Reviews

Fujifilm X-Pro1 :: Review with samples | Derek Clark Photography

See on Scoop.itFuji X-Pro1

The X-Pro1 arrived a few days ago with the 35mm f1.4 and 18mm f2. I haven’t ordered the 60mm f2.4 at this point, but I might add it later as the buzz on the net states that it’s very sharp. I’ll review the lenses in a separate post as this one will be long enough with just the camera. I would also like to use each lens exclusively for a few days, to get a real feel for them individually.


See on www.derekclarkphotography.com

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Photo Review – Full Review

See on Scoop.itFuji X-Pro1

Buy this camera if:
- You want a compact digital rangefinder camera with a full suite of adjustable controls.
- You require high-resolution and accurate colours in JPEG files.
- You require high resolution and low noise levels at high ISO settings.
- You’d like the ability to shoot HD video clips.

 

Don’t buy this camera if:
- You want image stabilisation for stills and video clips.
- You want a wide range of interchangeable lenses. (Only three are currently available.)


See on www.photoreview.com.au

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Jeremy Cowart » FujiFilm X-Pro 1 + VSCO | sample images

See on Scoop.itFuji X-Pro1

Jeremy Cowart is an Photographer and the Founder of Help-Portrait.
“Recently I got a hold of the new FujiFilm X-Pro 1. I absolutely love it. I’ll do a more thorough review soon but below are some images of my kids that I shot with it at a birthday party. Edited with VSCO Film of course.”


See on jeremycowart.com

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High ISO Wars: Fuji X-Pro 1 vs Sony NEX-7 | STEVE HUFF PHOTOS

See on Scoop.itFuji X-Pro1

High ISO Wars: Fuji X-Pro 1 vs Sony NEX-7 Before I head out to the big Vegas Weekend tomorrow to put the X-Pro 1  to the test I decided to post a quick high…
See on www.stevehuffphoto.com

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Hands On Review: Fuji X-Pro1 Camera System (With Sample Images) | The Phoblographer

See on Scoop.itFuji X-Pro1

Fast forward many years and the digital camera has come about. Then the digital SLR dominates. And then Leica came out with a digital rangefinder. To combat this, many companies started to produce their own mirrorless interchangeable lens cameras. Fast forward another couple of years, and Fujifilm is combining the roots and craftmanship of those olden cameras with modern ergonomics and technology.

And the Fuji X Pro 1 is their current king of the hill.
See on www.thephoblographer.com

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Reviews | FUJIFILM X-Pro1 | Photographer Hiroshi Seo

See on Scoop.itFuji X-Pro1

“Detailes tone and colour reproduction amaze professional photographers.”

 

Hiroshi Seo was born in Hiroshima in 1968. Started studying under photographer Shoji Ueda from 1994. Began working as a freelance photographer in 2000. His shoots a multitude of subjects, including music CDs, photobooks, fashion, magazines, advertisements, TV, and photo exhibitions.


See on fujifilm-x.com

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Fujifilm Fujinon XF 60mm f/2.4 R Macro Lens Review

See on Scoop.itFuji X-Pro1

Gary Wolstenholme reviews the new Fujifilm Fujinon XF 60mm f/2.4 R Macro Lens with the Fujifilm X-Pro1.
See on www.ephotozine.com

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Is the X-Pro 1 for you? Alan J. Perlis – come to think of it ….

See on Scoop.itFuji X-Pro1

There’s a lot of anxiety about the pros and cons of the X-Pro 1 in that abode of hungry ghosts, the DPReview forums. I think most of that anxiety really boils down to one question—is it the right camera for you?


See on primejunta.blogspot.fr

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Fuji X-Pro1 Review – Part 2 | Great Review by Nick Devlin – Luminous Landscape

See on Scoop.itFuji X-Pro1

A week with the X-Pro1 was not enough. While it drove me mad on numerous occasions, it also thrilled me with its image quality and the possibility of a viable autofocus rangefinder-style camera. At roughly one-third of the price of an equivalent Leica system, the X-Pro1 is amazing value, but still a significant investment. The verdict for now: the X-Pro1 is a quirky gem.


See on www.luminous-landscape.com

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My basic attitude of the Fujifilm X-Pro1 – Martin Hülle | Google translater

See on Scoop.itFuji X-Pro1

A “correct” Setting the camera is especially important for JPG photographers, because the changes in the camera settings are expected to enter irrevocably into the picture and not afterwards be altered. If you shoot in RAW format, however, has subsequently possible – even in the camera – to change many settings.


See on translate.google.de

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