At the Sheikh Zayed Grand Mosque in Abu Dhabi, I worked the entire trip with the Fuji 10-24mm, which was made for that place. Even at 10mm, you can’t hold it all as a straight vertical. So I keystoned it (pointing the camera up and getting converging lines) and brought the verticals back in Photoshop. There were a lot of people in the same spot shooting at this gorgeous mix hour. Many were in front of me. But with the X-T1′s articulating finder I held the camera up high over my head to avoid them. With the OIS, this unwieldy grip did not matter. Everything was tack. This is a good example of the Fuji 10-24mm f/4′s rectiliniear look, even all the way zoomed out to 10mm. This lens if going to make a lot of architectural and real estate shooters very happy. The 15mm (FF) equivalent of the Fuji 10-24mm zoom makes views possible that are not doable with less wide lenses. Even here, I was at 10mm, and pushing it to get everything within the arch. But what I love is how straight the lens is — superwide zooms just aren’t supposed to be this straight. They generally go from barrel to pincushion, with a straight-line moment happening about halfway through the zoom. This thing is remarkably straight through the range…….
See on petapixel.com
Did you really expect anything else? Fujifilm’s 56mm f1.2 is the sharpest mirrorless camera lens that we’ve tested. Not only that but it exhibits beautiful bokeh, pretty good color rendition, almost no distortion, focuses quickly, and is built well. It’s a bit expensive though, and for that reason we really only want to recommend it to the creme de la creme of the X series users. Shooting images of your cat or breakfast with this lens is a total waste and will make the theoretical photography gods weep tears of fixer fluid. You’ll get the most out of this lens when using it in the studio–so that’s where we recommend that anyone aspiring to get this product uses it. Flash will give you the absolute sharpest images and that’s how you’ll really be able to take the most advantage of what this lens can give you……
See on www.thephoblographer.com
Over the better part of the last three years I have shot with prime lenses on various systems, for reasons of clarity, speed, IQ and not forgetting the fact that primes really do force us to think, and hopefully too, make us better composers of photographs. The Fujifilm XF system of lenses has however, given me cause to rethink this theory and while the 35mm 1.4 and 60mm 2.4 R Macro give me an IQ that I am delighted with, and two focal lengths that I am extremely happy and comfortable to work with, the promise of superb IQ in a convenient zoom lens, two of which cover 18-200mm (equiv: 27-300mm on the APS-C sensor of the X-Pro1, E1, E2 and the new X-T1 and, all I could possibly need) meant that this was something that could benefit me a great deal in a lot of situations.
See on roblowephoto.wordpress.com
Those of you who know, and even those of you who just look at my pictures will know that I have a thing for shallow DOF, ultrafast lenses and Fujifilm gear. So, of course, when Fujifilm announced back in 2013 that they would release a 56mm f/1.2 lens, I was emmidiately thrilled, psyched, happy and everything in between. The 23 f/1.4 also sparked interest, but I already own the x100s, so I really didn’t need that focal length. I rarely shot portraits of anyone except for my family and loved ones. So why on earth this craving for a fast 85mm full frame eq. lens when all I mostly do is street photography? Well. I started photographing using a Canon EOS 400D using only the EF 50mm f/1.4. So I was very used to using the FOV that a 50′ish lens gives me on an APS-C sized sensor. I really tend to miss that focal length. Come 2014 and my troubles are no longer present. I am now spoiled with an ultrafast, pin-sharp, fujinon lens that has blown me away with everything from IQ to build quality. Below I will write a little bit about my first impressions of the lens, since I really have only been shooting it for a weekend……
See on jonasraskphotography.com
Jake and Jolie are engaged to be married next year and agreed to model for my 1:2 training session with some clients from Scotland. We shot on the streets and in the bars of Bristol. I showed my clients how to find dry shooting locations if it’s raining and how to find amazing light no matter what the weather is doing. The day started with flat overcast light and ended with afternoon sunlight. These pictures were all taken using the available light and hand held. I know this new lens and camera from Fuji is hot property right now so I thought I’d show what it can do and how the pictures look when shooting portraits wide open or nearly wide open. To save you wading through lots of images here I’ve exported a web gallery from Lightroom. Just click on the graphic and you will be transported to the gallery. Some Lightroom templates don’t display correctly on Google Chrome browser but Safari, IE and Firefox seem fine. Click on the thumbnails to see the Exif data. I’ve included it so you can see the aperture set etc. I shot every frame on the Fujifilm X-T1 in manual exposure mode. I used the screen on the back or the big, bright viewfinder to set the framing and exposure of each shot before I pressed the button. This live preview is so much faster than the faff with an SLR of taking a shot, looking at it, adjusting settings etc and taking another one. I end up shooting far less pictures and get many more ‘hits’ in my output. It’s refreshing to have no ‘test’ shots that are under or over exposed etc…..
