I’ve had the pleasure of owning my Fuji X-Pro1 for just over 2 years now (unfortunately I bought it when it was still ridiculously expensive) and although lots of people have talked of switching entirely from Nikon and Canon, I still have plenty of use for my 5D iii. I prefer the Canon for the odd wedding I shoot (I do use the X-Pro1 as a 2nd camera/back up) and I also use it for the odd freelance camera operating gig. The reason I bought the Fuji was pretty much the same as everyone else. I really couldn’t be bothered dragging round a massive DSLR to family things, holidays, weekends away etc but still wanted something that could shoot great quality images. When I decided to head off on a 6 week trip round the United States with 3 other people, taking the X-Pro1 and leaving the 5D was a no brainer. As well as taking plenty of pictures, I was also editing the images, updating Tumblr and creating Steller stories as I went, all without my trusty laptop. I think I had an almost perfect balance of kit and functionality for traveling so I thought I’d outline my process and the gear I took…….
While in Honduras I spent a long time in a Toyota Land Cruiser on dirt roads feeling like a bobble head doll. Dirt roads like this one, we would be on for couple hours at a time. I was in the front seat riding shotgun because I was 6’2″ and the others were much smaller in the back seat. The others had been here many times before and were astonished that I was getting any usable pictures. They had bad experiences in these situations. So how was I able to get sharp photos? ……
Three months ago, I got myself the new Samyang/Rokinon 12mm f2.0 NCS CS lens for my Fujifilm X-E2 and in the time since I’ve been using it a lot, both locally around here and in trips to Greece and Ireland. Even though I specifically selected this lens for its qualities with respect to astrophotography, I’ve been using it for all kinds of landscapes and more, including close-ups, street and even cat photos! While I don’t do real reviews and I have no test charts to shoot or any way to measure sharpness, light fall-off or distortion, I still wanted to give you my impressions of using it in the field and show some of the images I got out of it. If you just want the punch line, here it is: I like this lens, I like it a lot. If you want to know more, read on…….
Eigentlich war der Plan super. Wir fahren bis Bao Lac und steigen um in den Bus nach Meo Vac, unserem Ziel. Sieht auf der Karte aus wie ein Katzensprung. Wir kommen so spät an, dass es an diesem Tag nirgendwo mehr hingeht, denn leider gibt es keine Busverbindung zwischen diesen Orten und auch per Anhalter will uns niemand mitnehmen. Wir mieten uns ein Zimmer. Ein sehr, sehr schlechtes, denn nachts beginnt das große Krabbeln, das Fenster lässt sich nicht schließen und das Bett ist älter als wir beide zusammen. Ich schlafe trotzdem gut, aber leider niemand sonst, was nach dem Aufwachen etwas Ärger nach sich zieht. Am nächsten Tag landen wir durch Zufall im Haus einer Bauunternehmer-Familie und nach einigen Runden verhandeln, ignorieren, Schnaps und anschweigen fährt uns ein Jeep nach Meo Vac im äußersten Nordosten Vietnams……
I’ve been a loyal Canon user since I’ve started photography, and I have nothing but praise for its cameras. I shall still retain my Canon 5DII and a bunch of lenses for as long as I can. However, I realized that my style of photography has evolved during the past few years…prompting me to splurge big time on a Leica M9, and not too long ago on a Fuji X-Pro1. The evolution of my way of seeing, the lightness of these two cameras and the quality of their images laid the foundation for my being ready and very receptive for a DSLR replacement. Traveling to photograph Holi in India earlier this year, and having to hold the 5DII at shoulder-length to photograph inside temples and avoid color powder/water bequeathed me a short-lived tennis-elbow like pain, but it made me realize that DSLRs are really heavy computers with lenses attached to them……
After the official workshop ended, as often, we offered an extension on the trip. The planned extension was to Srinagar Kashmir and the surrounding valley But as you might know the Kashmir region was faced with unprecedented flooding and there was no way we would be able to lead a workshop in such surroundings. So Piet, Alou and I had to put our heads together in a hurry and come up with an alternative for Kashmir. The obvious choice became the one we went with: the amazing Nubra Valley. The Nubra Valley is located Northeast of Leh over the Khardung La (Khardung Pass). The Khardung La is touted as being the highest motorable road in the world at 5,602 m (18,379 ft). Frankly I doubt that. Our GPSs all came in closer to 5,334 m (17,500 ft). Nevertheless, it is high! So much so there is a sign posted in all caps that reads, “STAYING FOR MORE THAN 20-25 mins CAN BE HARMFUL TO YOUR HEALTH”……
In the summer of 1982 I was stationed in Okinawa, Japan, as a U.S. Marine. My unit trained in mainland a couple times per year, giving me the opportunity to visit Tokyo. It was this point in my life that I discovered photography, and purchased my first 35mm SLR camera, a Yashica if I remember right. The city was a never ending playground for photography, and I went through many rolls of film, learning to use my new toy. Looking back now I wish that I had taken more photos……..
My name is João Marques i`m an amateur photographer living in Lisbon and i would like to tell about my experience, this holidays, in choosing which camera to take. So this year my vacations were on the beautiful greek islands of Santorini and Mykonos. When i was making my bag i had a hard decision to make, wich gear should I take? My options were carrying my heavyweight equipment: canon5d2+zeiss 21 2.8+sigma 35 1.4+ canon 70-200 2.8 IS II+manfrotto tripod+ lee filter set. Or go with my every day camera, the small, beautiful and excellent Fuji X100s. Since I had to take 7 flights in total, the choice was pretty easy, those were not a “photographic” vacations, my plan was to relax and bathing on the warmer mediterranean waters……
Let’s face it, shooting architecture and landscapes is not something I feel comfortable with. However I’ve always been attracted by long exposure and sunset shots. Three things were missing so far in order to start an long exposure architecture project and I managed to get two of those already:
- the will (yep, got it eventually)
- a proper lens. The Fujinon XF 10-24mm f/4 has been delivered!
- filters (still missing those babies but it doesn’t prevent from training and shooting)
Unfortunately for me the 10-24mm I ordered came with dust between two lenses and I could only play with it for half a day before sending it back. The pictures below are a tiny set of what I could quickly shoot in the morning before going to work and during my lunch time in Paris…..
Too many times have I heard the complaint that social media, despite the connotation of its name, has rendered us more antisocial than ever before. Locked away in our rooms, we chat with individuals who play no part in our actual day-to-day existence, tricking ourselves into believing that our social life is much richer than it actually is. This is why Mathieu and I are both firm believers that the “social media cycle” isn’t complete until online relationships are taken offline. As friendly as you can become with people via a social platform such as Twitter or Google+, there is nothing quite comparable to meeting someone face-to-face……
The Netherlands, Germany, Italy, Spain, Ireland, the USA, Canada and the UK–eight nations enjoying one another’s company under one roof in the cosmopolitan city of London, all thanks to relationships being taken from the superficial online realm to the geniune offline world. This is the true definition of social media, and the spirit with which LNDNWLK came into being……..