Sample Images

Fuji X-Pro 1 … Andre’ & Garry hit the Streets | Streetshooter

Well, at the last minute I switched bags from the TurnStyle 5 to the Retrospective 5. It just is a little easier to swap cameras from the Retrospective 5. I don’t need any Enter & Exit Bag Procedure Intrusions. On the street I adjusted the dividers a little and now everything just works great. So, Andre’ has the 23mm on and Garry has the 50mm on and the extra pocket holds the EF-X20 Flash & the 18mm. I’ll never use all this stuff out on the street but….if I don’t use both cameras, one will go and I know it. So, I need to learn again to depend on using 2 cameras. Besides, what better way to change lenses eh? It was very convenient to swap cameras when I felt like changing Field of Views. It’s not hard to take, that I’ll say…….

See on streetshooter.net

Fujifilm X-Pro1 – Wedding Photography | Sergio Sorrentino

Is the Fuji X-Pro1 a camera suitable for wedding photojournalism photography?

I don’t like talking about equipment. As you surely know, in good photography the camera itself has really low importance. However I would like to talk about a camera who have brought to me (again and more) the joy to take images. Put it together an excellent lens lineup and you have the Fujifilm X Series. Briefly, I found this camera to be a joy of use thanks to the light weight, the silent and smooth operation and the ability to completely make me invisible, and this is a very important aspect for wedding photojournalism. The AF operation is good enough for capturing everything happens in a wedding day, from running kids to the first dance with low light. The only disappoint is the slow buffer operation that makes this camera not so good for those photographers who like “spray and pray”. This flaw was finally an advantage for me, I improved my way of shooting, letting me concentrate more to achieve the best image for that moment…..

See on www.sergiosorrentinofotografie.com

Black and White Sydney | Daniel Incandela

In all my travels, Sydney has been the toughest opponent when it comes to jet lag. It will lull you to sleep, then dump cold water on you at 2am. This time I played it differently. You can’t fall asleep if you don’t stop moving. I landed in Sydney from LAX at 7am. I grabbed my camera and walked around a very quiet city, and for some reason, I chose to only shoot in black and white. I guess I wanted to see the city in a new way. There is something special about a city just waking up……

See on danielincandela.com

Suffolk coast | Matt Wilkinson

I went to the coast early Saturday morning to capture the sunrise but the weather was too good with hardly a cloud in sight, so tried some minimalist long exposure shots with the X-pro 1 and the B+W filter. Then on Sunday had a lovely family day out for mothers day at Suffolk owl sanctuary, Orford castle and the quay, I took the Fuji along as always and the Holga to shoot some film, which I’ll develop once I’ve finished the roll. All these were shot with the x-pro 1 with the 35mm and 18mm…..

See on www.mattwilkinsonphotography.co.uk

Berlin with the X-Pro1 – Part the Second | Peter Evans

It’s been a while since my last Berlin post. I headed back home to visit my mum and dad (doing fine, thank you) in their strange, dystopian world of no-internet. So for over an entire week there was no checking of emails, browsing of blogs or updating of my website. Instead I gleaned my information through the reading of words, printed in mysterious black fluid on a strange, flexible material made from the pulped remains of trees. You get used to it. So, back to Berlin! ……

See on petetakespictures.com

The X-Pro1 on a rainy day in New York | Tom Grill

The weather dictated the theme of weekly photo project. It has been raining for three days straight in New York with some occasional mist and haze — just the kind of weather I love to photograph. I sent my X-T1 off to Fujifilm Repair to have the light leak fixed so it was time to dust off my X-Pro1 and take it out for some exercise. From the point of view of design, the X-Pro1 is still my favorite camera, but it is beginning to get treated like a poor cousin as its newer relatives have been receiving all the updates. I usually like to give myself some restrictions whenever I do these exercises. This time, in addition to using the X-Pro1, I primarily shot with the 55-200mm zoom. For the close-ups I carried along a Nikon 5T and 6T set of 62mm close-up lenses, which have found a new life on my 62mm Fuji lenses……

See more pictures on aboutphotography-tomgrill.blogspot.de

US-Fotograf Jeff Seltzer: “Die Welt muss menschenleer sein” |
SPIEGEL ONLINE

Jeff Seltzer, 43, sucht leere schöne Räume in überfüllten Großstädten. Der US-Amerikaner zeigt auf seinen Fotografien auch gerne Überbleibsel, die Menschen auf Straßen oder Flughafen-Wartehallen hinterlassen haben: Zigarettenstummel, Bremsspuren oder Kritzeleien. Vor allem aber hat er es auf Parkplätze abgesehen. Seltzer wurde in Los Angeles geboren und studierte dann Kommunikation und Rhetorik in San Diego. Er lebt und arbeitet als Fotograf in L. A.

