I bought it exactly one year ago, during a cold november 2012. Lots of people have said a lot of stuff about this camera and I’m not going to give a technical assessment here. I’m not a professional user (even if I’d like to think I am, as PRO is written on the camera!) but an amateur who was looking for a camera with the same control I had on my analogic camera (a good old Canon FT from the 60′s). The only digital camera I had so far was a Canon Ixus V… Before buying it, I hesitated between the X-pro and the Olympus OM-D. The bigger sensor and the real shutter speed wheel made the difference for me. Did the X-pro reached my expectations? Definitely yes. The control is really close to my old camera. The only thing I could complain is the manual focus. It was easier on the canon as the magnification was higher and the ring on the lens was more reactive than the fuji (I own the 35mm f1.4). By the way, I played a bit with a Nikon dslr a couple of days ago and realized the magnification was even lower than on the X-pro. I don’t get it…….
See more pictures on www.regislessent.com
I’ve started this blog to focus solely on my street photography with my Fujifilm X cameras. I’ve had an X-Pro1 for about a year (although didn’t really start using it for street work until about 6 months ago on a trip to New York). About 10 days ago I got an X100s, and am absolutely in love with it. I’ll mainly be posting original content on this blog, will may also reblog some other X street photography that I come across….
See more picturres on lifeonxstreet.tumblr.com
Here is a gallery of pictures taken by Damien Lovegrove with the fabulous Fujifilm XF 60mm f/2.4 macro prime lens. All the pictures were shot on the Fujifilm X-Pro1 camera……
See more pictures on www.lovegrovephotography.com
J’aime relever les défis, aussi bien techniques que créatifs. Mercredi dernier, j’ai décidé de réaliser un shooting mode en délaissant de nouveau mon NIKON D3s au détriment de deux petits boitiers, mais pas n’importe lesquels : mon FUJI x-PRO1 et mon x100s. Voici le résultat de cette séance. La FUJI attitude :) Pour celles et ceux qui me suivent sur ma page Fan Facebook (je vous invite d’ailleurs à vous y abonner ! Dediou !), vous vous rappelez probablement d’une séance pin-up réalisée avec Ariana il y a plusieurs mois. J’avais décidé, contre toute attente, de laisser de côté le lourd matos pro pour n’utiliser que le FUJI x100s durant ce shooting Studio. Le résultat avait dépassé de loin mes espérances. Même si j’étais confiant, on a tout de même quelques appréhensions à délaisser du matériel et des habitudes de travail éprouvés pour se risquer dans de nouvelles expérimentations. Peur d’un résultat moyen, de décevoir, de constater a postériori que la qualité n’était pas là et qu’on a gâché toute une magnifique séance. Mais comme certains le savent probablement, je suis un peu fou……
See on photo.fusina.net
The Fujinon XC 16-50mm f/3.5-5.6 OIS is a fairly good standard zoom lens but it doesn’t really stand out due to a number of weaknesses. In terms of resolution, the quality is generally high in the image center and decent in the outer image field. The lens relies heavily on auto-correction with respect to its native distortion characteristic which is nothing short of extreme at 16mm. Since most users will never notice this, this is probably an acceptable compromise (albeit a lossy one). The original vignetting is rather heavy at large apertures but also corrected behind the scenes. Lateral CAs are an issue at 16mm at large aperture settings especially in the image corners. Technically there isn’t really much to complain about the build quality but you have to live with an all-plastic construction. On the up side, this means a very low weight. Size-wise it is a comparatively big lens though. The AF is reasonably fast and near-silent. We are not yet sure what to think of Fuji’s optical image stabilizer. While it surely gives some extra potential, we aren’t overly convinced whether Fuji has already mastered all the associated complexities. The field images felt somewhat more consistent with deactivated IS – which reminds us of the other two OIS lenses that we handled so far. If we had to choose between the Fujinon XC 16-50mm f/3.5-5.6 OIS and it’s in-house cousin, we would place our bets on the the XR 18-55mm f/2.8-4 OIS. Regarding the sum of its qualities, the XC 16-50mm f/3.5-5.6 OIS is just too expensive in comparison – at least when purchased separately. These extra 2mm at the wide end are an interesting value prop for landscape photographers though and when relying on the provided image auto-correction the results can be quite attractive.
