Fuji X-Pro1

Fujifilm Lens Abbreviations | Romanas Naryškin

Fujifilm has been producing lenses for decades now. The are m42 screw-mount lenses to be found, medium-format lenses on their fixed-lens 120/220 film rangefinder cameras, not to mention broadcast and cinema lenses. In this article, we will focus on Fujifilm’s current digital compact camera system with APS-C sized sensors and discuss the most common Fujifilm lens abbreviations you can come across while looking for a new lens to put on a Fujifilm X-E1 or other camera. I will also mention some of the common abbreviations found on other Fujinon lenses, too……

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Zeiss Touit 12 vs. Fuji 14 vs. Zeiss ZE 21 | Mortten Byskov

Since 2005 I have used a Canon EF 16-35 2.8L USM as my only wide angle lens. I have been very happy with this lens, using it on a 20D, 5D, 5D Mark II and now on the 5D Mark III. The 16-35 is a good performer and very versatile. So why even consider other options. Well first of all; Who wouldn’t want a new lens if it performs better and fits into a kit and budget. The lens makers have released plenty of options since 2005 with a list too long to mention here. I have rented the EF 35 1.4L and EF 24 1.4L II a few times and have been happy with these as well but not found enough reason to permanently add them to my kit. Adding to the mix I started shooting the APS-C format Fujifilm X-Pro1 about 18 months ago and have been very pleased having the option to travel lighter and still maintain great image quality. The question now, as I am sure many other photographers are asking them selves, do I build on the Fuji system or should I mainly stick with my full frame SLR option when it comes to wide angle lenses? The Fuji XF 14mm 2.8 R came out in the beginning of the year and many positive reviews have rolled in since. About a week ago I had a chance to try it out and I also took the Zeiss Distagon 12mm 2.8 T* out for a quick spin. Please note this is not a pixel peeping analyses but just a quick take……

See on mfoto.ca

Fujifilm Fujinon XF 14mm F2.8

Do you love my work and want to support me? If you’re planning on buying camera gear, you can check out above-noted links. Prices remain the same for you, but a small percentage of your purchase value is valued back to me. Thank you!


X-PLR | LONDON | Vincent Opoku

X-PLR | LONDON was shot with the combination of the x-pro 1 + 35mm and the x100s

See more pictures on vopoku.com

The Photographer’s Camera – Follow up | Olaf Sztaba

Our last write up, “The Photographer’s Camera,” has met with a great response. Thank you all for your comments and thoughts. No, we are not switching to Nikon or Sony. The purpose of this article was to share our thoughts about the industry and compliment companies that push the envelope. Some of you interpreted my article as a restart of a “full frame vs. APS-C” argument. Let me clarify. I don’t think it is necessary for Fuji to go full frame at all. The current Fuji X-series line-up is excellent. The whole hysteria around full frame is way overblown if you take a look at how people use their cameras or even look at prints (how many people actually print their photos?). For our work, Fuji X-Pro1, Fuji X-E1 and X100s are more than adequate. Most importantly, the “feel” of those cameras and how they engage a photographer and let him/her focus on key elements is much more important to me than discussion about full frame or not. After all, the Fuji X100s is the camera that I breathe in my daily photographic life. This leads to the subject of design and philosophy. When I said, “the ball is in your court” when referring to Fuji, I meant please don’t stop innovating and improving/simplifying your products, especially the high-end of your line-up. I do believe that Fuji with their X-series strikes a chord because photographers like me have had enough of do-it-all, heavy and non-engaging cameras……

See on olafphotoblog.com

Fujixperience and things… | Igor Motl

I’m using a Fuji X-pro 1 mirrorless camera for almost a year and I LOVE it. And I HATE it. But then again… I LOVE it!!! When this camera was released back in 2012, I must admit, I fell for looks of it. That was my firs impression not knowing how it performs. Loved that rangefinder style, compact size and OVF/EVF combo. So… these were my thoughts before I even read some reviews or seen some image samples. I’ve done my research and Zack, David and Bert (among many others) were convincing enough to decide to purchase one for myself. First of all, I bought mine at B&H photo (great service, very satisfied with them since I’m living in Bosnia – I’ve got a package just a four days after purchase). After first ten minutes of looking at the camera and touching it, playing with OVF… (that was the thing I was eagerly awaited for the most – that OVF… but I’ll get there), I realized that lens hood that was provided with a lens I bought (35mm f1.4 Fujinon lens), even if it doesn’t look so bad on a lens has a terrible hood cap (with that kind of lens hood it was impossible to use a lens cap since shape of lens hood attached is square). That lens hood cap was falling off  without any force engaged to it. It was falling off while carrying camera around, putting it in a bag, or if you succeeded to put it in a bag while cap still on a hood it will fall off for sure when you grab your camera out of  the bag. Next day – I bought a metal lens hood with a cap on ebay for a few bucks. I think, having a small lens hood on every lens will provide you some extra protection against accidental direct hit in a crowd or in narrow spaces. Next thing I did was to order that great looking (and even better feeling) Lance strap……..