See on www.spiegel.de

Scharf, schärfer, Fujinon xf56mm f1.2 | Mehrdad Abedi

Vor gut zwei Wochen habe ich mich von meinem geliebtem Voigtländer Nokton 50mm f1.5 getrennt und mir anstatt das viel gelobte Fujinon xf 56mm f1.2 gekauft. Die in etwa eine halbe Blende mehr ist natürlich schön, tatsächlich war dies aber nicht der Hauptgrund, weshalb ich wechselte. Ich bin nicht so der Offenblende-Fanatiker. Klar benutze ich gerne große Blendenöffnungen, auch als gestalterisches Mittel, jedoch habe ich meist die Erfahrung gemacht, dass mir die Bildergebnisse bei den Objektiven, die ich so in meiner Laufbahn hatte, bei offener Blende selten zusagten. Ich blende oft ein bis zwei ganze Blendenstufen ab, sodass ich sehr oft bei Blende 2.8 lande. Letztlich war es vor allem der fehlende Autofokus des Voigtländer Objektivs, welcher mich zum Fujinon greifen ließ. Das manuelle Fokussieren macht mir schon viel Spass, aber es gab doch immer wieder mal Momente, wo ich den Autofokus eben doch vermisst hatte. Bis zum Erscheinen des Fujinon 56mm gab es auch keine Autofokusalternativen für ein schönes Portraitglas. Kurz vor meinem Death Valley Trip kam dann das Objektiv bei mir an. Ich hatte gute zwei Wochen Zeit dieses Objektiv in all den Bereichen zu testen, die mich persönlich interessieren (Außer für Street, aber da mag ich so lange Brennweiten eh nicht!). Von Portrait über Landschaft bis hin zu Architektur habe ich es benutzt……..

See on www.qimago.de
 


Fujifilm Fujinon XF 56mm F1.2

Do you love my work and want to support me? If you’re planning on buying camera gear, you can check out above-noted links. Prices remain the same for you, but a small percentage of your purchase value is valued back to me. Thank you!


 

The Fujifilm X-T1 For Professional Wedding Photography |
Allister Freeman

Following my earlier blog article, here’s a more in-depth post with my thoughts on the new Fujifilm X-T1 after several weeks of use. All the wedding photography in this post has been made using the Fuji X-T1 and 56mm 1.2 R Fujinon lens, producing JPEGs then processed in Lightroom.  I’d like to make it very clear that I have absolutely no interest in talking about every little technical aspect of this camera because let’s be honest, there are a plethora of those online already – they’re also pretty dull! I’m afraid I won’t be talking about how many frames per second of continuous shooting you could achieve or the finest details about it’s much mentioned viewfinder (suffice to say it is very nice). What I will discuss amongst other things however is the Fuji’s ability to perform in real-life situations and whether it can actually be a main camera in a professional wedding photographer’s kit bag, possibly replacing a high-end digital SLR. That’s certainly the main question on my mind and I’m positive I’m not the only one thinking this…….

See on www.allisterfreeman.co.uk

China – Not Black & White | Sven Schroeter

Another trip, another opportunity. Rumour had it that the backstreets of China are not safe, and when I questioned why and what made them so, I received no real answer, just hearsay. So I figured with nothing to lose, expect for maybe a camera and lens, I had the perfect adventure planned. You may remember the last trip I took to Asia’s streets, where the resulting images were far too reserved and not true to my intimate style. So amped up on oolong tea, and camera in hand, I was ready to step into the ring for round two. It can be tricky communicating why you want to make a strangers street portrait, even when you speak the language, but when all you have is an award winning smile and sign language there are many shots which unfortunately will slip away. Although on the street I was warmly welcomed by those wanting to practice their English, as soon as the camera came out they were singing a very different tune. Thankfully, I could not understand the angry yells and possible cussing which followed me down the street when I just went for it, but that is not to say that everyone was adverse to the idea. Some welcomed the camera and had a good giggle while I taught them posing 101 and performed my dance……
 
See on www.bokeh-monster.com
 


Fujifilm Fujinon XF 56mm F1.2

Do you love my work and want to support me? If you’re planning on buying camera gear, you can check out above-noted links. Prices remain the same for you, but a small percentage of your purchase value is valued back to me. Thank you!


 

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