Another wedding photography post today. Again I was asked by a very dear friend of mine (Also being the best colleague in the world) to take photos at her wedding. I was also invited as guest, so I had double roles to fill! Again the images was taken using the x-pro1 with the 35mm f/1.4, the X-T1 with the 56mm f/1.2 and the trusty x100s. I wish Thomas and Gitte all the happiness in the world…….
We have just got back from a few days in London which was a present for my 50th from the better half. It was a few days of excessive eating and drinking with a little bit of walking and photography, in fact we really blended in with the 1000’s of typical tourists. I shot all the time with my Fuji X-Pro and the XF 18mm f2 except for a few of the night shots where I used the XF 18-55 f2.8 and then processed them with SilverEfex as I felt the B&W contrasty feel gave the look I was after. shot both day and night and the X-Pro performed great, I really love this camera the quality of the raw files is top notch even at iso 3200…..
Since May of 2013, I’ve had the pleasure of working with the Fujifilm X-Series Cameras and XF lenses, and during that time I’ve managed to shoot with them in more than 20 different countries, spanning nearly every possible photography condition. In the process, I’ve also had the pleasure of meeting many Fujifilm shooters from around the world and what I’ve discovered is that people love their Fujifilm cameras and, like me, they’re excited to talk about them. There have been quite a few times, where I was completely immersed in a sea of tripods, riddled with shooters toting every type of camera brand known to man. People with Canons, Nikons, Pentax, and Hasselblads, all sizing each other’s gear up—in typical photographer fashion—while never exchanging a word. Fujifilm shooters on the other hand, just seem to smile at each other, as if they have a shared secret that no one else knows. It’s the strangest thing, but even during photo walks, Fujifilm shooters seem to congregate; proud to be carrying their cameras and excited to talk about their favorite lenses and what is to come. There’s a sense of community and shared love for these cameras that I find absolutely delightful…….
It was a typical Wednesday morning until I received that call. About 10:43am my phone rang. It was my mother calling to notify me that that my father had to stay at the hospital and have a neurosurgery consult. I was instantly shocked with disbelief as my father is as healthy as a horse. He’s 69 years old but he’s the kind of man that hasn’t really slowed down despite having been retired since the age of 65. It turns out my father (a retired physician) had been having some slight headaches on the right side of his head for the last few months and he really didn’t think much of them. As a family, we were all going through a trying time as my uncle, my father’s younger brother, had been battling cancer for about a year already and he simply attributed the headaches to stress. But my mother, always one to be top of things had requested a doctor’s appointment so that my father would go and get an MRI. To the surprise of everyone, the radiologist that interpreted the MRI said my father couldn’t go home and that he must go get a neurosurgery consult immediately. Its turns out my father had been diagnosed with a “subdural hematoma”……..
Now we all know that Jimi had many things right. I mean a generation of people learned a new and brilliant way of thinking. Well, Jimi said one thing that I find as an untruth. “….ain’t no life nowhere….”. Well, here in Philly with Andre’ the Fuji X100s, if you look around “….there’s life everywhere….”. When I was younger and had more innocence, hmmmmmm well innocence for sure, I would see the world as interesting place photographically. I adopted a premise for my work while in VietNam. See, I was surrounded by life of all forms but in a fraction of a second, the world was transformed to a place where nightmares are real and not dreams, friends I talked with and ate with and smokes with were no longer a part of this world and now they would be memories that would haunt me to my elderly age and still live inside my soul and mind…..
There are more similarities between photographing landscapes and people than you think. When working with people, a photographer must achieve a certain level of connection and trust that allows them to relax and open up emotionally and visually. On many levels, a similar dynamics plays out when photographing landscapes. You must “feel” the place, connect with it and give it time to reveal itself to you. So often I see photographers running around stunning landscapes fixated on a few photographed-to-death spots and rushing from one location to another. And I know what I am talking about – I have done it myself! Slow down, look around and don’t fixate on the most popular spots. “Be there” before you take out your camera. Very often you will notice different elements and visuals, but be warned – you may come back from your trip with images you didn’t plan to take. It may well be the best imagery you have ever created…….
In my last post I talked about what photo gear I brought to Italy for one month and the reasons behind those plans. So how did reality compare to expectations? Which gear earned another trip and what won’t make the cut next time? The good news is that the planning paid off and most things worked very well. There were a couple exceptions though and an uncertainty that might seem familiar/tiresome to some Fuji fans. Let’s take a look……..
Back in the Spring I visited Italy with the family. It was my first big trip DSLR-free, traveling just with the Fuji X-T1 and X100s. It was so pleasant not lugging around heavy gear all trip. I didn’t get hardly any dedicated photography time this trip, with most images taken quickly on the go. A lot of the street photography images were even shot “from the hip”. We visited Venice, Montepulciano (and some nearby Tuscan countryside), and Rome. The trip was too short by half, but it whet the appetite and I anxiously await visiting the country again in the future…….
The Old Forge at Welbourn, Lincolnshire. All images taken with the Fuji X-E1 and Samyang 12mm NCS CS F2.0. I’ve had an ideal opportunity to put my Samyang 12mm X-Mount lens to good use. The confined space of this wonderful old forge in Welbourn was both challenging to photograph and captivating to see as a working piece of history. The forge would have been the working home of smithy’s and farriers, serving the local community with everything from horseshoes to wheel rings. It’s a heritage site and is full of interesting old pieces from a bygone era. I had very little space in which to manoeuvre and the lighting was supplied by a couple of windows and little else. I’m guessing the room size was in the order of 20ft on the longest side. I used upto ISO 1600 and shot mostly between F2 and F4.0……