See on www.prophotonut.com
Fujifilm knows a thing or two about making high quality fast primes — just look at the results of some of the other Fuji primes we’ve tested (even the zooms are highly-regarded). So, we were very excited to test this newly-available Fujinon XF 56mm ƒ/1.2 R portrait prime, hoping that this super-bright, 85mm-equivalent focal length lens would be another stunning piece of glass from the folks at Fuji. This solidly-built, all-metal, professional-grade lens features an optical design that’s comprised of 11 elements in 8 groups, including two ED (extra low-dispersion) elements and one double-sided aspherical element, plus four elements with a convex surface facing the subject, which altogether to reduce spherical and chromatic aberrations for superior images, according to Fuji……
See on slrgear.com
It’s time for another battle! Both Fuji and Panasonic have released fast 85mm equivalent lenses with f/1.2 maximum apertures over the past month, and both are turning out to be truly outstanding lenses. While there are likely few people who are contemplating which to buy between the two (as that would require simultaneously having both Fuji and Micro 4/3 systems…which is something I have, but is not too common), with two fantastic lenses such as these coming out around the same time, there’s bound to be comparisons. I reviewed the Fuji 56mm f/1.2 recently and found it to be a truly stellar lens. I’m currently shooting with the Panasonic Leica 42.5mm f/1.2, and that review will be up sometime in the next week. So let’s take a look at these two lenses and how they stack up…….
See on admiringlight.com
What is the X-Signature range then? Recently, I was made aware of the new “pimping” service of the X-Series of cameras that Fujifilm have launched in the UK and I believe, worldwide. The Service involves having your X-Series Camera skinned with a choice of many different options. Current options include; Racing Green, Burnt Orange, Black Lizard, Blue Lizard, Beige Lizard Emboss, Light Green Lizard, Navy Blue Crinkle, Red Lizard and Red Crinkle Emboss. Now, I’m a reportage wedding photographer right? Part of my remit at a wedding is try not to stand out in the crowd and to blend in as much as possible. So, with that in mind, I decided to avoid options such as Red Lizard and Burnt Orange (though I’m sure these will be fine choices for certain people!). Instead, I went for Black Lizard. Why? Well, because it’s black….mostly. The process has been superb. I ordered my “pimping” on Tuesday. On Wednesday morning I received a pre-paid box and padded envelope. I popped my X-Pro1 in the post on Wednesday afternoon. Less that forty eight hours later I receive a parcel from Fuji with my brand new X-Signature Skinned X-Pro1……
One afternoon in Florida we took a break and visited a local wildlife preserve hoping to get in some fun photography of the animals. Problem was all the animals were in cages with very narrow openings in their wire fencing, and in most cases the backgrounds were inappropriate and distracting. To get around this problem I put my longest lens, the 55-200mm zoom, on the Fuji X-T1. Zooming the lens to its longest focal length helped minimize the obstruction from wire cages. I also set the lens to its most open aperture, and positioned it as close as possible to the wire cages. This gave me the lowest depth of field and threw the wire cages mostly out of focus…….
Love at first sight
I guess this is what is known as love at first sight. A perfect match. When you know there is no need to further test, or to “date” a little bit longer because you simply know it will be a long-lasting and happy relationship. There are plenty of detailed reviews online and plenty of technical data sheet about the camera and the lens, there is no need to cover again that kind of information. All I can say is that the camera is designed to fit perfectly in the hands and to have that kind of tactile feel that only a vintage camera could offer and is designed with a lot of technology inside but with a simple usage in mind. And the lens, is just amazing: wide open is razor sharp, it has an impressive OIS that can easily hold 5 stops, all you have to do is get out and shoot. And this is what the X-T1is made for: to simply take beautiful picture, to forget about the technical race and to focus on what should be every photographer’s main concern: making stunning images……
See on fujifilmblog.wordpress.com