Fuji X-Pro1

Review: Fujifilm 10-24mm f4 R OIS | Arny Raedts

The Fujifilm XF 10-24mm F4 R OIS is a new ultra wide-angle lens for the X-system, offering a field of view equivalent to 15-36mm in 35mm terms. People familiar with my work, know I really love ultra-wide lenses. The Sony 16-35mm f/2.8 Carl Zeiss Vario-Sonnar T Lens is my most used lens on my old trusty A900 full frame. Ideal for landscape photography and super sharp, even at F2.8. The Fuji 14mm is my favorite x-mount lens. But in some situations it just isn’t wide enough. So I was looking forward to the 10-24mm when Fuji anounced it over a year (!) ago. Was it worth the wait? We had a new trip to the south-west of the USA planned, in the spring of this year. Our 20th visit to the USA, so a perfect occasion to revisit some of the highlights of previous trips to the deserts of California, Utah and Arizona. An ultra-wide lens would be ‘indispensable’.The lens wasn’t available in Europe in march, but I contacted Camera West in Rancho Mirage, California. They reserved one for me and I picked it up during our visit to Joshua Tree National Park. The dollar-euro rate made the pain in my wallet a bit more tolerable. During the rest of the trip it was the main lens on my X-E1, while the 14mm was the companion for my X-PRO1. After three weeks of traveling through the South-West USA, I noticed that my Sony & Zeiss only left my camerabag once……..

See on www.arnyzona.com

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X Photography: Shooting in the dark… | Simon Weir

Photographing Classical Music often involves shooting in low light levels – especially when the concert involves multimedia and projections – and just such an event took place at London’s LSO St Luke’s earlier this month when the Aurora Orchestra, conducted by Nicolas Collon, performed “How Pure The Sky” with the countertenor Iestyn Davies and projections by Stanton Media. LSO St Luke’s is one of my favourite venues.  An 18th century Grade 1 listed Hawksmoor church, it has been beautifully restored to become a state-of-the-art concert hall and is a regular performance venue for the Aurora Orchestra – one of London’s most innovative young chamber ensembles. I have worked regularly with Aurora over the last 10 years and their events never fail to provide photographic opportunities – capoeira dancers, 3D printed miniature players, and Wallace & Gromit have shared the stage with them.  But on this occasion it was light – or lack of it – that gave the photographic challenge. I love using the Fuji X-Series cameras for concert shoots because they are so quiet – especially the X-T1 which has an even softer shutter sound than the X-Pro and X-E1 – for this shoot I used all three cameras with the XF10-24mm wide-angle zoom, the XF55-200mm telephoto zoom and the fast XF56mm f/1.2 prime……….

See on fujixsystem.blogspot.co.uk

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Fuji X-T1 for wedding photography: In Depth | Phil Drinkwater

I’m known for being incredibly picky about the gear I use. Photographers tend to say “it’s the photographer, not the camera” and they are right in a way. However, the truth is that the camera either does or doesn’t allow you to take the photograph which is in your mind. Would Da Vinci have created the Mona Lisa with finger paints? He might have produced something amazing still, but it wouldn’t have been the exact Mona Lisa. My view is that most photographers don’t push their equipment all that much. They take photos of relatively static subjects in not very challenging conditions. That’s very different to my world. I shoot moving subjects in dark and rainy conditions at very low DOF and I really push my equipment to the limit. I don’t want my work to be compromised by the tool used to create it. Some wedding photographers work very differently to me too – they might shoot mostly static subjects with flash at f5.6 all day for example, or they might be totally reportage and take only 300 photos in a day – so even within the wedding photography genre you have a massively mixed bag. So … does the Fuji X-T1 compromise my wedding work? Or does it add to it? Read on ….

See on www.phildweddingphotography.co.uk

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Fivedotsix Camerabag | Curt Ekblom

Nice Camera Bag designed by Curt Ekblom SWE

Google Translater:
1962 I bought my first Leica M2. Until I acquired a Benserväska; I remember it as a kid and smart with compartments for each accessories and lenses. I like to travel but do not want a lot of equipment with me and do not want to look as if I’m at on the road. It was missing a bag that svarde against my demands on the market and after much pondering, I shaped my ideals bag tailored to my needs. Partitions takes space and is therefore replaced by a broad leather thread that protects the equipment and the bag can be worn as a shoulder bag or a carrying handle, a smart solution that eliminates the need to remove the shoulder strap. After more than a year on various trips, I know that bag works rmycket well…..

Google Translater (SWE -> ENG)

See on www.behance.net

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Fuji XF35 f/1.4 and XF60 f/2.4 – A Street Photography Review . . . |
Kevin Shelley

. . . In my previous post I wrote that I’d purchased the XF35 & XF60 Fuji lenses as replacements for the XF18-55mm Zoom. I couldn’t wait to put them through their paces and discover if this was indeed the right choice . . . . . . Living as I do in the UK’s equivalent of the Australian Outback (the Western Lake District), Street Photography would appear to be an odd choice of hobby. My predicament was recently made all the more unbearable with these two new lenses that desperately needed trying out. Fortunately, a 30 mile trip to Barrow-In-Furness appeared unexpectedly, so I jumped at the chance to spend a couple of hours taking photo’s with the new ‘tools of the trade’…….

