Fujifilm X100s WCL-X100 Wide Angle Converter Preview | ePhotoZine

The new Fujifilm X100s features the new X-Trans II APS-C CMOS sensor from Fujifilm, with no optical low pass filter, phase detection built into the sensor, and new diffraction image processing for improved image quality, which Fujifilm says betters full-frame sensor cameras. Fujifilm has shown a number of slides showing the improvements made to the Fujifilm X100, as well as details on the new digital split image focusing. We previously had a hands-on preview of the Fujifilm X100s here, so this time thought it would be good to have a longer look at the WCL-X100 wide-angler converter, which takes the 35mm equivalent lens to 28mm equivalent. Fujifilm say the conversion lens is a very high quality lens, and that under testing, image quality shows very minimal distortion….

See on www.ephotozine.com

Interview with Matt Stuart on Street Photography, Ethics, and the Future
of Photography | Eric Kim

When I started street photography, one of the photographers whose work always amazed me was that of Matt Stuart. He is part of the international street photography In-Public, and has caught some of the most incredible images I have ever seen. I was always curious about how he was able to capture his moments. In the video interview with Miniclick, he talks about his thoughts on street photography, commissions, ethics, his interest, and the future of photography. For your convenience I have also written together a transcript of the interview below, so read more to get all the goodies. Photographs courtesy of Matt Stuart…..

See interview on erickimphotography.com

Fuji X100S High ISO Review | Brian Kraft

In preparation for a wedding I will be shooting 100% of with the new X100S in less than a week, and knowing I would be pushing the camera in low light situations, I wanted to get more familiar with the files at high ISOs on the X100S. All these photos were shot on the Fuji X100S at ISO 25,600 and are all (except for the last merged image) SOOC jpeg files. As an aside, I have to say that I am quite impressed with the usability of these files. Many folks are debating whether to go with/or stay with their original X100 or go up to the X100S. I will say that if you tend to shoot in low light, this may be reason alone to make the jump up. Anyone who is experienced with the X100 will tell you that if shooting at an even lesser ISO of 12,800 or even sometimes 6400, the images would be pretty grainy and worst of all, suffer from pretty bad banding. There is vast improvement in these files.

Now that is all beside the main point of this post. The main point is to talk about the internal noise reduction (NR) settings within the X100S. As I pointed out in my Pros and Cons of the X100S post, I noticed that while shooting around Denver with the X100S the standard NR (O) at ISO 3200 and 6400 ( I had yet to really look at 12,800 or 25,600 yet) looked a little too heavy-handed for my tastes. There seemed to be more smearing or masking of the fine details than my eye prefers (others may feel differently). So that’s what this is about– a look at different levels of NR on these ISO 25,600 images. I’ve posted a +2 NR, 0 NR, and -2 NR as the main images. I then posted a copy of the -2 NR file, which I took into Lightroom and did my own additional sharpening and noise reduction– the file in which I’m most pleased with, in fact. With that file, I wanted to see what I could end up with if I took the file with the most detail (yet noisiest) and see how well I could sharpen it up more and keep it clean enough for my liking and so that is the 4th image down. And then I posted those final two images at 100% crops and merged together to see side-by-side.

It may be a little hard to tell right away, but if you look carefully, you should be able to see less detail in the upper photos, particularly less fine detail in the scratches in the water bottle, and the “Canon” text on the camera on the left, as well as less detail in the body of the X100 on the right– as well as just an overall plasticy look that I’m not a big fan of. I am no longer a pixel peeper (woohoo!) and I find you can really get a better sense of the image from a more standard view– thus me showing the images in this way. But, I wanted to show the difference I was able to make with my own sharpening/noise reduction and I think it’s helpful to see that at a 100% view.

See high iso pictures on www.briankraft.com

Seeking Fitz Roy amongst the clouds in El Chaltén, Patagonia |
Adrian Seah

A fine shroud of dust hung in the air in front of me, drifting slowing to one side and catching the late morning sun in its ethereal cloud. The trees on either side of the path were absolutely still, with nary a hint of breeze in the air, which was still cool from the night. Trudging ahead on the path, not quite certain if we were headed in the right direction, I stopped to admire the view and tranquility. Surely this had to be the right path, it did fork about half an hour ago but the other path seemed so unlikely, it did not look like it had had much traffic recently, with some of the undergrowth starting to creep towards the centre of the dirt track.
 
We had to be on the right track.
 
