Photographers who shoot with the Fujifilm mirrorless camera system have a distinct choice to make when shopping for a short telephoto prime lens. The company sells two versions of its 56mm prime—this Fujinon XF 56mm F1.2 R ($999.95) and the Fujinon XF 56mm F1.2 R APD. It’s not just the cost of printing APD on the lens that carries a $500 premium—the apodization filter included in the pricier lens promises to smooth the defocused parts of an image for a more pleasing bokeh. Whether or not that’s worth it to you is something you have to decide for yourself—either lens is able to capture sharp photos with a staggeringly shallow depth of field with ease. But neither quite matches our Editors‘ Choice short telephoto lens for the Fuji system, the longer Fujinon XF 90mm F2 R LM WR……..
It’s been a while since I wrote you last. As of today, I still shoot with the Fujifilm X-Pro1 and edit my pictures in Lightroom CC. I might upgrade to the X-T2 when it comes, this summer. The Fuji RAW files are still not fully supported by Adobe, which is a drawback. As I’m sure you are aware, some details like foliage for example, will looked smeared. Inspired by the amazing photographer Olaf Sztaba, I decided to download the trail version of the photo editor Iridient Developer and gave the Fuji RAW files a run for its money. Let me tell you, the difference is real. Like going from 480p to 1080p on Youtube. I used Olaf’s settings in Iridient Developer, choosing the unique sharpening method ‘R-L deconvolusion’ and setting the radius slider to 0.5 and the Iterations slider to 30…….
Hello everyone! My name is Bill Gekas and i’m a fine art portrait photographer from Melbourne, Australia. I’ve been involved with photography since the early 90’s when I was shooting film and have come from a photography background of shooting, developing and printing my own work. During those earlier years I wasn’t shooting portraits but was interested and shooting other genres of photography and I believe it’s the practice of these different genres that eventually shaped the portrait style i’m currently recognized for. In 2005 when the digital sensors were approaching the quality of traditional film was the time I also switched to a complete digital workflow and it gave me the freedom to experiment and create my previsualizations at a much faster rate than using traditional film based methods……
One question I get asked on a daily basis now is how the new 24 MP FUJIFILM X-Trans III sensor performs in the hi ISO region above ISO 6400. Partner in crime was the new FUJINON Super-Zoom lens XF100-400 1:4,5-5,6 R LM OIS WR. In order to find out, I used a rainy and dark night in Hamburg’s Hafencity for a little test shooting under harsh conditions. It was super windy – even with a heavy tripod in use the camera was constantly vibrating. Being sceptic about the sharpness of my images changed to a big smile on my face, looking on the LCD-screen of the X-Pro2 : The performance of the image stabilzer was visible right away……..
I’m sorry to say that the Fujinon XF 16-55mm f/2.8 R LM WR disappoints a bit although we had high hopes really. It’s a chunky lens. And chunky is usually a good thing because large glass and a complex design tends to translate to a fewer design compromises. The reality is, however, that the Fujinon relies heavily on image auto-correction because its original characteristics are less than thrilling. The original distortions as well as vignetting are rather massive. Now that being said most users will keep the camera and/or raw-converter to default settings so you will enjoy low distortions – at cost of image interpolation especially at 16mm – and low vignetting – at cost of increased corner noise. The Fujinon is generally a sharp lens without major weaknesses here. The sweet spot is at the wide end which has an exceedingly sharp image center and a very good outer image field. The performance deteriorates a bit towards the long end of the zoom range but the quality remains acceptable without impressing though. The quality of the bokeh is good for a standard zoom lens but not comparable to primes, of course………
Boy meets camera, lives happily ever, right? WRONG! But how wrong? And can two wrongs make a right? I’m a funny bugger when it comes to camera gear… Don’t get me wrong, I can suffer from GAS (Gear Acquisition Syndrome), my obsessive collection of Transformer toys as a kid, various motorcycles that I’ve pimped up, and a one-time large collection of wrist watches that basically all looked the same… Yup, if you say to me, “Adam, I know I don’t need it, but I simply HAVE to have it” then I’ll unflinchingly look you back in the eye, fix you with an understanding look and say, I know, I know… let’s figure out a plan to get you what you don’t need… What have you got that can be flipped on eBay, how much room is left on your credit card, do you have 2 functioning kidneys?……
The “Fujinon Nano-GI XF16mm f/1.4 R WR” lens, to give it it’s full name, is one I’ve been looking forward to for a while. The majority of my shooting is between 24-50mm (in 35mm full-frame terms). That range probably makes up about 95% of my images. With the XF23mm f/1.4 and XF35mm f/1.4 there was a fast aperture hole in that range for me. Until now I’ve been using the 18-55mm f/2.8-4 lens to fill that gap. I never did go for the XF16-55mm f/2.8 lens as it lacked OIS, was far more expensive and much larger than the XF18-55mm, which really is a truly fantastic lens for what many consider to be the Fujifilm ‘kit’ lens. Now that the XF16mm f/1.4 has been released we have a full range of fast primes at the wide to standard range focal lengths. If you add in the 56mm and newly released 90mm then there is probably a fast prime lens that would suit pretty much anyone these days who shoot with an X-Series camera……
I know most people usually put their end of year review together in December or early January, but I to like to sit on things for a little while longer. I prefer to be 3 or 4 weeks into the new year before I take a moment to reflect on the previous on. So how was my 2015? It was filled with highs & lows and a new beginning. The year started of on a high, things fizzled out a little in the middle and then ended on a high. The Start: I became an Official Fujifilm X-Photographer, was selected as a member of X100C and got featured on ShotKit. I had an epic 4 days in Paris where I photographed my favorite engagement session to date – Monique + Paul, then Sylvana + Jeremy’s beautiful wedding as well as a spontaneous & unconventional maternity session with Isabelle + Florent. I had weddings published in Asiana Magazine and on a few other online wedding blogs. The likes of Thomas Menk, Patrick and Heather & Mathieu continued to curate my work and shared with their audience, I earned new contacts…….
The Fujinon XF 50-140mm f/2.8 R LM OIS WR is a great addition to Fujifilm’s lens lineup. It is ultra-sharp in the image center. The borders are outstanding at 50mm and still more than just decent at longer focal lengths. Lateral CAs are irrelevant which also helps to boost the high image quality perception. Most users will keep image auto-correction activated thus neither distortions nor vignetting are issue in this case. The native characteristic is worse here though. The quality of the bokeh is high for a zoom lens although prime lenses can be better still. Bokeh fringing isn’t really an issue at f/2.8. Fujifilm is targeting the professional market with this lens so the build quality is on an accordingly excellent level. Most body parts are made of metal and the broad, rubberized control rings are a joy to use. Everything is tightly assembled and the constant physical length as well as the weather sealing complete the positive impression…….
After graduating college over 25 years ago, I worked for two years as a photo assistant to an architectural photographer. This was great technical training, as I had to handle heavy 4×5 and 8×10 view cameras on location, shooting with very slow, Kodak Ektrachrome Tungsten sheet film. The work was physically demanding and technically challenging. But it paid off in bringing my technical skills to a much higher level than that I had from my college education. Jumping forward in time: Over the last three years, I’ve been doing photography for real estate advertising and marketing. The city I live in is a hotbed of real estate activity, so there’s huge demand for photography, virtual reality and video when it comes to marketing homes. Last year alone, I was at over 750 photo shoots, both conventional still photography and virtual reality……