See on www.streetphotographyblog.co.uk

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The Palouse – A Visual Journey with the Fuji X-Series – Part 2 |
Olaf Sztaba

What a great trip it was! In our previous blog entry we shared the first photos from our escapade into the stunning Palouse region of southeastern Washington. Thank you for all your kind comments, shared stories and questions. The most appealing feature of the region is, ironically, the lack of popular spots such as Half Dome in Yosemite or Antelope Canyon in Arizona. The Palouse is for each individual to unravel and photograph. Every corner, every dirt road hides a visual gem to discover and some of them are only visible to you. While we made some preparations before the visit, such as studying excellent maps of Palouse by Teri Lou Danzler (you can get them here), the majority of our images came from exploring small rural dirt roads. The abundance of patterns and stunning visuals offer huge opportunities but you need concentration and strong composition skills. On the topic of composition, the process of elimination is especially important when photographing Palouse…….

See on olafphotoblog.com

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Realistic Rumors: Fujifilm X-PRO2 and X200 Cameras Coming at
Photokina in September | Daily Camera News

Fuji is rumored to announce the new X-PRO2 and X200 cameras at Photokina Show in September. After being rumored to feature a full frame sensor for a long time, the Fujifilm X-Pro2 camera will come packed with the newly developed X-Trans APS-C sensorBoth cameras will feature the new APS-C X-Trans sensor. Fujifilm X-Pro2 will replace the X-Mount X-Pro1 while the X200 will be the successor of X100 digital camera. The new sensors will not be organic as the organic sensors are expected to arrive in two years period. Fujifilm X-PRO2 and X200 detailed specs are yet unkown. But as previously posted Fujifilm X200 digital camera rumored to feature a newly developed 24MP X-Trans sensor and faster, improved AF over the X100S model. See details here…..

See on www.dailycameranews.com

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Don’t Overlook the Nuances in Street Photography | Joe Newmann

One of the most important things about street photography is to have a keen eye for your surroundings. Sometimes, it’s the subtle relationships that make for a great image. Take a quick look at this photo by Flickr user Sabrina M., and you’ll notice it has nice framing, strong lines and a pleasing composition. But it’s the subtext of the photo — the emotional distance of the two women — that makes it great. The women are standing just a few feet apart, each smoking a cigarette and each seemingly oblivious to the other. It’s almost as if they’re taking great pains to avoid making eye contact. Are the women using their cell phones because they need to send important texts or is it because it gives them a reason for not making small talk? These are things that Sabrina says went through her mind when she came upon this scene in her hometown of Antwerp, Belgium. This photo was taken near Antwerp’s city hall in an area where many of the homes have survived from the 16th Century……..

See on www.huffingtonpost.com

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Wonderful Copenhagen | Rory Prior

This piece continues my photographic journey around Copenhagen. You can see part 1 by clicking here. Before delving into more photos, let me say a bit about the lenses I took with me. After some deliberation I decided upon the 18, 27 and 60mm primes. That meant leaving the fisheye, 50-230 and my old manual focus optics at home. I think overall the trio I picked out covered 95% of the shooting situations I found myself in. They are all capable performers, their light weight and in particular the small size of the 18 and 27 make them great for travel. You can just put them into a messenger bag or even a coat pocket and blend into the crowd. I’ve got a great LowerPro backpack that I used to cart my Nikon gear around in, but it’s not something I want weighing on my shoulders for hours, especially when walking around all day. The great thing about the Fuji system for travel photography is that it’s so compact and lightweight compared to even a small DSLR setup – crucially while still producing top notch results. It’s taken awhile for mirrorless cameras to reach this point, but now I know there’s no going back…..

See on lightpriority.net

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NY with Fuji X Pro1 | Pieter Vermeulen

After years of shooting with my Canon 5D and other big camera’s I bought a Leica M8.2 a little over a year ago along with two nice Elmarit lenses. In the end, it wasn’t for me. I loved shooting with and getting that Leica feeling, but the ISO performances were so bad that I could not justify it. Thought of buying a M9 instead, but even for the extra money I could not just do it. I also bought the Fuji X100S when it came out and loved it. I did sell it after 2 months because the fixed focal length wasn’t for me. So I sold everything and bought the Fuji X Pro 1 with the 18mm 2.0 and the 35mm 1.4. Fell in love with it. Wasn’t the Leica M but it was what I was looking for. So when I went to New York for the first time in my life (actually flying for the first time in my life after being scared of flying my entire life) I brought the X Pro. One day… I will go back to Leica… but for now… the Fuji helped in capturing the people of New York. Just wanted to share! …….

See on www.stevehuffphoto.com

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