After years of shooting with my Canon 5D and other big camera’s I bought a Leica M8.2 a little over a year ago along with two nice Elmarit lenses. In the end, it wasn’t for me. I loved shooting with and getting that Leica feeling, but the ISO performances were so bad that I could not justify it. Thought of buying a M9 instead, but even for the extra money I could not just do it. I also bought the Fuji X100S when it came out and loved it. I did sell it after 2 months because the fixed focal length wasn’t for me. So I sold everything and bought the Fuji X Pro 1 with the 18mm 2.0 and the 35mm 1.4. Fell in love with it. Wasn’t the Leica M but it was what I was looking for. So when I went to New York for the first time in my life (actually flying for the first time in my life after being scared of flying my entire life) I brought the X Pro. One day… I will go back to Leica… but for now… the Fuji helped in capturing the people of New York. Just wanted to share! …….
See on www.stevehuffphoto.com
Out of the morning mist they appear: serious, silent, with a purposeful stride, their bare feet thump the road, completely indifferent to the foreigner with the camera. “Mingalaba!” I try the traditional Burmese greeting, unsure if it will be acknowledged here amongst the Shan. A young Novice flashes me the briefest of smiles and a nod, traditional politeness overcoming Buddhist detachment. At a crossroads the long, snaking line dissolves and they are gone all too quickly. I sit down at the roadside and watch them dart off in a hundred different directions. Myanmar has gifted me another precious little nugget on a trip filled with very special moments……..
See on blog.rosskennedyimages.com
My parents are Chinese, they were born in China, where they lived for a few years and then they moved to Vietnam where they spent a lot of their years. They had to make a run for it when the war started, my mum and dad split the children up, they had five children at the time, dad took the boys and mum took the girls. My mum made it to L.A and my dad went to Hong Kong, and they had to somehow find a way to meet each other again. Eventually my dad also made it to L.A, him and my mum met up and they moved to England. They pretty much trekked around Asia, then to L.A (where they could have settled down) then they moved to England, where I was born……..
See on beautifulblissbridal.com
Each world religion has a place of very special importance where millions of the faithful make their pilgrimage. Similarly, there is a place that every photographer should visit. It is a land like no other. The unconscious beauty of the land captivated us. The abundance of shapes, patterns and colours produces dream-like visuals, which might overwhelm your senses at first. However, if you cut yourself off from the noise of your everyday life, turn off your cellphone, disconnect from the Internet and let your senses wander, you will find yourself in awe. Rolling yellow fields against the blue sky, whirling patterns of cut hay and huge expanses of sand dune-like hills are all a feast for the eyes. The Palouse is an agricultural region in southeastern Washington, which produces mostly wheat and legumes. We couldn’t find the origin of the name “Palouse.” Some sources claim that the name comes from the Palus tribe, only later converted to Pelouse by the French-Canadian fur traders, which means “land with short thick grass.” Later the name was changed to the current Palouse……..
See on olafphotoblog.com
Last time I shot with Erika (here), I ranted how shooting in a small white room is a giant pain in the ass. Light spill, uncontrollable reflections, mental breakdown, suicidal thoughts, etc… Well, this time it’s pretty much the opposite. Let’s see how we can turn that small white room in to a huge light modifier. When I shoot with natural light I usually tend to a) back light my subjects, or b) use hard, direct sunlight. I hate overcast days and I much rather shoot in high noon on a sunny day than say, during golden hour. I like to have plenty of light. Hard light. Light of the golden hour lacks balls. So, how do you create heavy back light or direct sunlight with strobe?…….
See on timokoponen.blogspot.de
May 2014. Again I have strayed into other areas of photography for a little while. I still shoot street. Below are 14 shots from Århus, Denmark. Captured using the X-Pro1 and the XF 56mm f/1.2 R. This lens is fantastic. Bokeh is so amazing. Focus is fast. And it works so damn well for Narrow DOF street photography. Enjoy…….
See on jonasraskphotography.com
I was the first one who walked upstairs and enjoyed the beautiful scenery. The view was fantastic but what I loved even more was the have a couple of quiet and peaceful minutes on the upper deck of our boat. This is my third trip to Asia. I can remember how I felt before the first one. I was nervous because of the high population density of the places I will see. I go there for business so the only places I usually see are the big cities like Hanoi, Saigon ( HCMC ), Bangkok, Manila or Jakarta. These are all mega cities with more inhabitants than the small country where I was born and live. I lived in Vienna for almost 20 years but Vienna is a city of just 1.7 million, if you add its surroundings it´s 2.5. In the list of the biggest 200 metropolitan areas Vienna ranks 179. In this list Jakarta is second with almost 30 million. Manila made it in the Top10 too. There are a couple of other lists on the internet and there is no standard to tell what a city is and to determine the number of its inhabitants. But it doesn’t matter. These cities are really big and can be overwhelming…..
After getting to know the XT1 (and XF56) for a couple of weeks I felt confident enough to challenge myself to try and use it as a primary body. I would still use my 5DIII but I didn’t want to give the XT1 the role of backup/secondary. I wanted to see if it could perform as the primary-body in the near future. The main reason why it is difficult to just change camera’s is that the couple has booked you more than a year in advance based on a portfolio shot entirely with full frame bodies & fast primes. So I wanted to be careful not to have a different style or feeling towards my pictures just because the camera has changed. Yes, the photographer makes the picture, not the camera , yada yada …. but there is no denying that the XT1 is a different animal and it has an impact on your photography. It also takes some courage to leave behind what you have loved & known for all these years. Yet, that is part of the excitement of the X series. It challenges you!…..
So myself and good buddy James Watson hit the good country of Wales for a long over due road trip. Heading over to the Elan Valley an estate which forms home to number of Dams and reservoirs which service the city of Birmingham and the West Midlands. Wales os a special place indeed, everything is BIG sky, mountains, lakes and then the engineering feats of the dams the plan, just too have fun escape the mids and try some stuff out so some long exposure was going to go down with a 10 stop filter the xpro some glass and some sweets……
See on www.suberashi.co.uk