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Keith Futrell – Buck Hollow Ranch | Matthew Walton

It’s 6:30 am in Pocahontas, AR. The sun isn’t scheduled to rise for another 45 minutes. My cousin, Keith Futrell, pulls up in his truck. We load my gear and we’re off, headed north toward Warm Springs. Twenty minutes later we arrive at Buck Hollow Ranch. It’s still too dark to really see anything, but I already know it’s going to be a good day. Keith takes me down to the lake house where we meet Tom Baker, the owner of the ranch. His usual unlit cigar already in his mouth, we have our coffee and wait for the sun to barely crack over the horizon. The three of us pile into his truck to begin driving through the 60 miles of road within Buck Hollow Ranch. Like previous features, my goal is to shed light on an interesting person, place, thing or idea. In this instance, I get to talk about all four. Keith is the ranch manager for BHR. The ranch consists of 2,600 acres of wooded and grassy landscape, nestled in the hills of Northeast Arkansas…….

See more pictures on mwaltonstudio.com

Fujifilm Fujinon XF55-200mm F3.5-4.8

Do you love my work and want to support me? If you’re planning on buying camera gear, you can check out above-noted links. Prices remain the same for you, but a small percentage of your purchase value is valued back to me. Thank you!


Double exposures of the harbour | Don Craig

Yesterday, I had the XF23mm lens to use and I made the first group of photos. Today, I had to return it to Fujifilm Canada, so I switched to my X100s to make the images in the second group. Although, I doubt that there is any difference in image quality, I did notice a big difference in working with the XP1, with the XF23mm lens, and the X100s. First of all, I love having the distance scale on the lens barrel of the XF23mm. Yesterday, I adjusted distance and aperture frequently without looking in the viewfinder, just by looking at the lens markings. Nice. Also, I missed the faster shutter speed available with the first camera/lens combo over the X100s. As I was working by shooting my first shot at f/8.0 and in focus and the second shot as wide open as I could, I frequently was shooting at f/4.0 today, when yesterday I was shooting at f/2.0 or 2.8. This resulted in a very big difference in depth of field. To be honest, I don’t know if one set of images is better than the other, but it was surprising how different the shooting experience was from the XF23mm to the X100s. OK. Back to making photos……..

See more pictures on doncraigphoto.com

Full Frame X-Pro1? – The Mitakon Lens Turbo Review | Jonas Rask

As soon as I heard that the good folks at Mitakon were making a Metabones Speedbooster equivalent, I was part sceptical, part thrilled. I mean, this isn’t just your usual “tube” adapter. This actually has a piece of glass inside. So, no doubt would the chinese Lens Turbo be cheap, but would it also be of acceptable quality? For starters let me explain a little bit of theory behind how these adapters work. The adapter mounts between the old SLR lenses and the X-Pro1. It makes the lens wider by a factor of 0.71x, sort of like an “inversed” tele converter. Like the effect of a magnifying glass, it also concentrates the light. This gives a full stop of extra light. So an  f/2.0 lens gathers light of an f/ 1.4 lens. So if you mount a Minolta full frame lens on the X-Pro1, it will have the same angle of view and the same depth of field as a full frame camera.  A 50mm no longer acts like a 75mm, but like a 50. A 21 like a 21… you get the point……

See more pictures on jonasraskphotography.com

Scot Williams: Rising Star | Michelle George

…. However when Scot originally turned up he had quiet a bit of facial hair and said he needed to shave but we then decided to keep the facial hair for a few shots to get some edgier portraits with more of a  mean and moody feel too them , less clean cut….  I achieved this  using the FUJINON LENS XF60mmF2.4 R on the Fuji X pro 1 with my  ETC Source Four Junior and various gobo’s as the light source…….

See on creativelondonphotographer.wordpress.com

Nikon to Fuji or DSLR to Mirrorless | Matt Hart

I am getting lots and lots of e mails and questions about my switch from Nikon to Fuji! To be honest it could have been Canon to Fuji, it’s a change that needed to be made and the main reason was size and weight, following my fall on Skye last year I have been getting fed up carrying 20-30 Kilos of camera gear around, and also I want to change the way I work, for my future projects. It’s strange but if you go back through my blog, I have been having this dilemma for a long time, and way before all the big names in the industry made the switch! I just had to wait to finish a few projects before I could part with my D3s, and I wanted a camera system that has some great lenses! I was thinking Sony a while back but their lenses were just not up to it. When I got an X100 I was so stunned by the images and the lens Quality it was a no brainer! So before I went to Venice I sold all my Nikon Pro gear! I have to be honest here and say the only parts of the system I will miss are the D3s and the Sigma 300mm 2.8! I sold everything DSLR related, tripods and filters etc So am now completely DSLR free and will never buy another…….

See on lighttraveler.co.uk

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