Well, at the last minute I switched bags from the TurnStyle 5 to the Retrospective 5. It just is a little easier to swap cameras from the Retrospective 5. I don’t need any Enter & Exit Bag Procedure Intrusions. On the street I adjusted the dividers a little and now everything just works great. So, Andre’ has the 23mm on and Garry has the 50mm on and the extra pocket holds the EF-X20 Flash & the 18mm. I’ll never use all this stuff out on the street but….if I don’t use both cameras, one will go and I know it. So, I need to learn again to depend on using 2 cameras. Besides, what better way to change lenses eh? It was very convenient to swap cameras when I felt like changing Field of Views. It’s not hard to take, that I’ll say…….
See on streetshooter.net
Jeff Seltzer, 43, sucht leere schöne Räume in überfüllten Großstädten. Der US-Amerikaner zeigt auf seinen Fotografien auch gerne Überbleibsel, die Menschen auf Straßen oder Flughafen-Wartehallen hinterlassen haben: Zigarettenstummel, Bremsspuren oder Kritzeleien. Vor allem aber hat er es auf Parkplätze abgesehen. Seltzer wurde in Los Angeles geboren und studierte dann Kommunikation und Rhetorik in San Diego. Er lebt und arbeitet als Fotograf in L. A.
See on www.spiegel.de
From Haight & Ashbury to Chinatown to North Beach, I truly enjoyed doing street photography in San Francisco last weekend. It was a family vacation, not a photography trip. Although I had my Fuji x100s with me at all times, photography was not the focus of this trip (no pun intended). I still managed to grab a few shots here and there. I’ll be back and will most likely lead a photo workshop there in 2015…….
See on valeriejardin.wordpress.com
Street photography.. Hm.. I always wanted to do it, but like many of you I was too afraid of it. I was really nervous to get close to strangers and take a candid shot but the last couple of months things have changed. I’m still not a street shooter/warrior, but I feel more confident and step by step I overcome my fear of street photography. I also realized that people usually don’t give a damn about somebody photographing them and most of them don’t even notice me. Quite often I chose a spot what I find interesting and I wait for someone to walk into my frame. There is still room to improve, I still have to get closer to my subjects but I feel I’m on the right track and I’m really enjoying this whole new experience.
All images were taken with the Fuji X100s and the X-Pro1 with the 35mm lens.
See on gaborimages.blogspot.de
My year has just started from the photography point of view. After my shoulder surgery I am ready to travel again and explore new places. I thought it would be nice to share some insights about the places I travel. I try to give u the best tips for photography spots and other insights. So here is my first review on Barcelona. It was my second visit to Barcelona – time was pretty tight, cause I spent just the weekend there but I tried to make the best out of it. I don’t want to get into details about sightseeing places – I am sure this will be on your list when u travel anyway. I highly recommend the beach area of Barcelona. Best time is in the morning – then the place is not too crowded and there is already much to see. Young and older people are coming together for a chat, to bike, skate or just stroll around. This area is fantastic for street photographers – the light is incredible and a perfect spot to catch some nice shots or just have a drink and enjoy the surrounding. Don’t miss to walk around the little streets next to the beach area. This area is incredible beautiful and reminded me a bit of Napoli in Italy…….
I’d never been to Berlin before, but I’d seen a few films set there. Forefront in my mind was ‘Wings of Desire’, Wim Wender’s atmospheric tale of an angel (literally) falling for a trapeze artist in 1980’s Berlin. It stars Bruno Ganz, Nick Cave and Columbo and it’s all shot in the most gorgeous black and white. And that’s how I thought I was going to shoot Berlin. I mean, this is surely a monochrome city, right? Battle scarred buildings, grim brutalist Eastern-bloc architecture, lowering skies, great concrete walls – one amazing oppressive movie set. That’s how my mind imagined it. Turns out I’m an idiot. Berlin is tremendously colourful. I arrived on the train from Schoenfeld airport greeted by some beautiful magic hour light. I figured, “What the hell, let’s capture a little colour at least,” and set the camera to Pro-Neg Hi colour film simulation. I never left that setting. Whenever I confronted a crumbling ruin of a building, a concrete monolith of a towerblock, it always seemed painted in lovely warm light and splashed with the most vibrant graffiti. ‘Poor but sexy’ indeed and as splashed with colour as a heaping of ketchuppy Currywurst……
See on petetakespictures.com
The past weekend I was in London to see Zack Arias and David Hobby talk about their Fujifilm cameras and how they use them, it was a great talk that was followed by lots of beer, but one thing at the talk really interested me and that was the street photography part of Zack’s talk. In particular his techniques and tricks for getting street photos, ways of taking shots of people without realising and that you will get caught one time or another but realistically people aren’t going to go berserk. So the next day with my Fuji X100 in hand and hangover in my head I headed out to the streets of London, I started with a walk along south bank where I got to find my feet with it, and before long I was employing some of Zack’s tricks and tips. Once I had got a bit more comfortable doing this I started to do some street portraiture where I would ask people to pose for me, this is a great confidence booster and a great way to improve your photography, very quick portraits on the fly with available light, really good fun, and a lot less people say no that you would think…..
See more pictures on www.colinnichollsphotography.com
Let me start by saying that some of this was written yesterday and some of it today. Eh…who cares…. I had to get my Dreamcatcher stuff posted first because of such high public demand. Just kidding but not really. These images sell more than anything else from my artsy fartsy collection. These were all made with the XP1 and the 35mm 1.4. It’s a chore for me because I don’t like the 50mm FOV but yet with the XP1….it’s very natural. I use the OVF 90% of the time and the screen the rest and of course somewhere in my demented mathematical equation, the EVF works in. So there’s much talk about the new kid on the block. Oh yeah…it’s all over the net and all over the world. The Fuji XT1 is going to break records. I don’t know which records but I’m told big stuff…wait and see. Well….here in Northeast Philly on Montour Street, in the back room that’s converted to an office but nobody works in it just me and it ain’t work if you love it but anyway…..here…the XT1 will never make an entrance. It’s shunned and not allowed to make a presence. Andre’ the XP1 and Ding the XE1 have decided that …we doin’ need no stinking camera with a center mounted evf that looks like a SLR from the days long gone but they ain’t long gone cause many still like that form but here …. we don’t! …..
See on streetshooter.net
This week, I spent an hour or so around Liverpool City centre along with my Fuji X Pro 1 with the 18-55mm lens. Now, I’m a sucker for all things VSCO make and have had their film presets from pretty much when they first started with them. I was pleased to receive an email from them announcing that they had released Pack 05 with some classic mainstream films emulations. One of the main attractions for me was the inclusion of Kodak 400CN, one of my favorite films (currently in my Nikon FM2!) and a part of the Totally Rad Replichrome set. I have used the Replichrome emulation (and my version of it) a lot recently, especially on weddings where we have used the Fuji X100s and the X Pro 1. Anyway, here are some images from the “photowalk” all edited with VSCO Pack 05 for Lightroom with a couple of my own tweaks added here and there, but not too many….
See on www.ianmacmichael.co.uk