Fuji X-Pro1

Fujixperience and things… | Igor Motl

I’m using a Fuji X-pro 1 mirrorless camera for almost a year and I LOVE it. And I HATE it. But then again… I LOVE it!!! When this camera was released back in 2012, I must admit, I fell for looks of it. That was my firs impression not knowing how it performs. Loved that rangefinder style, compact size and OVF/EVF combo. So… these were my thoughts before I even read some reviews or seen some image samples. I’ve done my research and Zack, David and Bert (among many others) were convincing enough to decide to purchase one for myself. First of all, I bought mine at B&H photo (great service, very satisfied with them since I’m living in Bosnia – I’ve got a package just a four days after purchase). After first ten minutes of looking at the camera and touching it, playing with OVF… (that was the thing I was eagerly awaited for the most – that OVF… but I’ll get there), I realized that lens hood that was provided with a lens I bought (35mm f1.4 Fujinon lens), even if it doesn’t look so bad on a lens has a terrible hood cap (with that kind of lens hood it was impossible to use a lens cap since shape of lens hood attached is square). That lens hood cap was falling off  without any force engaged to it. It was falling off while carrying camera around, putting it in a bag, or if you succeeded to put it in a bag while cap still on a hood it will fall off for sure when you grab your camera out of  the bag. Next day – I bought a metal lens hood with a cap on ebay for a few bucks. I think, having a small lens hood on every lens will provide you some extra protection against accidental direct hit in a crowd or in narrow spaces. Next thing I did was to order that great looking (and even better feeling) Lance strap……..

See on igormotl.com

Keith Futrell – Buck Hollow Ranch | Matthew Walton

It’s 6:30 am in Pocahontas, AR. The sun isn’t scheduled to rise for another 45 minutes. My cousin, Keith Futrell, pulls up in his truck. We load my gear and we’re off, headed north toward Warm Springs. Twenty minutes later we arrive at Buck Hollow Ranch. It’s still too dark to really see anything, but I already know it’s going to be a good day. Keith takes me down to the lake house where we meet Tom Baker, the owner of the ranch. His usual unlit cigar already in his mouth, we have our coffee and wait for the sun to barely crack over the horizon. The three of us pile into his truck to begin driving through the 60 miles of road within Buck Hollow Ranch. Like previous features, my goal is to shed light on an interesting person, place, thing or idea. In this instance, I get to talk about all four. Keith is the ranch manager for BHR. The ranch consists of 2,600 acres of wooded and grassy landscape, nestled in the hills of Northeast Arkansas…….

See more pictures on mwaltonstudio.com

Fujifilm Fujinon XF55-200mm F3.5-4.8

Do you love my work and want to support me? If you’re planning on buying camera gear, you can check out above-noted links. Prices remain the same for you, but a small percentage of your purchase value is valued back to me. Thank you!


Double exposures of the harbour | Don Craig

Yesterday, I had the XF23mm lens to use and I made the first group of photos. Today, I had to return it to Fujifilm Canada, so I switched to my X100s to make the images in the second group. Although, I doubt that there is any difference in image quality, I did notice a big difference in working with the XP1, with the XF23mm lens, and the X100s. First of all, I love having the distance scale on the lens barrel of the XF23mm. Yesterday, I adjusted distance and aperture frequently without looking in the viewfinder, just by looking at the lens markings. Nice. Also, I missed the faster shutter speed available with the first camera/lens combo over the X100s. As I was working by shooting my first shot at f/8.0 and in focus and the second shot as wide open as I could, I frequently was shooting at f/4.0 today, when yesterday I was shooting at f/2.0 or 2.8. This resulted in a very big difference in depth of field. To be honest, I don’t know if one set of images is better than the other, but it was surprising how different the shooting experience was from the XF23mm to the X100s. OK. Back to making photos……..

See more pictures on doncraigphoto.com

Full Frame X-Pro1? – The Mitakon Lens Turbo Review | Jonas Rask

As soon as I heard that the good folks at Mitakon were making a Metabones Speedbooster equivalent, I was part sceptical, part thrilled. I mean, this isn’t just your usual “tube” adapter. This actually has a piece of glass inside. So, no doubt would the chinese Lens Turbo be cheap, but would it also be of acceptable quality? For starters let me explain a little bit of theory behind how these adapters work. The adapter mounts between the old SLR lenses and the X-Pro1. It makes the lens wider by a factor of 0.71x, sort of like an “inversed” tele converter. Like the effect of a magnifying glass, it also concentrates the light. This gives a full stop of extra light. So an  f/2.0 lens gathers light of an f/ 1.4 lens. So if you mount a Minolta full frame lens on the X-Pro1, it will have the same angle of view and the same depth of field as a full frame camera.  A 50mm no longer acts like a 75mm, but like a 50. A 21 like a 21… you get the point……

See more pictures on jonasraskphotography.com

Scot Williams: Rising Star | Michelle George

…. However when Scot originally turned up he had quiet a bit of facial hair and said he needed to shave but we then decided to keep the facial hair for a few shots to get some edgier portraits with more of a  mean and moody feel too them , less clean cut….  I achieved this  using the FUJINON LENS XF60mmF2.4 R on the Fuji X pro 1 with my  ETC Source Four Junior and various gobo’s as the light source…….

