First Impressions | the X100S is here. | Patrick La Roque


 
Mr. Purolator brought me a nice box today: the brand new X100S courtesy of Fujifilm Canada. Huge thanks to them for this opportunity.

It’s been raining cats and dogs today so I haven’t had a chance to test it the way it’s intended to be used: out in the world, roaming the streets and alleys. But I’ll be out and about these next few days and I’ve scheduled a documentary shoot next week for which I intend to use it exclusively. So real world testing is coming.

Still, I wanted to share a few initial impressions:
 
The hardware is identical in every single way to the X100 except for the button layout, which is much improved and gains the very useful Q menu. In the hand, this is the exact same camera.
 
Some further cleanup has been made to the menus. For instance, some redundancies have been left out of the main settings menu: white balance can now only be accessed either via Q menu or the dedicated hardware button (needed to change custom WB). Same goes for flash mode. This threw me for a loop initially as I couldn’t find where to enable external flash (to trigger the Skyport unit). Likewise, Multiple Exposure mode is now only available via the FN button.
 
AF button is now a right handed affair!!!! I knew about it, I wrote about it, but man… Why didn’t this happen before? It completely transforms how you shoot with this camera. Again, I have to reiterate how much I want this to be added to the other X cameras eventually. The next generation is a given but I hope the current crop can get this as well. It’s how it should’ve been from day one. And AF performance? No. Comparison. At. All. This is NOT an X100.
 
Manual focussing: wow. Fujifilm have stood behind fly by wire and I couldn’t understand why. Having spent time with the XF 14mm and now this camera, I can honestly say I get it. The manual focussing on this camera feels mechanical: smooth, precise and with the right amount of tension. Coupled with the new Focus Peaking feature it’s almost faster than using AF. I can’t wait to try this on the streets.
 
There’s now a dedicated Eye-Fi menu. As far as I can tell it doesn’t change any of the functionalities (my Eye-Fi card still works the same way as before) but adds some welcome icon feedback in the UI. The camera now shows various icons depending on the state of transfer/connection. A nice touch.
 
This is all off the top of my head. Obviously there’s much more to say (sensor anyone?) but this will happen once I’ve had a chance to put it through its paces.
 
Stay tuned…

See on www.laroquephoto.com

Napoleonic war reenactment, with the X-Pro1 | Javier Garcia Blanco

More than 400 historical reenactment enthusiasts from across Europe gathered in Zaragoza (Spain) to reenact the tragic siege of the city during the spanish War of Independence against napoleonic troops. A photo essay made with the X-Pro1 and 18mm and 35mm lenses.

Google Translater (ENG):
http://bit.ly/14TRgev
 

See more pictures on www.planetasapiens.com

Fuji X100s first look video and low light samples | Steve Huff

Hot on the heels of my Leica M review is the new Fuji X100s (The S must stand for Speedy) which Fuji has promised to be much faster in AF and overall use and let me tell you. They did not lie! The Fuji X100s seems to be an all new speed demon when it comes to auto focus, processing, menu browsing, write times and the body and buttons have stayed exactly the same, as has the menu look/layout. I LOVE the original X100 and even with its quirks it was a super camera just because it delivered so well on image quality and color. The size is right, the body style is attractive and the good news is that the “S” kept all of that while making vast improvements to the hardware of the camera. In fact, shooting with the S looks like you are shooting with the old X100 so looks wise, it is exactly the same camera. Many have been waiting for this one from Fuji as it starts the beginning of a new era for Fuji X cameras as from here on out I expect them all to have worthy AF. Again, the AF in the X100s is superb. I shot it in good light and low light and the focus was spot on each time. No miss, no hunting, just press, lock and fire. Bam, it worked. I just started shooting it so I have only 2 days under my belt and the 1st place I went to with it was a wax museum in Los Angeles. I’ve shot in this museum before but the X100s had no issues in the dim lighting. The AF rocked, the color is nice even at high ISO and the noise level is under control. I bought this from Robert Jagitsch who is a Fuji dealer and he offered to sell me the one he got in so I bought it and will now be doing a full review with it. The review will not be as long as the new M review as this is basically an X100 with a new sensor and all new AF and MF system. I will go over these improvements and show plenty of samples, crops, and all kinds of ISO situations. I already updated my Leica M review this morning with a 4 camera shootout comparison of the M, ME, RX1 and now Fuji X100s. Take a look in the comparison section of the review to see it. I have to say though, as you will see in the video..I already put a huge gash in my LCD by rushing out the door and throwing the X100s is my bag without realizing I had a lens in the pocket. So the result was a deep scratch, which is an early battle scar, lol. So enjoy the video above and you can take a look at my 1st images below from the camera which happen to be all high ISO because as of this writing I have literally taken about 30 shots with the camera and only inside this museum. Much more to come in about 7-10 days! ….

