from 55mm at the longest to 10mm at the widest. I’m primarily a street photographer, so I’ll have to find a balcony for anything longer than 50mm. The 55-200mm f3.5-4.8 was a welcome change that proved to be a valuable piece of glass for the time that I had it.With a 35mm-equivalent focal length of 83mm-300mm, this lens was great with portraits and performance. The zooming is, however, external, so it’ll add considerable heft to any X-series camera in your bag……

See on www.thephoblographer.com

Streets of May | Jonas Rask

May 2014. Again I have strayed into other areas of photography for a little while. I still shoot street. Below are 14 shots from Århus, Denmark. Captured using the X-Pro1 and the XF 56mm f/1.2 R. This lens is fantastic. Bokeh is so amazing. Focus is fast. And it works so damn well for Narrow DOF street photography. Enjoy…….

See on jonasraskphotography.com
 


Fujifilm Fujinon XF 56mm F1.2

Do you love my work and want to support me? If you’re planning on buying camera gear, you can check out above-noted links. Prices remain the same for you, but a small percentage of your purchase value is valued back to me. Thank you!


 

Poinsettia Fire – Carlsbad CA – X-T1 & 10-24mm | Chris Dodkin

This fire was way to close for comfort, but now that the smoke has cleared, it’s amazing to see how near the fire came to so many buildings, and what a superb job our firefighters did in keeping those buildings from burning. The fire raced West, up the canyons, through the tinder try brush – it hopped 4 lane roads with ease, and scorched some 600 acres. What’s left is eerie, barren and dusty – with the screeching of distant smoke alarms from burned-out homes, echoing over the desolate landscape……..

See on f-sunny.com
 


Fujifilm Fujinon XF10-24mm F4.0

Do you love my work and want to support me? If you’re planning on buying camera gear, you can check out above-noted links. Prices remain the same for you, but a small percentage of your purchase value is valued back to me. Thank you!


 

ND Filter. Don’t go Variable! | Jonas Rask

A little warning for my fellow photographers today. I like to shoot high speed prime lenses. That should no longer be a secret to the people who follow this blog. Ever since I started going “collectors heaven” with the old 50 mm lenses I have been needing ND filters in all shapes and sizes. And trust me on this DON’T BUY VARIABLE ND FILTERS! They will mess up your gorgeous bokeh, and specular highlights! What a variable ND filter really is, is two pieces of polarising glass. One linear, one circular. You twist the filter to offset the polarisation. Polarized at a 90 degree angle, the filter lets in zero light. at 0 degrees it lets in 100% light. (Basic high school physics :-P) What this sadly does is introduce artefacts into your out of focus areas. And before you start saying that this is only true on cheap filter brands… trust me…it’s not! I’ve tried variable ND’s from the following companies, and ALL with no exception show this issue! ……

See on jonasraskphotography.com

Freelensing With Fuji X-Pro1 | Vintage Lens + Micro 4/3 |
Paulius Musteikis

Last Friday I picked up my non functional Olympus RC 35 that was hiding in the deep closet. I picked up this fine little 35mm rangefinder, gently took it apart and dismounted 42mm f/2.8 Olympus Zuiko lens. Afterwards I took the lens apart and took the shutter and aperture blades out. So in the end all I had left was a little peace of beautiful and non working vintage glass. So first of all I tried modified Olympus 42mm f/2.8 Zuiko lens on my DSLR. And it didn’t work. And I would assume it didn’t work because of large gap between handheld lens and the camera sensor. So then I picked up my Fuji X-Pro1. And that was it! I peaked through viewfinder and saw world turning into an awesome abyss of blur. And I was sold…….

See on www.pauliusmusteikisphoto.com

Fujinon XF 23mm f/1.4 R (Fujifilm) – Review | PhotoZone

Verdict

The Fujinon XF 23mm f/1.4 R is a highly attractive addition to the Fujifilm lens lineup. It combines an ultra-large aperture with high quality results. At large aperture settings the center quality is already pretty high whereas the borders/corners are at least on a good level. The resolution is much more snappy at f/2.8 and images are tack sharp between f/4 and f/5.6. The low amount of lateral CAs also contributes to the high sharpness perception. Image distortions are nothing to worry about whereas vignetting can be an issue in RAW images at f/1.4 and f/2. However, Fujifilm is relying on image auto-correction so this is usually a lesser issue from a user perspective. Wide-angle lenses tend to produce a quite harsh bokeh (out-of-focus rendition) but the quality of the Fujinon is really good especially around f/2. The build quality of the XF 23mm f/1.4 R is very high and as such in line with most Fujifilm offerings. The lens is mostly made of metal and precisely assembled. Due to its surprisingly low weight of just 300g it may not feel quite as substantial as -say- a Leica lens. However, objectively there’s little to complain about except for the lack of weather sealing. The AF isn’t overly fast but probably good enough for such a wide-angle lens. If you prefer to focus manually (by wire) every once in a while, the focus clutch mechanism may come handy. We would have preferred a full-time manual focusing mechanism though. Ultra-large aperture lenses tend to be very pricey and in absolute terms this also applies to the Fujinon. However, at less that 1000US$/EUR, it is relatively affordable in our opinion and certainly worth a deeper look. Therefore highly recommended!……

See on www.photozone.de
 


Fujifilm Fujinon XF 23mm F1.4

Do you love my work and want to support me? If you’re planning on buying camera gear, you can check out above-noted links. Prices remain the same for you, but a small percentage of your purchase value is valued back to me. Thank you!


 

Event Photography with the Fuji 55-200mm lens |
Stephen Mc Curry

Recently I spent the day doing a spot of event photography at the Baltic Art Gallery, Gateshead.  The event, Public Sector HR Summit 2014 was a vibrant collection of some of the best speakers on the subject and attracted a good spread of attendees from across the country. As far as photography is concerned it provided something else – a reason to break out the Fuji 55-200mm lens on my X-Pro1 and test not only its telephoto range but also its image stabilisation. The lens is certainly different to use with the Fuji cameras than the primes I have become accustomed to and immediately brings back thoughts of using a DSLR style setup.  It is longer and heavier than my other lenses and with the hood in place it requires a bit more work to remain discrete when zoomed to its fullest extent.  This being said, it is small and nowhere near the heft of something like the Nikon 28-70 I was shooting with on a D700.  Indeed the combined weight of the X-Pro1 and the 55-200mm felt less than that of the 28-70 alone and the overall dimensions are around the same length but about half the width……..

See on www.notofthisearth.co.uk
 


Fujifilm Fujinon XF55-200mm F3.5-4.8

Do you love my work and want to support me? If you’re planning on buying camera gear, you can check out above-noted links. Prices remain the same for you, but a small percentage of your purchase value is valued back to me. Thank you!


 

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