FujiFilm X-E1 Review | Palle Schultz

Not too long ago I decided to buy the FujiFilm X-E1. I originally wanted to go full frame, but the Fuji was so impressive, that I went for that instead of questioning myself throwing money at a full frame, instead of the medium format camera that I really want, but not yet can afford.

To love or to hate
I have a love/hate relationship with my Fujifilm X100, and the X-E1 carries on that tradition. Autofocus is still, although better, not impressive. But the overall feel and manual approach you have to attack this camera with, is highly rewarding. When you get it right, and eventually you will get it right, then you’ll start to love the X-E1 for what it is.

Focus
My approach to the Fuji X-E1 is to use it manually. The AF is a ‘drive by wire’ system, that has become much more useful, than the more or less unusable ‘manual’ focus ring on its X100 sibling. I get annoyed when an AF has to refocus completely from shot to shot, and it interrupts the flow of a shoot. So I use the ‘manual’ almost all the time. Using the focus ring, to fine-tune the focus point.

Appearance
The X-E1’s strongpoint, is its appearance. It doesn’t scare off anyone and you can walk the streets, photographing without interruptions. But the most important feature of this camera is its image quality. I’m stunned by the jpg’s that comes out of this camera, the JPG converter in the camera surpasses any in computer software I’ve tried yet. Still have to check out the Capture One 7 though. But I can come very close to what I want directly out of the camera.

Image quality
With the X-E1, the sharpen feature in e.g. lightroom is put almost to rest. I do sharpen images a bit, when I resize them for web, but not nearly as aggressively as before. That is due to both the sharpness of the images from the camera and that the camera forces you to really concentrate on focus, when you use it.

A tool that doesn’t help you
It is not your point and shoot Olympus Micro 3/4’s speed beast, It is a camera you have to get involved in to get the images you want. The good thing about this, is that you have to become much more involved, instead of machine-gun spraying all over the place. You have to think and have to look at the light and the scene with a passion. The X-E1 forces you to learn the art and technique of photography properly, because it will not enhance anything by using in camera magic. It is simply a very, very good tool, that you have to make the best of, to get great pictures.

Conclusion
With the X-E1, YOU are the photographer and the artist. There are no Instagram magic, that makes a dull picture exiting. You have to think up what you want to show in the scene you capture, you have to be an artist and a photographer. And that is why I like it so much. I do believe it forces me to be a better photographer.

Some negative points
There are very few flaws with the camera. If you shoot pictures in an environment with strong side spotlights, and have the camera set to M, it can trick the viewfinder completely, and you can’t see what you are framing, because it is overly lit up. What to do then? I’m a left eye, and the rare times this happens, I shift to my right, look at the scene with my left, and release the shutter. If you are right eyed, open the left eye and your brain composes the two images together, and you can sort of frame your subject correctly.

Improvements
Maybe it would be a good thing, if Fuji let you set a lowest acceptable shutter speed, when using auto ISO. As it is now, if you use automatic ISO, the camera too often sets the shutter speed way to low. The camera doesn’t produce much noise at high ISO levels, so it renders the auto ISO function more or less useless, that you end up with blurry pics, because of a low shutter speed. Therefore, I don’t use auto iso in this camera. The X100 handles automatic settings superbly, and you can shoot almost blindfolded in any condition, and still get great pics. That is not an option with the X-E1, you have to be alert at all times.

Love & Hate
It keeps you on your toes, and you love the X-E1 for it….. and sort of hate it also, like an annoying sibling. :-)

See on palleschultz.dk

William Eggleston, Martin Parr, Nan Goldin, Stephen Shore,
Ryan McGinley, Terry Richardson and Fujifilm X-Series Cameras |
Dean Johnston

Last week in Omotesando Hills, near Harajuku Station in Tokyo, I saw an exhibition of photographs produced by some quite famous photographers (“heavyweights”) using Fujifilm X-Series cameras.

And the photographers certainly are heavyweights – namely, William Eggleston, Martin Parr, Nan Goldin, Stephen Shore, Ryan McGinley and Terry Richardson.