See more pictures on www.stevehuffphoto.com

More Photos from Myanmar | Gregor Servais

It took me some time, but here are finally some more photos from my trip to Burma last December/January. Usually when I travel I take a “snapshot camera” and my old Rolleiflex twin eye camera.The rolleiflex-photos will even be more delayed. I seem to have a problem with my scanner, an Epson 4990 and I haven’t figured out yet if it is a software failure or hardware…

So all photos below, made with an Fuji X-e1 and edited in Photoshop raw 7.4 with the VSCO filmpack 03 pre-sets.

See more pictures on www.gregorservais.nl

Fujifilm X100s: Prime Impressioni | Massimiliano Angeloni

Eccoci qui… questa volta ancora prima della commercializzazione di un prodotto. Ma lo sapete. A noi non piacciono le cose fatte in fretta. Quindi sono solo prime impressioni. Prime impressioni che non ci hanno impedito di riscontrare le prime certezze rispetto ai modelli precedenti. X20 e X100s non possono essere liquidate con poche foto e qualche riga come fanno in molti. Sono prodotti che, contrariamente ad un’estetica quasi immutata, riscrivono profondamente l’interpretazione di Fujifilm di questi due modelli e dei rispettivi segmenti di mercato. Ma in molti aspettano di conoscere maggiormente questi strumenti fotografici e di conseguenza, non potevamo più aspettare. Aspettare che significava anche prestare il fianco ai primi flame sul web che come sempre accompagnano l’uscita di un nuovo modello. Flame e leggende metropolitane che trovano alimento per colpa delle raffazzonate “recensioni definitive” basate su qualche decina di scatti su strumenti di Pre-Serie. L’ultima leggenda metropolitana racconta che le nuove Fujifilm hanno subito un ritardo nella distribuzione per colpa di chi sa quale fantomatico problema. La realtà è ben differente. La realtà è che questa volta Fujifilm vuole fornire un prodotto maturo ai propri clienti. E si prende tutto il tempo che aveva programmato. Purtroppo sono alcuni venditori della rete che, per accaparrarsi qualche pre-ordine in più, anticipano la data ufficiale. Le X20 e le X100s erano programmate in uscita per metà- fine marzo… e per metà-fine marzo saranno messe in vendita. Se qualche modello è sfuggito a questa logica un firmware basterà ad aggiornare in tutte le funzionalità i nuovi modelli. Firmware con il quale sono equipaggiate le due macchine con le quali abbiamo iniziato a scattare e a scrivere le prime impressioni…….
 

Google Translater (ENG):
http://bit.ly/WgN7AN

See full article on www.riflessifotografici.com

Focus 2013 Interview With Fujifilm | Silver XF Lenses? New Firmware?
Split Image and Focus Peaking | Adam J Piper

Fujifilm

I made my way to the Fujifilm Stand in this years Focus on Imaging show, Birmingham UK, for an exclusive interview. Adam, one of the Fuji reps, demonstrates Digital Split Image focussing, and Focus Peaking on the new X100s, and answers a few questions about the possibility of silver XF lenses, release dates, and future firmware updates for the X-Pro1 for auto ISO and Focus Peaking. I also take a closer look at the upcoming lenses.

See on www.youtube.com

X100S vs. X100 | Rico Pfirstinger

Please note the following general discoveries:

  1.  X100S sensor appears to be a little less sensitive than X100 sensor.
  2. Fuji has changed the gradation of their film simulation modes in the X100S, notably Provia, which now offers more shadow contrast and is now at the same level as Astia in this respect.
  3. Auto-WB can yield different results in the X100S and X100.