Optical Quality: 2.5 / 5
Mechanical Quality: 2.5 / 5
Price / Performance: 2.5 / 5
See on www.photozone.de
Berlin really is a fascination of it’s own. I first fell in love with this city during a 5-day-stay back in 2010, when I visited microsoft’s tech ed conference. sadly I had little time during daylight to explore this city, so I promised myself to return soon. during our ski holidays in 2011 we got to know a couple from berlin and stayed in contact since then, which opened up the window for a 3 day visit of my wife after easter in the year after – an opportunity I missed due to a scheduling conflict :( so we had to come back this year in early summer and enjoyed rain and sun both together. returning to already known places (alex, main station, government district, ..) went along with exploring new sites (tempelhof airfield, pergamon museum, kreuzberg-district, “oberbaum”-bridge, boat trip on the river spree, berlin wall)…….
See on www.refro.at
I just recently came back from my first overseas assignment since moving to Miami (not counting Lebanon). Our patch extends across the southern US into the Caribbean, so I expect this first trip to be the first of many. We started off in the Dominican Republic for a few days to begin telling the story of how desperate people are to leave the island. In the last year there has been a huge spike in the number of migrants from Haiti and Dominican Republic risking their lives to reach Puerto Rico. Many of them pay thousands of dollars to take off from the northern coast. The sleepy fishing town of Nagua has earned itself a reputation as a launching point for smugglers. Yolas. That’s what they call the flimsy vessels that transport desperate migrants to Puerto Rico through the treacherous waters of the Mona Passage. They’re usually a bit bigger than the ones pictured here, but not often by much. The journey can take anywhere between 10 hours and three days……
See on blog.karimhaddad.com
The Fujifilm Xpro 1 is a superb camera and many photographers are singing its praise while making great images from this unique and high quality digital rangefinder. There are a few pieces of gear that can really enhance the Xpro1 and this post is dedicated them. After using the camera for a year and a half and having a load of friends also indulge in the Xpro1 I built this list with authority. Some of it can apply to the XE1 and XE2 and some can’t, I’ll let you know so all Fujifilm X system shooters can benefit from these suggestions. So here we go, the 9 essentials…..
See on suspectphotography.com
Thanks to the friendly team at FujiFilm New Zealand I was lucky to spend the weekend with the new Fujinon 23mm F1.4 lens, which will hit shelves Monday morning, the same day my grace period expires and my copy gets recalled. The 35mm equivalent focal length of the new 23mm lens has been a favourite in the street photography realm for many years and is a must have prime for many, evident by the versatile and incredibly popular X100 and X100s cameras with the same fixed focal length. Up until now my favorite focal length from the Fuji camp has been the 35mm (52.5mm equivalent), it has been solely responsible for 90% of the street portraiture I have been pursuing. But it does have one downside: I feel the standard field of view (50mm) is not very good at sucking in and including the entire scene. Longer focal lengths compress and minimise the background reducing spacial awareness, which often add to the overall story. Ideal for creating clean and isolated portraits but lacking scale and placement can reduce the overall visual impact. This is where the new lens comes into play, filling the gap perfectly and becoming a formidable artistic weapon in the ever growing FujiFilm line up…….
See more pictures on www.bokeh-monster.com
Fuji has been releasing been on a roll with lenses, but how does their cheapest lens on their cheapest camera perform? My first impression of this lens was that it looked nice, but was cheaply made. The barrel is all plastic, including the mount. The zoom mechanism is a little tight turning and the lens extends way out. However, there is an included hood, and the kit actually came with a body cap and rear lens cap (cheap push on type), which is better than most inexpensive kits today. The zoom range is an impressive 16-50mm, where the slightly wider view is a nice improvement over most kit lenses. The plastic makes the kit lens very light weight, weighing in at only 195g it uses a pretty advanced lens design with 3 aspheric elements, 1 low dispersion element, with 12 total elements in 10 groups. It has an average for class magnification of 0.15 at a minimum focus distance of 0.3 m. It uses 7 rounded blades for the aperture. Considering the price of X-A1 camera with this kit lens, how good could the lens possibly be? Lets find out……
See on erphotoreview.com