I’m using a Fuji X-pro 1 mirrorless camera for almost a year and I LOVE it. And I HATE it. But then again… I LOVE it!!! When this camera was released back in 2012, I must admit, I fell for looks of it. That was my firs impression not knowing how it performs. Loved that rangefinder style, compact size and OVF/EVF combo. So… these were my thoughts before I even read some reviews or seen some image samples. I’ve done my research and Zack, David and Bert (among many others) were convincing enough to decide to purchase one for myself. First of all, I bought mine at B&H photo (great service, very satisfied with them since I’m living in Bosnia – I’ve got a package just a four days after purchase). After first ten minutes of looking at the camera and touching it, playing with OVF… (that was the thing I was eagerly awaited for the most – that OVF… but I’ll get there), I realized that lens hood that was provided with a lens I bought (35mm f1.4 Fujinon lens), even if it doesn’t look so bad on a lens has a terrible hood cap (with that kind of lens hood it was impossible to use a lens cap since shape of lens hood attached is square). That lens hood cap was falling off without any force engaged to it. It was falling off while carrying camera around, putting it in a bag, or if you succeeded to put it in a bag while cap still on a hood it will fall off for sure when you grab your camera out of the bag. Next day – I bought a metal lens hood with a cap on ebay for a few bucks. I think, having a small lens hood on every lens will provide you some extra protection against accidental direct hit in a crowd or in narrow spaces. Next thing I did was to order that great looking (and even better feeling) Lance strap……..
See on igormotl.com
I have taken the plunge and bought a second hand Fuji X Pro 1. Why? A number of reasons. I needed a smaller camera system for some trips that could produce high quality commercial images but without the weight and bulk of my DSLR system. I had also had a chance to use the X Pro and it’s sibling the X100sa nd both had blown me away both in terms of usability and in the ‘filmic’ quality of the images the sensor and lenses produce. I also hold my hands up and unashamedly admit to being seduced by the beautiful retro styling and the superb build quality of the Fuji’s. I have some workshop ideas for the camera too, so there were commercial considerations in my mind also. As I bought second hand I didn’t have a choice of lenses. The kit I bought came with the 35mm f1.4 prime (which I would have chosen even if I was buying new) and the 18-55mm zoom lens which I probably wouldn’t have gone for, rather erring towards a set of primes. However, the zoom is by no means a ‘kit lens’, this is a full on, high quality piece of glass which is solidly made and performs incredibly well. So I may well hold on to it. Only time will tell…….
See on www.dougchinnery.com
As you may know, I’m not one to recommend a product unless I own the product myself and can attest to its worthiness to make my list of recommendations, and that holds true for any product whether it’s an inexpensive filter or a multi-thousand dollar camera system. In fact, until now, I have not recommended a camera system outside of Canon’s lineup simply because I haven’t found one worthy of recommendation. That changed when I got my hands on Fuji’s X-Pro1 camera system and began putting it through its paces. To start, this is not your typical pro camera–it’s not a bulky SLR or a point-and-shoot, but rather a mirrorless, hybrid rangefinder system. In fact the closest thing I can relate this camera system to is the Leica M9 digital rangefinder. The Leica M series rangefinders have been in a league of their own for years, however, that has now changed with the birth of the Fuji X-Pro1. I know that by saying that, I’m making a very large claim to fame for the X-Pro1 but in this review, I intend to show you why Leica now has some competition–in fact, with a price point of $1,200 compared to Leica’s $7,900, it’s some serious competition! Fuji initially introduced the FinePix X100 which was a large-sensor compact with a cool retro style, very much mimicking the Leica bodies with its manual control knobs and sleek, sturdy build. Underneath that sleek, sturdy build, however, was an array or modern technologies aimed at producing pro-grade image quality. It was no surprise then when less than a year later Fuji announced the X-Pro1 with its interchangeable lens system–the first mirrorless camera system aimed specifically at professional photographers…..