If not noted otherwise, all JPEG SOOC samples were processed in-camera with standard settings for sharpening, NR, color and contrast.

See on www.flickr.com

The X-Pro1 OVF proves it self | Jimmy Dovholt

Once a year, in early march, the sun puts up a fantastic lightshow during sun set in one specific stockholm crossing. I discovered this last year and decided to go back sunday weekend when the sun showed up. The plan was to try to evolve the paning shots I did in 2012, but instead I found myself shooting a jumping dog. You got to love the unpredictability of the streets! And I’m really happy for the X-Pro1 OVF. The strong light makes it more or less impossible to shoot into the sun with the EVF. That was my main argument for chosing the X-Pro1 over the X-E1, and I have been proven right more than one time.

See on sthlmstreet.com

Fujifilm X-Pro 1 scouts Prague | Jim Gamblin

A break was needed or least that is how I thought of it.  Perhaps a little history first.  My journey in photography began at the age of 12.  A few years went by using my father’s Retina IIa.   At first I started photographing races at Laguna Seca race track, then some work on the high school newspaper.  After a stint in the Army, I became much more interested and involved in the craft.  Which resulted in building my own darkroom and buying my first Nikon SLR camera system in 1973.

Later on after going to a photographic institute in California, I made my way to Los Angles to work in the commercial photo studios there with the intent to open my own someday.  It was not to be for a number of reasons and I eventually made it back to the San Francisco Bay Area.  Where I immediately got some work doing location scouting for the film industry.  San Francisco being a much filmed at location. At first I thought this would be temporary, but then twenty years went by before  knew it.  As it turned out, it was the right job for me.  No studio overhead to worry about.  Travel not only around California, but to most of the western states and much of the eastern seaboard.  Photographing places, things and people and getting paid for my efforts.  Luck has been with me in this regard. Now I find myself living in the Netherlands, teaching photography courses and shooting a few weddings a year. Back to that “break” I needed.  Prague the capital of the Czech Republic and the historical capital of Bohemia, happens also to be, much like San Francisco a city favored by film makers.  So I decided to go there on a self invented assignment, harkening back to the days of my old job. The difference though was instead of two or three Nikons bodies and assorted lessons, I was going to go “light”.  This is where the Fuji X Pro 1 came in.  In addition there was the decision on which lenses to bring.  The choice was eventually narrowed down to the Fujinon 35mm f/1.4, an old Contax/Zeiss 90mm f/2.8 and my latest acquisition, a Voigtlander 50mm Nokton f/1.5.  A lens that I will be doing a later review on.  The whole kit, including accessories and camera bag (see photo) came in at 2.4 kilos /5.3 pounds.

A break was needed or least that is how I thought of it.  Perhaps a little history first.  My journey in photography began at the age of 12.  A few years went by using my father’s Retina IIa.   At first I started photographing races at Laguna Seca race track, then some work on the high school newspaper.  After a stint in the Army, I became much more interested and involved in the craft.  Which resulted in building my own darkroom and buying my first Nikon SLR camera system in 1973. Prague is beautiful!  Sort of like being in Yosemite Valley where every where you look, there is another picture waiting to be made.  However it became immediately apparent that I was not the only person who thought so.  Here it is in the end of February, minus temperatures, snowing and every where there are tourists.  Oh well so much for my deserted streets look…..

See more great pictures on gambofoto.blogspot.de

Long Exposures with Fuji X-Pro 1 | Matthew Carbone


 
Everyone following me on Instagram knows I’ve been exploring long exposure landscape photography. Largely new territory for me, so I thought I’d post a little bit about how it’s been going. All of these photos have been shot using my X-Pro 1. A terrific camera that I’ve enjoyed both as an everyday walk about camera and in this case a fully functional, high quality landscape camera.

What do you need?

Let’s start with the basics. You’ll need a camera, and a set of filters. You can use a screw-in filters, but I would recommend investing in a LEE filter system. What does that mean? You’ll screw in an adapter here into your lens, then attach the holder. From there you can insert numerous filters and stack their effects. Here’s what this looks like.
 
Experimentations
 
Being pretty new to all this, I thought the best thing to do would be to just experiment. Great Falls National Park in Washington DC provided a perfect location to do so….

See on greyscle.com

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