See on creativelondonphotographer.wordpress.com

Nikon to Fuji or DSLR to Mirrorless | Matt Hart

I am getting lots and lots of e mails and questions about my switch from Nikon to Fuji! To be honest it could have been Canon to Fuji, it’s a change that needed to be made and the main reason was size and weight, following my fall on Skye last year I have been getting fed up carrying 20-30 Kilos of camera gear around, and also I want to change the way I work, for my future projects. It’s strange but if you go back through my blog, I have been having this dilemma for a long time, and way before all the big names in the industry made the switch! I just had to wait to finish a few projects before I could part with my D3s, and I wanted a camera system that has some great lenses! I was thinking Sony a while back but their lenses were just not up to it. When I got an X100 I was so stunned by the images and the lens Quality it was a no brainer! So before I went to Venice I sold all my Nikon Pro gear! I have to be honest here and say the only parts of the system I will miss are the D3s and the Sigma 300mm 2.8! I sold everything DSLR related, tripods and filters etc So am now completely DSLR free and will never buy another…….

See on lighttraveler.co.uk

Fujifilm – Xpro-1 Wedding Photography Michigan USA |
Craig David Butler

The Xpro-1 was has been my go to camera for personal use for some time now. While I have used it at several weddings over this past year I have not made it my main camera until this past weekend on Friday (10/18/2013). In my previous post at a wedding earlier this year I captured some incredible images and processed lightly in photoshop to Black and White. This time was a little different – I knew the capabilities of the camera. It has this amazing ability to capture a wider dynamic range and this being a very sunny day I wanted to see how it would do capturing a  white gown in such a contrasty situation. I also wanted to compare the white balance to my Canon 5DIII captures. My findings and now general assumptions are that the Xpro-1 is able to capture a more natural white balance, low chromatic aberration at low F-stops and the ability to capture a wider dynamic range. I have also found that my thought process during most photos with this camera are a little more planned rather than the spur of the moment capture I am usually doing with the Canon’s. Composition is also a little more accurate as I love the ability to level the camera in the viewfinder…….

See more pictures on cdbsi.net

Fujifilm XF23mm F1.4 R Lens is a WINNER! | Brandon Remler

I have not been able to put this new XF23mm lens down.  I’ve tried it on at least four different X-Series bodies and I love it on them all!  Sharp and fast – what more could you want??  Focus ring has a limit (doesn’t spin 360) from close-up to infinity, click stops on aperture ring, sharp focus peaking, and hyper-focal scale. On sale now the lens is going to quickly become a classic and launches the X series into new ground with the street shooters and photo enthusiasts.  I’ve always loved carrying the X100S and now I have almost the same set up, yet with an extra stop of speed.  Check it out at a dealer near you……

See more pictures on brandonremler.blogspot.de

FUJINON XF 55-200mm | Andreas Kandsberger

Now it`s time to show you some pictures from my recent trip to Portugal where I got the opportunity to test the new Fujinon 55-200 f/3.5-4.8 R LM OIS lens. But first I want to tell you some background information to the journey. A good friend of mine, Nicole Kramm told me about the fun she had learning to surf. Every time she mentioned her adventures in the south of Portugal her eyes got that special look… So I remembered back the days (about 15 years ago) I was in the same situation. Heading down south, a surfboard on top of the car, looking for good waves in Italy or Portugal. Nicole´s tales about perfect lefts, glowing sundowns and the nice people down there made me dream. So I decided to pack my bags…
So where is the missing link between a rolling wave and the 55-200mm telephoto zoom lens? Neither of them is perfect! But some things are getting close! As Patrick La Roque mentioned in his review of the new XF23mm: „Damn, another winner“ – this is also true for the XF 55-200mm zoom! I shot the most pictures on this journey with this lens. Not just because of it´s common range – no! It´s because the lens is really near perfection!……

See more pictures on www.cleareye-photography.com

Fujifilm Fujinon XF55-200mm F3.5-4.8

Do you love my work and want to support me? If you’re planning on buying camera gear, you can check out above-noted links. Prices remain the same for you, but a small percentage of your purchase value is valued back to me. Thank you!


X-Pro1 – Replichrome Kodak B&W Film by Totally Rad | IK Photography

I have never processed a single roll of film, never. My last attempt at film, the snaps I shot on a roll is still stuck in the camera and have been for a while, I have no intention of doing jack with it, if I recall the film stock is Tri-X. I do however like the look of film as an artistic effect on digital images, simulating the look of old film stock using Plug-Ins such as AlienSkin can be a lot of fun. Every once in a while if the mood or image permits, I burn these looks to my photos. I have been an AlienSkin user for a while, it does what it does and quite well for that matter at least to my eyes and in comparison to other Plug-Ins out there such as VSCO which for some reason or another I never used, perhaps it is just the fact that I felt like in many cases I could achieve the same look with AlienSkin so I never bothered trying it, not to mention I don’t use these Plug-Ins that much to justify splurging on every Film Simulation Plug-In that touts being the closet to the real thing, like I said I use AlienSkin for the look I get not to actually replicate film stock exactly – in my opinion there is no such thing, sure these Plug-Ins are good or fantastic for getting close and that’s enough for me. Haven’t never shot film as already stated, who am I to say which or what is what in terms of how close to actual film? Just have fun with whichever you choose to use …..

See on www.ikphotography.com

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