See on www.paulkomarek.com
I’ve been getting a lot of questions about the Fuji X cameras I’ve been using. I thought it might be useful to share my thoughts on why I went with Fuji and have both the X-Pro 1 and X-E1 along with the X100. I was getting tired of lugging 40 lbs of gear in a backpack. I was intrigued by the “mirrorless” revolution and started to investigate what was out there. The Sony left me cold, feeling more like an electronic device rather than a camera. The Olympus is a micro 4/3 sensor and I wanted at least APS C. I wanted the bokeh and performance that a bigger sensor would provide. That said, the new Olympus is getting rave reviews for its performance. I think Michael Reichman said it best in his recent review, “MFT used to mean some compromises when it came to image quality, but those days are past. Only the most neurotic pixel peeper will find anything to kvetch about with files from the Olympus E-M1 and its contemporaries.” After much research, I settled on the retro looking X100, a dedicated 23mm interchangable lens camera. I admit, I fell for its retro looks and unique and highly regarded dual optical/EVF viewfinder. It has its quirks such as slow focus speed, however, when I opened the first file of a family that asked me to photograph them for a Christmas card, I was ASTOUNDED! The color, tones and sharpness of the images were truly breathtaking…..
See on johnbarclayphotography.com
During our Badlands workshop, I’ve been shooting primarily with the Fuji X Pro 1 and the 14mm, 18-55mm, 60mm (macro), and 55-200mm lenses. Although, I must say that I still felt the pull to grab the D800 on many occasions (gallery coming soon!). Now, the X Pro 1 is not a D800 and I wouldn’t take the X Pro 1 (yet) into weather conditions where I would have no problem grabbing the D800, and of course, there’s the beefier build, 11 stop bracketing range, and multiple exposures available on the D800. In general, I was completely blown away by the X Pro 1 system, which weighs in at about 7 lbs in a shoulder bag. Let’s see….hmmmmm……35 lb backpack…..7 lb shoulder bag…….35 lb backpack…….7 lb shoulder bag……..7 lb shoulder bag! Actually, I was thinking of taking the X Pro 1 system and my D800 and a couple of lenses to Cuba. That has been pared down to taking only the X Pro 1 system. Although, the screen was a bit grainy in low light, the images were not. The sharpness is remarkable and the file size is 91.4MB at 16bit! I NEVER used AWB, until using the X Pro 1. On this camera AWB (Auto White Balance) works great! So…….Ease of operation – check. Light weight- check. Short learning curve – check. Quality of lenses – check. File Quality – check +! Ergonomics? Ergonomics?? ………
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It seemed unlikely a few years ago that Fujifilm would join Leica in the world of digital ILC (interchangeable lens camera) rangefinders. Many manufacturers have dabbled in rangefinders in the past, but since the 1980’s, most have decided to leave it to Leica to rule as king in this category and move on to SLRs, point and shoots.and other mixed categories. In recent years, many manufacturers have decided to create rangefinder-ish cameras with electronic viewfinders (EVF) in the ILC market, but many still prefer having a real optical viewfinder (OVF). That’s why many offer the ability to mount an external OVF via the flash hotshoe; although there’s no ability to see any exposure info, no focus, or parallax correction. Fuji’s move into the digital rangefinder market has had such an impact, we forget that this system is still pretty new. Fuji’s first digital ILC rangefinder camera was the X-Pro 1 back in March of 2012. This X-mount system doesn’t feel like it’s just over a year old, with 4 camera bodies, 8 lenses (3 more on its way), and lots of after-market support. Like any new system, the X-Pro 1 had some issues when it first came out, but most weren’t too critical…but some were. Leica had 60 years to refine and define their M-mount cameras and lenses, so I think Fuji has done pretty well for 18 months. Much of the improvements were a matter of firmware updates and not hardware changes, as the X series cameras and lenses are pretty solid. Fuji’s latest firmware update 3.0 for the flagship X-Pro 1 is suppose to be one the most significant updates thus far, and I had the pleasure of testing it out with the super awesome 14mm F/2.8 lens, as well as the 18mm F/2. Let’s see how this camera and lenses performed…..
See on www.bigheadtaco.com
Don’t get this camera if you’re not going to use it for what it’s designed for. And don’t think it’s not capable of doing what it’s not designed to do. But with a bit of irritation and work arounds. However, it is light and easy to pack for any travel or street photography, it will give you the images you think you need a big DLSR for, and the image quality will make you pixel peep. I just love this camera, and can’t state it enough. This camera and most of Fuji’s cameras have been reviewed to death. This model has also been out for over a year, but I am going to add to it nonetheless. When I show it to people, their first response is always that they can get a DLSR for cheaper. Yes, it’s more expensive than the entry to medium range of DLSR and a lot of them think that DSLR has better image quality and looks more professional…..