The exhibition itself, produced by Fujifilm (& some co-sponsors), was called “⎡Photography⎦ Fine Art Photographer x Fujifilm X Series.” It will open in New York at the Aperture Gallery (opening reception tomorrow evening), where it is simply called Photography. I must admit that I felt somewhat ambivalent about the whole affair as I was travelling into Tokyo. Upon learning of the show, my first thought was “cool!” Later however, I began to feel sceptical. Clearly, there was a marketing element to this whole production, and I started to wonder just how much I would be seeing of “art” and how much would be “images as advertising?”
I could envisage several possibilities. Foremost in my mind was the possibility that it might simply be a cold and cynical ploy from a marketing department.

Happily however, that was not the case. Clearly, all involved are benefiting from this. The photographers (presumably) get access to free equipment (and possibly more), and both sides of the party get exposure. But the whole deal had more of a mutual “this is exciting” feel to it, rather than cold calculation.

I was quite taken by some of the photographs, and the whole day’s adventure was well worth the effort. So much so, that I want to talk more about the photographs themselves in a separate post soon. Here’s some overview shots of the show (click on them to see larger).

See more pictures on fujifilmxseries.wordpress.com

Foodography with the Fuji X-Pro 1 | Gabor Nagy

Just because I had nothing to do this afternoon and Hanna found something to play with(and not jumping on my back) I baked a blueberry tart(or sort of). Didn’t feel like having an espresso so I decided to brew a light filter coffee for myself with Aeropress.

Hanna was still busy playing so I grabbed couple of flashguns, triggers, a softbox and some light diffuser and did a few coffe and cake shots.  All images were made with the Fuji X-Pro 1 and the 35mm f1.4 lens and processed in Lightroom.

My wife loved the cake too, but probably she’s going to kill me for my “nothing to do” opening line.
Bon appetit mon ami!

See more pictures on gaborimages.blogspot.de

Vizhinjam Fishing Village | Morten Sillesen

On the morning of 29th of December 2012 I visited a little village just south of Kovalam, Kerala India. It is called Vizhinjam and life takes place in and around a fishing harbour. Vizhinjam seemed like a self-containing mechanism, despite the very basic livestyle lived here. It is located a maximum of 10 minutes by taxi south of the tourist spot in Kovalam, the Lighthouse Beach. And as such it is a huge contrast to the clean beach, the hotels etc. on Lighthouse Beach. Vizhinjam is a “real” village. I have tried to give an honest portrait of this little village with kind, but poor and hardworking people. The boats had already landed after fishing during the night. Nets where fixed. Boats was maintained. Some of the fishermen relaxed. The women sold the fish at the local market place. And the very small village even had a small churh with a church square surrounded by religious flags. As always in India the colours where great. But, I was mainly caught by the authenticy and roughness found here.

All photographed with Fuji X-Pro1 + Fujinon 35mm f/1.4.

 
See more pictures on www.facebook.com

Q&A with Fujifilm’s Kayce Baker: Fast development of X-Trans II
sensor proves Fuji’s not resting on its laurels | Imaging Resource


 
We here at IR thought Fujifilm’s X-Trans sensor was one of the top camera tech innovations of 2012. Now, in the figurative blink of an eye, the company has turned around and launched the X-Trans II sensor plus two new, exciting X-series cameras at the 2013 Consumer Electronics Show. IR founder and editor-in-chief Dave Etchells recently sat down with Kayce Baker, director of marketing for professional digital cameras at Fujifilm North America, to get the scoop behind Fujifilm’s blazing pace of development and the success of its X-series cameras, as well as to get some answers to reader questions….

See full interview on www.imaging-resource.com

A New Toy | Gene Lowinger

Oh goody! I just received my Fujinon 14mm f2.8 lens today. I’d been waiting for it since September. Hopefully, if the temperature is not too brutal for my old bones, I’ll get out and shoot with it this weekend. When I was shooting film with my Leica M6 my favorite lens to use was the Leica 21mm, the equivalent to the Fuji lens in focal length. So I’m going to have a chance to dig deep into my bag of tricks (that’s a euphemism for trying to remember old techniques). We shall see…..

