Cambodia – A Photographer’s Guide | Roel Dixon Mahatoo

Empires. The world has seen many empires come and go.  No matter how powerful they were, they have all disappeared for various reasons and you can see the remains of them today if you willing to travel. The tiny country of Cambodia in southeast Asia was home to one of humanity’s most powerful empires – the Khmers (802 to 1431 AD).  They were ambitious people led by even more ambitious kings who wanted wanted to be worshiped by their subjects – so they declared themselves to be god kings. To demonstrate their status as such, they erected stone temples that were built on a massive scale – unlike anything one could imagine, even to this day.  These temples dwarf most European cathedrals, even though the Khmers built them many centuries before.  They were truly a very advanced civilisation. I recently had the privilege of visiting Siem Reap in northern Cambodia which is an experience I will never forget.  The main reason for my visit was to see (and photograph) these magnificent structures – the other, to spend some time with the Cambodian people (still referred to as “Khmers”) who are some of the friendliest on the planet. I spent a lot of time preparing for this trip as I was traveling a great distance and wanted to make sure I had everything I needed with me.  The purpose of this article is to share my experience(s) so that photographers can prepare for their journey to this remarkable part of the world. Keep in mind as you read this that I spent all of my time (nine days) in the Siem Reap area of Cambodia, which is a much longer visit than most.

This article is in four sections:

  1. Before you go
  2. Photography Advice
  3. Other Advice
  4. The Best Advice …….

 

… more Cambodia Images by X-Photographer Roel Dixon Mahatoo:
http://roel.me/?gallery=cambodia

roel

See more pictures on roel.me

A Podcast: A conversation on the Fujifilm X System with
Piet Van den Eynde | Matt Brandon

There’s a lot of talk these days, both good and bad, about the Fujifilm X Series cameras: the X-Pro1 and the X-E1.  I’ve been using the X-Pro1 for exactly one year now. Back when I first gave my initial impressions I wasn’t sure how I would feel about this camera long term. Well, the jury is out and the verdict is I love it… a lot! So much so, I took it for a month of shooting, an assignment in Africa for The Kilgoris Project then to India for my latest Rajasthan Photo workshop. In Africa I used both my X-Pro1 and my Canon 5D MKIII. Why? Fujifilm just doesn’t have the lenses for this little guy to go on Safari. But, then even my 70-200 mm with a 2x converter didn’t really deliver on the safari either. The main reason for being in Africa was The Kilgoris Project. I shot this assignment completely with the X-Pro1 and only two lenses: the Fujinon XF35mmF1.4 R and the XF18mmF2 R.  After Africa I went to India to lead my workshop where I shot exclusively the X-Pro1. The main difference in India was I was able to borrow Piet Van den Eynde’s new XF14mmF2.8 R and this helped with any frustration I was having not being able to shoot wide enough. Remember, the X-Pro1 and the X-E1 are both cropped APS-C sensors and thus a 18 mm is a 27 mm in a 35mm equivalent. After shooting for a four weeks, two of those weeks with Piet shooting his X-Pro1 and X-E1 and a slew of lenses, I thought it would be a great idea to record Piet and our impressions about the camera, it’s lenses and other musings. I also thought you might like to see a gallery of 40 plus images we shot with these camera over the two weeks in India….

India

Hear the podcast on www.thedigitaltrekker.com

The Fuji x100s :: Teaser Review | Zack Arias

I’m on my first day of a five day trip with the brand new Fuji x100s. It’s no secret that I fell in love with the first edition of this camera. I called it the greatest digital camera ever made. It has it’s “quirks” for sure but I love that camera dearly no matter how much of a pain in the ass it can be. The new one? The S? Well… I can’t give a full review yet because I’m still putting it through hell on the streets but let me say this…

They did it. It’s the greatest camera I’ve ever owned. No. Freaking. Joke. It’s perfect. I wouldn’t change a thing. More to come when I get home.
Cheers, Zack

See on zackarias.com

Dublin in Fujicolour & First Impressions of the Fuji XE1 |
Thomas Fritzgerald

Now that Adobe have (for the most part) sorted out their issues with the Raw conversion of images using Fuji’s X-Trans sensors, I decided to bite the bullet and step back into the fuji ring. Since selling my X-Pro1, I’ve missed the wonderful colours that Fuji cameras produce. While I do get them with the X100, the fixed focal length limits the type of shots you can take. Anyway, my local camera store had a great deal on the XE-1 so I decided to give the X-Trans one more shot. I’ll have a full review in a little while, but I wanted to share some of the shots I got on my first trip out with it.
 