See more pictures on www.neillsoden.co.za
This is an in-depth review of the Fuji X-Pro1, a highly anticipated mirrorless interchangeable-lens camera. Built on the success of the Fuji X100 and aimed at pros and photo enthusiasts that need a lightweight camera alternative to a DSLR with amazing image quality, the Fuji X-Pro1 is the first mirrorless interchangeable-lens camera from Fuji. Along with the X-Pro1, Fuji simultaneously introduced three prime lenses – Fujinon 18mm f/2.0 XF R, Fujinon 35mm f/1.4 XF R and Fujinon 60mm f/2.4 XF Macro, all specifically designed to be used for the new Fuji X mount. In this Fuji X-Pro1 review, I will not only provide detailed information about the camera, but will also try to answer the many questions that we have gotten so far on the camera from our readers, along with comparisons to Nikon and Canon DSLRs. I had an opportunity to work closely with the Fuji X-Pro1 on two separate occasions – once when the camera initially came out back in 2012 and again in the summer of 2013, after the latest 3.01 firmware update was released. I had a number of complaints about the X-Pro1 in my original review, because the camera was full of bugs and autofocus problems. The latest firmware 3.01 addressed many of those concerns, so I am simply revisiting the same review and re-evaluating the camera based on my latest findings…..
See on photographylife.com
I have been using the Fuji X-Pro1 since it first came out, and have to say I am more than pleased with the the way this camera works, not to mention the excellent quality of its images. When if first came out, the X-Pro1 drew some criticism for is slow focus. In the interim, Fuji has remained faithful to the brand and has continually issued firmware updates that have improved the speed of auto-focus along with adding sophisticated focus peaking for improved manual focus. In addition to consistently introducing new lenses, both primes and zooms, to support this system, Fuji has also introduced new models that can also use the same set of accessories. While the X-Pro1 remains the more expensive flagship model, there are now three other models below it that use the same lenses. The bottom two models, the X-A1, and new X-M1 are specifically aimed at entry level users, but the X-E1,which is the model just below the X-Pro1 shares many of the features of its bigger brother but lacks its hybrid viewfinder. Because these cameras are essentially the same inside I am not going to present comparative images from them. The results would be the same. Instead, I will concentrate on the different features of each camera to see why someone would want one over the other. Of course another interesting consideration would be to own both….
A little bit of Fuji X-Pro 1 love…despite some of its shortcomings…
This post is a long time coming! I’ve been promising to write down my thoughts on this camera, and had initially planned to provide critique during my 6 week trip to Vietnam, but I was having a hard enough time keeping up-to-date with my travel posts, so opted to leave my overall camera comments to the end. So…here it is :) There are plenty of technical posts on the web if you’re interested in the specifics, and I’ve added some links at the end for you. I’m going to be giving you my thoughts based on how this camera actually performed for me, and what I do and don’t like about it. I bought the body and the 35mm 1.4 lens, and at this time this is the only lens I own. I don’t have a flash. You get one battery as standard, and I highly recommend buying a second battery straight away as the live displays chew through the power pretty quickly. The lens come with a lens hood, which I actually haven’t used to date. I also purchased the leather case as I knew I needed extra weather protection for the camera in Vietnam (rain!)…..
A great camera for travelling with when you need a break from the SLR world, and are looking for a more compact solution. Travelling with only one lens was a little limiting at times, and another lens or two, or a zoom could be a good addition to the kit. Overall I’m thrilled with this camera. It looks great…it feels great…and it delivers amazing image quality. There’s certainly a learning curve as it’s not a SLR, but that’s what’s great about it. I’m definitely going to continue with pushing its boundaries to see how far it can go, although I’m not sure if I can go SLR-free as I still very much need quick focus and fast setting adjustments for the work I do. Perhaps if I become a street photographer! I don’t think you’d be disappointed if you owned this camera…..
See on www.lydiashawphotography.com