Simon Burgess is a talented photographer based in the Hampshire Village of Nether Wallop. After a recent dose of inspiration, he took to his favorite London markets for a unique project. Armed with a Fuji X100 and Replichrome, film presets for Lightroom, he began creating compelling images, reminiscent of classic film street photography, but updated for the modern era. We caught up with Simon to learn about the markets that inspire him so much, and how Replichrome fits into his post-processing. The Market on Columbia Road kicks into life really early every Sunday morning, when an everyday East End London Street is transformed into a bustling Flower Market. Despite the stallholders shouting prices every opportunity at anyone who appears in need of a bunch of flowers and has money to spend, it’s a really relaxed place to spend Sunday morning. There is always good street music, and for people watching there is nowhere better. It’s also a great place for vintage and second-hand everythingness. I saw a pile of old Vogue magazines from the ’80s, full of great ads all done with film, of course. They made me think that I should try and do a little series from the market using only one lens, a 35mm equivalent on Fuji X100, and everything processed with Replichrome…..
See more pictures on www.gettotallyrad.com
I used the time during the flight from Cebu to Davao to select and edit some of the photos I had shot. I was happy with the results, but decided to do more portraits of the children of SOS Davao. There’s a lot going on in the eyes of these kids and I needed to capture as much as possible. Due to my schedule, I could only visit on a school day, so I wasn’t able to arrive as early as I would have liked. I shot around the village for a while, just wandering and talking to the kids doing their chores or playing outside. Knocking on doors and going inside, hoping to find a fan to cool down. But it was after school and I knew I had limited time before the light went. I shot mostly outside and started to pick up a posse of the younger kids as I moved around, a few of them demanding I take their photo every minute or two (which I did). A small boy climbed on to my camera bag (which was hanging on my shoulder) and I had no chance of persuading him otherwise. It was hot and humid and the extra weight reminded me how a DSLR kid would have felt and I was thankful for my small Fuji X cameras. I held out as long as possible, but in the end my shoulder faded as fast as the light. I knew I had enough, but I wished I could have had one more day…at least…..
See more pictures on www.kagecollective.com
So firstly, I have to apologise for going missing for so long, a house move and a crazy few months have kept me from updating the blog. Anyway, I’m back and to kick off I’m going to chat about my trips over the summer and how I coped with the x-pro 1 instead of my dslr. My first couple of trips, one to Wales and then one to Spain, I bottled it and took the 5d with me as well, I absolutely didn’t need to, the x-pro didn’t let me down at all and the longer I use the fuji kit, the more intuitive my way of working with it becomes. This is absolutely crucial for me, I don’t even want to think about my kit when I’m working, and the fuji really lends itself to that, I can have everything mapped out on physical buttons so I’m not stuck messing about in menus instead of taking a shot. The absolute best thing about the Fuji x-pro 1 for travel is how compact yet sturdy it is. The camera feels solid, balances well in your hand and with a decent sling can be carried around all day without the usual ache from lugging a dslr with a few lenses….
See more pictures on alexlagarejos.blogspot.de
I am really lucky to do what I do for a living and I take it seriouslyl. A huge risk of creating a business out of a passion is the possibility of repetition or even worse, burn out. One way that I challenged myself this year was to add a new camera to my bag. Anyone who has followed my personal work of daily life with my kids knows how much I adore the Fujifilm X Series of cameras, including the X100S and X-Pro1. I am not a gear-obsessive photographer and I prefer to be as minimalist as possible, but these cameras creates for me an intimate documentary experience that just doesn’t feel the same as a typical DSLR. As I approach the end of the 2013 season of weddings, gathering and reviewing some of my favorite images, I thought I’d showcase just a few that make me even more excited about being a photographer…..
See more pictures on aaroncourter.com
The Yamuna is one of the most sacred rivers in India. It is the river that graces the foreground of many timeless photos of the Taj Mahal. It is the river that runs through the megalopolis of Delhi and it is strangely one of the last landmarks I consider when thinking of Delhi. I find this odd. Is it possible to think of London without imagining the Thames…Paris without picturing the Seine…New York without the Hudson or East River? I’ve lived in Delhi for over 3 years and have never strolled the banks of the Yamuna. I’ve been to most of Delhi’s “Top Ten” and I’ve visited many dark corners and colorful monuments recommended by friends. This is such a huge city full of “undiscovered” places. While searching Google Maps last week for a new niche to visit, I stumbled on the blue streak that runs through Delhi. OH YEAH, the Yamuna! Let’s go there…..