Some quick first impressions…
 
Colour is the key thing with fuji’s cameras. That’s what makes them so special in my opinion. The colour these cameras produce has a unique character to it that’s really beautiful. Operations wise, the camera feels very similar to the X100, more so than the X-Pro1. It’s very light too. In fact, I think it might be too light. I was getting a lot of motion blur from camera shake, even at high shutter speeds. I don’t have particularly unsteady hands, and it hasn’t been a issue with any other camera I’ve ever used, so I’m guessing it’s a balance issue. The lens feels heavier than the camera body, soI’m guessing this is throwing things off when I press the shutter. I’m going to get a half case and hopefully that little extra bit of weight might address this issue a bit. For the moment I was shooting on burst mode, so that the actions of pressing the shutter could be offset by taking multiple shots I’m not overly impressed with the sharpness either, which I know is surprising considering the Fuji’s reputation. I have the 35m 1.4, and it’s sharp for fairly close objects, but taking cityscapes, and anything with a lot of repetitive detail, the results are not nearly as sharp as the results I get from my Sony Nex-7 (and yes, I know that has more pixels – but per pixel sharpness is not as high). It could be a back focus issue with the lens, but the results look similar to those I  had shot before with the 35mm when I had the X-Pro1. Anyway, It could be just that it’s new and I’m being very picky. Close up detail looks fine. It’s weird. I’ll reserve judgement on that for a while. Over all the camera is much snappier than the X-Pro1 was, but I did only have it with the original firmware. It didn’t lock up on me once despite a whole morning of shooting (where as the X-Pro1 would frequently freeze for a few seconds while it figured out what it was doing) Autofocus is still pretty slow with the 35mm but I never found t so slow as to be a deal breaker. The zoom lens is much faster at focussing, but it’s not as sharp.

Anyway, I’ll have a more in-depth review at  a later day. For now, let the pictures do the talking ….
 
See on blog.thomasfitzgeraldphotography.com

30 mph gusts and rain: Fujifilm X100s: Review: part one | Mike Kobal

Once “Newness” wears off, our judgement tends to be more level headed. The loss of gear euphoria also occurs when I get my hands on a new camera or lens during a model shoot or an assignment. Because at the end of the day it is about the pictures and not the camera ….

I was pleasantly surprised when a good friend of mine came by early to drop off his brand new X100s (and he left with one of my D800E‘s) as I was in the middle of prepping for the shoot with Stephanie. I checked the battery, it had three bars and decided to give it a try right away. Already familiar with the UI from my X-E1, the X100s felt like an old friend. We started with head shots on a white backdrop. I was really itching to take the X100s outside but the weather was nasty. Counting on Stephanie’s ambition to become a super model (in case you didn’t know, we don’t just call them super models because it sounds good) I dared to ask her if she would mind to take a few shots in the rain. Stephanie agreed and was excited to try something different. I hope you enjoy the shots!

See more pictures on www.mikekobal.com

Ultra Wide Angle Fisheye Lens on the Fuji X-Pro 1
Samyang 8mm f2.8 XF | HamburgCam

APS-C cameras used to have a few drawbacks compared to full frame cameras:

  1. The smaller sensor produced noisier photos at high ISO and lacked dynamic range.
  2. It is more difficult to produce a photo with shallow depth of field.
  3. Due to the crop factor it was difficult to get a good quality ultra wide angle lens with a larger field of view than 120°

The introduction of the Fuji X-Pro 1 solved No. 1. for me right away. And while No. 2 is based on a law of optics I have found my way of dealing with it by changing my approach on taking those kind of images.

That left No. 3 still to be desired.

I have a Canon EF 15mm fisheye lens for my full frame camera, but when I connect it with an EOS-XF adapter to my X-Pro 1 the APS-C sensor size reduces the effective field of view to about 85° – or the equivalent FOV of a 23mm lens on a full frame camera.  Fuji’s currently widest XF lens is the XF 14mm f2.8 with an effective field of view of 90° (equivalent FOV of a 21mm lens on a full frame camera) – and while this lens seems to be very impressive (it is my next review on the list), I had to look elsewhere to go much wider than 90°. My research led me to the Samyang 8mm f2.8 fisheye lens for the Fuji XF mount. The lens promises an effective field of view of 180°! Samyang is a Korean manufacturer and this particular lens is also branded as Rokinon, Bower and Walimex 8mm f2.8 lens and also available for different camera manufacturer mounts.

Throughout my photography career I have had mixed results with 3rd party lenses and ended up staying with the known “big” brands from the respective camera manufacturer. But due to the lack of alternatives and a reasonable street price of around EUR 300 in Europe or USD 300 in the US, I wanted to give the Samyang a try.
After all, a fisheye lens is a specialty lens that should not be overused or you (and your audience) will soon get bored/annoyed by the effect it produces. And I can almost promise you that you will get tired of it after you see all the images in this post, too – so always use a fisheye lens wisely ;)

When the Samyang 8mm f2.8 lens arrived I was surprised! It is small yet very heavy. Compared to the Fuji XF 18mm f2 the Samyang is about the same size but a bit over twice as heavy (116g/4.1oz to 260g/9.2oz)! What did they use to build it – depleted uranium? But Fuji’s XF lenses are exceptionally well and light build and compared to the Canon EF 15mm f2.8 fisheye the Samyang is actually a bit lighter.