Both these shots were made with the 18-55mm zoom lens. I would like to have been able to zoom out wider for the first image, but street happens so fast that’s not always possible. Would have been a much better shot with some space at the top of the frame. But I still like her expression. I caught this gentleman with the very cool beard on 34th Street just after leaving a critique session at B&H Photo. There’s just something about facial hair, whether on a man or woman, that’s so much fun to shoot.

See on genelowinger.blogspot.de

Cimitero | Fuji X-Pro1 | Krister Halvars

Google Translater (ENG)

Inside the gates to cimitero the Bonaria so struck by two things. It never ends. The match continues. The national temperament shines through even after the journey now. The place is almost a little magic this rainy and windy day in January. Anywhere you see something. The eye receives almost panic. The area is filled to bursting with statues and crosses in all its forms.

The wealthy have not let conserve wealth. The poor have carved the name of the family in the wet concrete.

And everywhere portraits. Small photographs of the rest in the wall or under the surface. At first a little morbid sense but after a while it falls into place. Why would a people totally without shyness avoid this when it comes to memorials.

Visit Krister Halvars Website:
http://www.kristerhalvars.com/
 

See more pictures on kristerhalvars.blogspot.it

Review: Updated: Fuji X-E1 | Technology News

Verdict

Overall, the Fuji X-E1 is an extremely interesting proposition that we can see being incredibly successful. Combining the fantastic technology of the Fuji X-Pro1 with a more consumer-friendly price and a smaller, more streamlined CSC body will surely appeal to a wide range of people. Adding a new 18-55mm kit lens to the lineup of the X range is also a smart move, which is again likely to appeal to a new crowd looking for something a little more versatile. It’s nice to see that Fuji’s premium quality and build has gone into the design of the kit lens, elevating it far above the realms of the usual bundled optic.

We liked

The improved autofocus speeds that Fuji’s new firmware brings, coupled with the 18-55mm kit lens, make this a fantastic camera to easily take on its DSLR rivals.

We disliked

There’s not many things to dislike about the camera, with just a few small niggles keeping it from perfection. It would be nice to have seen a touchscreen, while the autofocus speed when using other lenses could do with being improved.

Final verdict

The premium end of the compact system camera market is now looking extremely interesting. This new camera competes much more closely with the Olympus OM-D and Sony NEX-7 than the Fuji X-Pro1 was able to. As such, other manufacturers are likely to carefully watch Fuji’s proposition. Currently, Nikon and Canon don’t have anything in this niche segment of the market, while Panasonic’s cameras arguably sit just underneath. It’ll be interesting what kind of responses we see to the camera in the coming year. With the X-E1, Fuji has brought the next evolution of the X series of interchangeable lens cameras. As the system is set to grow in the coming year, we can see this camera appealing to a large group of people.

See full article on tech.blogsvoice.com

More long X-Posures | Don Craig

Fuji X-Pro1 long exposures from the San Francisco Bay Area. Final processed photos shot over 7 days, while visiting San Francisco and Marin County. Locations included the Bay Bridge, Sutro Baths and China Camp …

See more pictures on doncraigphoto.wordpress.com

RAW FILE CONVERTER Update | Fujifilm Global

Silkypix

The firmware update Ver.3.2.13.0 for Windows incorporates the following issues:

  • Applicable models for the raw file converter are added as follows
    FUJIFILM X-E1 / XF1 / X-Pro1 / X-S1 / X10FinePix X100 / F800EXR / F770EXR / F775EXR / F600EXR / F605EXR / F550EXR / F505EXR / HS30EXR / HS33EXR / HS20EXR / HS22EXR
RAW FILE CONVERTER Ver. 3.2.13.0 – Windows 8 / 7 / Vista / XP.
http://www.fujifilm.com/support/digital_cameras/software/myfinepix_studio/rfc/v32130/index.html

RAW FILE CONVERTER Ver. 3.2.12.1 – Macintosh OS X 10.5 – 10.8
http://www.fujifilm.com/support/digital_cameras/software/myfinepix_studio/rfc/v32121/index.html

See on www.fujifilm.com

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