See more pictures on timsteadmantravel.squarespace.com
These pictures are taken on our vacation to France this year. To travel light I used the Fujifilm X-E1 with the XF35mm F1.4 R and the XF18-55mm F2.8-4 R LM OIS lenses. Most of the pictures are shot in JPG and a few post processed in Lightroom 4.0 ….
See more pictures on rommenphotography.com
Welcome to our series of 100 interviews we will be holding with professional photographers who use mirrorless cameras for work! “Switching to a smaller and lighter system” has become somewhat of a buzz phrase as of late, but many working photographers take this philosophy seriously. From medical reasons such as resolving back and shoulder pain to the simple realisation that bigger does not mean better, photographers are turning to mirrorless systems now more than ever before. This week’s interview is with freelance photographer Patrick La Roque from Montreal, Canada. He uses the Fuji X-Pro1 and X100 to shoot a variety of subjects, including “people, spaces, street and products.” An official Fuji X Photographer and founding member of the Kage Collective, he has an influential presence in the online photography world, though he will modestly tell you that he’s “just a guy looking to tell a story!” ….
Since this lens was announced I have begged and cajoled my Fujifilm contact for a test ride to no avail. Man, I have known better crack dealers that take better care of their clients! Evidently there was a glass gag order to keep the lens under wraps until they could provide the blogosphere at large with samples. Bah I say! I have had to be content with my 12mm 2.8, 18 f2.0, and the awesome 35mm 1.4. Now if you do the focal conversion this makes my collection of lenses the trifecta of an 18mm, 28mm and 50mm. What’s missing? Well my favorite focal length is 35mm. I little bit wider than the eye perceives, yet extremely natural. While I got used to the 18mm it was always just a tad too wide for tastes. I yearned for the 23 mm focal length…..
See more pictures on suspectphotography.com
Over the last year, as I have gotten used to a downsized system I’ve grown a great deal as a photographer and I’ve come to realize that less complications really does lead to better vision. I started carrying a smaller system to protect my shoulder and so, at the end of the day, I would feel good instead of dog tired! I can’t express how much I appreciate that Fuji made this system, it is really meeting my needs, and, at least, in my opinion, my work has stepped up several levels. One thing is certain, I’m having the most fun I’ve had as a photographer! Now I will admit that I now own almost as much Fuji X system gear in weight as my Nikon stuff!! So where is the weight savings? I don’t carry all of it at one time, unless, it’s in the back of the SUV, which is th same way I carry the Nikon stuff! I have, (for now), new stuff keeps coming out, three distinct systems for different kinds of trips. The trip where I want to get great images, but don’t want to deal with even a small bag! I simply love the Fuji X100s and with the 35mm (equiv.) f 2 lens it works for 90% of what I want to shoot! It does good enough for “reasonable” close-ups, and the lens is tack, tack, tack sharp (that means really sharp!!) I carry a couple of spare batteries, a couple of chargers in my carry on luggage! A spare SD card, and I’m set! I do have a polarizer, but rarely use it on this camera, it just makes such stunning images, I enjoy not having the hassle! This is my go everywhere, shoot “almost” anything, desert Island camera!…..
See on billfortney.com
I’m a Fujifilm X-Pro 1 user. I’m also a Canon P and Olympus Trip 35 user. The Olumpus really is small. The Canon is about the same size as the Fujifilm. The mantra of today’ Fujifilm supporter is a rather sloppy orgy SLR hate. Why? The hump. And the size. Perhaps the crowd haven’t used an SLR camera before. The Fujifilm X-Pro 1 happens to be the same size as my Nikon FE, an SLR camera- in fact, an SLR camera that was never considered small. Yes, the mounting flanges are quite different. And yes the FE humps a bit. But the FE’s shoulder height is lower than the X-Pro 1′s even with buttons sprigging from the top. Minus the mounting flange, the body is also thinner. And again, the FE was never considered a small SLR camera. So what do Fujifilm fans mean when they think ‘SLR’? The above image illustrates exactly what is conjured up in their forgetful brains. Today’s digital SLRs are massive. Even Nikon’s smallest D3000 is bigger than the FE and X-Pro 1. The D800 is the FE’s modern analogue in terms of equivalent target market, build quality among other things. The trend started after Japanese makers started putting electronics into every nook and cranny they could……
See on ohm-image.net