The Samyang’s aperture and focus rings are rather stiff even when compared to my legacy Olympus OM lenses. But this also gives me the feeling that this lens has a solid build quality and I will most likely get used to it over time. The lens is all manual and has no electronic intelligence that get’s passed on to the camera body. That has the big disadvantage that your Exif files will not contain any info about the lens and aperture. Luckily you can add a 8mm custom profile to the Fuji X-Pro 1 and if you activate it before you use the Samyang lens, the Exif will at least show 8mm. But the aperture will always read “f1”. And while you’re in the Fuji’s menus make sure that you activate the “shoot without lens” option, as the Fuji will not know that a lens is attached without electronic feedback from the lens.

Enough talk about the specs and feel, let’s see what this lens can do! I went out a few times and used this lens in situations where I think that a fisheye can work its magic.

All images were captured in RAW and processed and converted in LightRoom 4.3 with the “old” Adobe RAW converter. The new converter in version 4.4 could improve the image quality.

And as always click on the image to get the option for a bigger version in my Flickr stream…..

See on www.fujixfiles.blogspot.de

6 mois avec le X-Pro 1 − 3ème partie | Jean-François Vincent


 
Après avoir brossé un tour “technique” du Fuji X-Pro 1 dans mes 2 précédents articles, qu’en est-il de son utilisation au quotidien? Plus généralement, presqu’un an après son lancement commercial, faut-il toujours craquer pour le X-Pro 1 ou bien choisir son petit frère, le X-E1?
 
Sur le terrain
 
Rarement je n’ai pris autant plaisir à photographier qu’avec le X-Pro 1. Cette phrase doit évidemment être mise en contexte avec mon style de photographie. Comme tout hybride, le X-Pro 1 ne se prête pas à la photo d’action / sportive (focales trop courtes, réactivité insuffisante de la détection de contraste). Mais pour le photographie urbaine ou de voyage, le X-Pro 1 est une révélation, un retour aux sources par sa simplicité….

See more pictures on www.digitlife.fr

Review: budget thumb up grip | Fuji X-E1 | Carlo Di Giusto

Apprezzo da molto tempo i benefici del Match Technical Thumbs Up EP-1 montato sulla mia vecchia Leica M9, tanto da desiderarne uno anche per la Fuji X-E1. Questo piccolo accessorio migliora la presa e la stabilità di queste piccole fotocamere, ma è anche maledettamente costoso (siamo nell’ordine del centinaio di euro). Così, quando mi sono imbattuto in questa imitazione cinese da poco più di 14 euro (spedizione compresa) mi sono chiesto se potesse essere una valida alternativa. È arrivato oggi, a circa cinque settimane dall’ordine…..
 

Google Translater (ENG):
http://bit.ly/WaimP2

See full article on carlodigiusto.wordpress.com

First Impressions | the X100S is here. | Patrick La Roque


 
Mr. Purolator brought me a nice box today: the brand new X100S courtesy of Fujifilm Canada. Huge thanks to them for this opportunity.

It’s been raining cats and dogs today so I haven’t had a chance to test it the way it’s intended to be used: out in the world, roaming the streets and alleys. But I’ll be out and about these next few days and I’ve scheduled a documentary shoot next week for which I intend to use it exclusively. So real world testing is coming.

Still, I wanted to share a few initial impressions:
 
The hardware is identical in every single way to the X100 except for the button layout, which is much improved and gains the very useful Q menu. In the hand, this is the exact same camera.
 
Some further cleanup has been made to the menus. For instance, some redundancies have been left out of the main settings menu: white balance can now only be accessed either via Q menu or the dedicated hardware button (needed to change custom WB). Same goes for flash mode. This threw me for a loop initially as I couldn’t find where to enable external flash (to trigger the Skyport unit). Likewise, Multiple Exposure mode is now only available via the FN button.
 
AF button is now a right handed affair!!!! I knew about it, I wrote about it, but man… Why didn’t this happen before? It completely transforms how you shoot with this camera. Again, I have to reiterate how much I want this to be added to the other X cameras eventually. The next generation is a given but I hope the current crop can get this as well. It’s how it should’ve been from day one. And AF performance? No. Comparison. At. All. This is NOT an X100.
 
Manual focussing: wow. Fujifilm have stood behind fly by wire and I couldn’t understand why. Having spent time with the XF 14mm and now this camera, I can honestly say I get it. The manual focussing on this camera feels mechanical: smooth, precise and with the right amount of tension. Coupled with the new Focus Peaking feature it’s almost faster than using AF. I can’t wait to try this on the streets.
 
There’s now a dedicated Eye-Fi menu. As far as I can tell it doesn’t change any of the functionalities (my Eye-Fi card still works the same way as before) but adds some welcome icon feedback in the UI. The camera now shows various icons depending on the state of transfer/connection. A nice touch.
 
This is all off the top of my head. Obviously there’s much more to say (sensor anyone?) but this will happen once I’ve had a chance to put it through its paces.
 
Stay tuned…

See on www.laroquephoto.com

Napoleonic war reenactment, with the X-Pro1 | Javier Garcia Blanco

More than 400 historical reenactment enthusiasts from across Europe gathered in Zaragoza (Spain) to reenact the tragic siege of the city during the spanish War of Independence against napoleonic troops. A photo essay made with the X-Pro1 and 18mm and 35mm lenses.

Google Translater (ENG):
http://bit.ly/14TRgev
 

See more pictures on www.planetasapiens.com

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