With 2 hours of walking behind us, and another 2 more before we reached our goal of Laguna de los tres, at the foot of Cerro Fitz Roy. Apart from a couple of hikers heaving massive backpacks headed the other way, we had not encountered anyone else on the hike so far. They must have been returning from an overnight stay at a refugio somewhere ahead. The coolness of the air betrayed the heat that would come later on, in any case, I was not complaining, according to the park rangers, we were fantastically lucky with the weather, it could just as easily have been raining or Cerro Fitz Roy could have been blanketed with cloud, as the name Chaltén, or ‘smoking mountain’ implied. But for the moment, the skies were all clear and Fitz Roy beckoned.
 
We forged on.
 
We had started our hike from the little mountain village of El Chaltén, deep in Argentinian Patagonia and the hiking capital of Argentina. Set at the foot of both Cerro Torre and Cerro Fitz Roy, El Chaltén is a rustic base for the many hikers and climbers that come from far and wide. The final hour of the hike was by far the most challenging, with a forty-five degree climb up a dusty trail and loose stones and rocks constantly slowing our progress. It has been awhile since we last hiked and it is evident in our ever slowing pace. Hikers coming back the other way were ever encouraging. “¡Un poquito más!” (Just a little bit more!) The vista finally opened up and stole our collective breaths away. Set before the sheer granite shard of Cerro Fitz Roy, reputedly successfully climbed by only one person per year, lay the turquoise coloured glacial lake, Laguna de los tres. It seemed almost artificial in its perfection. Our tired legs were temporarily forgotten as we stood in awe, taking in the view, until we remembered that we had to make our way back the same way we came.

See more pictures on handcarryonly.com

Some Photos from Mexico – Taken With The New Fuji X-E1 |
Bryan and Mae

Last month I had the opportunity to travel to Mexico to shoot an incredible wedding, but more on that another time. While I was there I was able to do a little exploring and I brought along my new Fuji x-e1 and Fuji 35mm lens. All of these images were shot in JPEG with Fuji’s in-camera film simulation. This means NO post processing! Hallelujah. I am excited about the quality of the images and about the look of Fuji’s film simulation. This is definitely my new travel/walk around camera. The days of lugging an SLR around are OVER! For those of you who have a Fuji- most of these images were the provia simulation with the highlight tone at -2 and the shadow tone at -1. Thanks to my bud Michael for being my model in a bunch of these…..
 
See more pictures on blog.bryanandmae.net

Fuji X-E1 and legacy lenses | Bill Palmer


 
Unscientific test of Fuji X-E1 and legacy lenses from Olympus, Leica (R & M mount) Carl Zeiss, FED and Cosina Voigtlander. All images jpeg SOOC, handheld; shutter speed was kept above focal length at all times. Magnified view used for focussing. Distance from statue varied with lens used in order to keep the image approximately the same size in viewfinder. All focal lengths are original, multiply by 1.5 for actual. All lenses were shot wide open at their respective maximum aperture. No images have been cropped. Images of camera and lens combinations taken with Ricoh GRDIII.

Conclusions: 1. Handholding and focussing the longer lenses is not easy; more practice needed! 2. In all cases except the 60mm Elmarit, the second of two images taken was the sharpest. 3. The best handling long lens was the 135 Elmarit. the best handling short lens was the 28mm Elmarit.

See more pictures on www.flickr.com

Fuji X-E1 in Montana with 18mm lens | Troutisme on Facebook


Sample Shots from Montana

See more pictures on www.facebook.com

FujiFilm RAF Tags | Phil

FujiFilm RAF images contain meta information stored in a proprietary FujiFilm RAF format, as well as EXIF information stored inside an embedded JPEG preview image. The table below lists tags currently decoded from the RAF-format information….

See Tags on www.sno.phy.queensu.ca

Fujifilm X Lens Roadmap 55-200mm Specifications Shown | ePhotozine

Fujifilm has shown an updated lens roadmap for the X mount system, with details and expected release dates for the new XF 55-200mm f/3.5-4.8R LM OIS lens, the 23mm f/1.4R, the 56mm f/1.4R, the 27mm f/2.8, and the 10-24mm f/4R OIS lens. They also showed full specifications for the XF 55-200mm f/3.5-4.8R LM OIS lens due in May, shown below, at Focus On Imaging 2013.
 
See on www.ephotozine.com

Fuji X100S Street Photography | Brian Kraft

After receiving the new X100S from Fuji yesterday (see initial photos), I got to hit the streets of Denver today for a couple of hours. I took the camera for a little spin and it did not disappoint. I shot all these photos as jpegs files. It’s such the perfect walk around camera. Its small size and silent operation make it easy to fit in to the activity on the streets around you and discretely photograph what you want. The added functionality and performance over the X100 make it that much more of a treat to use. I am keeping an account of my findings with the new camera–its pros and cons–and will be periodically updating and adding my thoughts. Check back for that, but also be sure to check back in about a week–as my next big outing with the X100S will be to shoot an entire wedding with it.

See more pictures on www.briankraft.com

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