I’ve never hidden the fact that my images are all extensively post-processed. I’ve written about it several times. Which doesn’t mean I fundamentally alter the nature of the original captures or distort the reality I witnessed. But I do enhance it. I do make it fit into my perception, an interpretation of what I had in mind when I took the shot in the first place. To me this is what photography’s all about, beyond choosing the moment, the angle, the exposure… It’s a holistic process, all a means to an end. Besides, we’re always spinning reality in some way, no matter how honest we pretend to be. Otherwise we’d be nothing more than glorified security cams. I can generally anticipate the final processed look of a digital image the same way film photographers could predict the effect of their chosen film stock and lab process. They knew what loading Kodachrome was going to mean. They knew how pushed Tri-X would turn out, how it would affect the end result and they shot accordingly.
See on www.laroquephoto.com
Here are some new samples shot on the FUJI X-PRO1 ! Pretty much all of these are shot direct to JEPG using the Film Simulation BLACK AND WHITE mode, with a red filter and Yellow Filter. The shots of Chloe-Jasmine were taken during dinner, the shots of Kate Waldron were taken in Manchester as I was assisting Mark Evans shooting his Book Project ….
See on www.davepiper.org.uk
One of the biggest misconceptions I know runs rampart in street photography is the “myth of the decisive moment”. What do I mean when I talk about “the decisive moment” simply being a myth?
Well of course there generally is a “decisive moment” when you hit the shutter – to capture that exact moment you desire in a photograph. However one of the common misunderstandings that plagued many street photographers (including myself) was that the decisive moment simply being one shot. After studying many contact sheets from Magnum Contact Sheets book, I was able to gain a new level of insight to read the mind of a street photographer.
See on erickimphotography.com
The woman in the image is the Danish model Ann we had taken with us to Sicily in May 2011 for the Overgaard Advanced Workshop. So in this case I know her but it is not a staged photograph.
She had a very nice wardrobe with her and the first evening after we had arrived we went out to have dinner araound 19:00 and she was waring this outfit. I noticed that when a tall blond woman elegantly dressed walked in the streets of Palermo, the men would stop what they were doing and admire the woman with respect.
Thorsten Overgaard is a Danish feature writer and photographer who contributes stories and unique branding to magazines, newspapers and companies through exclusive and positive articles and photos.
See on overgaard.dk
Just as with wildlife photography it is the shots that show behaviour, rather than the pure record pictures, that work best in street photography. To show that behaviour clearly, so that the viewer can recognise what is going on, you have to pick your moment carefully. You have to show the moment in which the action happens.
Decisive moment? This moment is often called ‘the decisive moment’, but the phrase is so over burdened with history and expectation that I prefer to just call it ‘the right moment’.
See on www.wordsonpictures.com
When I saw the NLA’s Photographing the City: Architecture from the Street I became a little intrigued. I thought it would be perfect for a Friday lunchtime adventure for the X-Pro1 and me. We met Stephen McLaren, street photographer at the Lloyds Building and spent the next 2 hours wandering the city trying to capture architectural images in an imaginative quirky way. I decided to test the monochrome film simulation setting, using the 35 mm lens (it’s still the only one I have). The light was slightly better than it has been recently, with moments of sunshine appearing through the grey. I did feel a little limited with just the one lens. The wider one would have been very handy…. I tended to keep the camera aperture at around F8. Again I wanted to shoot wide open… but it didn’t really suit this type of shooting. I found the camera slow to focus and it was having trouble working out the light levels accurately. I did use the exposure dial to over and under expose some images.
See on www.sannafp.com
As in any passionate affair we constantly discovering new things about each other…so you can imagine my excitement when, only last week, I discovered that the Fuji X pro 1 has a sync port on the left side of the camera, which allowed me to hook up my Bowens strobes and take some studio shots:)) As this would be my first test run in the studio with the Fuji X pro 1, I didn’t want to get too experimental with lighting so opted for a simple Paramount lighting set up which also complimented the model Stephanie’s hollywood style glamour perfectly.
With the X-Pro1 I can go places I can’t normally go with my heavy equipment and take photographs that are still relevant,” says Christian who has been shooting landscapes for 18 years. There’s nothing I don’t like about this camera…The thing I love about the X-Pro1 is the size and the fact that you can get really good quality pictures. Landscapes have to be sharp and detailed and the X-Pro1 has all that.
Portraits with the Fuji X-Pro1: Just before the weekend I received my Fujifilm Fujinon XF 60mm f/2.4 R Macro Lens for use with the X-Pro1. Although I’d used the lens before for my reviews, it was the one lens of the original three that Fuji released that I hadn’t yet got hold of to keep for my self. It arrived just before this weekends wedding so I didn’t have time get used to it before the wedding. I took it out on Sunday whilst in the kitchen with the kids. These are literally the first two shots I took with the 60mm lens.
See on Scoop.it – Fuji X-Pro1
I recently had about 12 hours in New York City. Rather than walk around Manhattan, like I usually do, I decided to venture to an area I’ve never been before – just over the Manhattan Bridge to an area known as DUMBO ( Down Under the Manhattan Bridge Overpass). It’s a cool “urban” area with a little more personal space than I’m used to in Manhattan. Next time, I will plan my adventure later in the day for better light, but I just didn’t have that luxury this time. I was armed with my new Love, my Fuji X-Pro1 with all three lenses. No way would I have lugged my 5DII with more than one lens. But, the Fuji allowed me to carry the whole kit in relative comfort. And, I actually used all three lenses. Here are some of my favorite shots (including a couple from the airport, by the way). If you are interested in any technical detail on the shots, just post a comment or send me an email (sometimes, comment feature doesn’t work with certain browsers…not sure why!).
See on www.jeffseltzerphotography.com