In this post I’ll address what I see as the major differences between Fuji’s X-E1 and newly released body update, the X-E2. The refreshing thing about how Fuji is operating these days is all their recent X-Series cameras (aside from the X-A1) share the same APS-C “X-Trans CMOS” sensor so picture quality is nearly identical across all the bodies with the possible exception of the X-E2 with its Lens Modulation Optimizer (more on that later). Removing picture quality from the equation makes doing a head to head comparison much easier. But there are still some notable differences. Let’s take a look.
Fuji touts the X-E2 as having the “World’s fastest AF speed of 0.08 sec.” It’s certainly quicker than the X-E1, but in good light, the X-E1 still holds its own remarkably well. For the benchmark lover, there’s a video demonstrating the difference in AF speed on YouTube. I question the second test a little bit as the X-E1 looks to have started much further out of focus that the X-E2, but there’s no question that the X-E2 is quicker to lock focus. Where I notice a huge difference is lowlight situations. With the AF on both cameras set to the centre point, the X-E2 locks focus much faster, and on things that the X-E1 refuses to focus on at all. If you’re a night-time street shooter, the X-E2 should be at the top of your list…..
See on www.fujivsfuji.com
This comparison is between the Fuji X100S, which is a fixed 23mm ƒ/2 lens, and the newly released FUJINON XF 23mm ƒ/1.4.
All images aside from the light spheres were made using a tripod, and mechanical shutter release. They are Fine quality JPEGs shot at ISO 200, straight from camera. Dynamic Range set to 100. Film Simulation is Provia. White Balance set manually to 5000K. All other settings were set to default.
Sharpness and Bokeh
First up, an outdoor close-focus sharpness and bokeh comparison. The items of interest here how the X100S’s ƒ/2 lens stacks up against the 23/1.4 at ƒ/2, and how much of a difference ƒ/1.4 on the 23mm makes in out of focus rendering. I’ve chosen a rather bland subject matter, but I hope it illustrates the characteristics of the bokeh of each lens in a situation that pushes the dynamic range to the limit…..
See on www.fujivsfuji.com
I just got back from a business trip to California where I shot the Fujifilm X100S for several days. I realized that borrowlenses.com was close to SFO (San Francisco International Airport) and I was able to pop into their facility to borrow the X100S before they closed. A nice option which saved the shipping and handling costs. So here is a report on the camera after using it in San Francisco for 4 days, from a perspective of a Olympus micro 4/3 user. There is a lot of interest and even hype about the X100S and the interchangeable lens Fuji X cameras lately. I’ve observed this from a distance, researching and playing with them at Precision Camera here in Austin. I’ve got some great results with the small Fuji XF1 that I bought recently so my curiosity for the larger Fuji’s was piqued. As you may also recall, the X100S is the only remaining camera on my watch list…..
See on blog.atmtxphoto.com
I’m a Fujifilm X-Pro 1 user. I’m also a Canon P and Olympus Trip 35 user. The Olumpus really is small. The Canon is about the same size as the Fujifilm. The mantra of today’ Fujifilm supporter is a rather sloppy orgy SLR hate. Why? The hump. And the size. Perhaps the crowd haven’t used an SLR camera before. The Fujifilm X-Pro 1 happens to be the same size as my Nikon FE, an SLR camera- in fact, an SLR camera that was never considered small. Yes, the mounting flanges are quite different. And yes the FE humps a bit. But the FE’s shoulder height is lower than the X-Pro 1’s even with buttons sprigging from the top. Minus the mounting flange, the body is also thinner. And again, the FE was never considered a small SLR camera. So what do Fujifilm fans mean when they think ‘SLR’? The above image illustrates exactly what is conjured up in their forgetful brains. Today’s digital SLRs are massive. Even Nikon’s smallest D3000 is bigger than the FE and X-Pro 1. The D800 is the FE’s modern analogue in terms of equivalent target market, build quality among other things. The trend started after Japanese makers started putting electronics into every nook and cranny they could……
See on ohm-image.net
Ok, now this is a blogpost that I never planned on writing till I got a question about it. Let me start off by saying that I love the Fujifilm cameras A LOT, I own a X-E1 and in my opinion it is/was one of the best cameras for street Photography, and the X-trans sensor is just awesome. Now there is a price difference between the Fujifilm X-E1 and the Sony A7r I’m now testing but I thought let’s just look at the X-E1 vs the A7r and see what happens. In this blogpost you will read my personal opinion. When doing camera comparisons it’s of course always important to look at price, and let’s be honest the Sony is a lot more expensive, but….. is it worth it? …..
See on www.frankdoorhof.com
Yesterday, I had the chance to try both the 18-55mm zoom and the 14mm prime. Therefore I thought it might be interesting to publish some pictures to show the difference, in term of field of view, between 18 and 14 mm. In my opinion, those little 4mm make quite a big difference. I like very much the extra dramatic effect the 14mm produces. I warn you, I wasn’t there to make a comparision between the lenses. It’s just afterwards, looking at the pictures I took, I realized I took nearly the same shots with the two lenses. Therefore, I wasn’t exactly on the same spot when I took the different pictures. Anyway, I think it still gives a good idea of the two field of view. On the technical side, I was surprised how the AF of the 18-55 felt so different from the 14mm or the 35mm I own. I would say it’s less « brutal » and less noisy. You don’t feel the lenses moving while the AF is working like it does on my 35mm. The 18-55 is also slightly heavier than the two others. To end, I’d like to thanks the Wshop in Woluwe (for belgian readers) who lent me the lenses. I think it’s great they let you borrow the lenses for a couple of hours for free. As well, it’s the only shop I know in Belgium where you can rent the Fuji lenses. Great to choose wisely the lens that suits you the best…….
See on www.regislessent.com
I recently had the Fuji 23mm F1.4 lens shipped to me. I pre-ordered it the day it was officially announced and it got to me last week. I have been shooting with it for a week or so but am not going to do any sort of image quality review at this time other than to say it is at least as good as all the other Fuji lenses. It is very similar in fit and finish to the 14mm. I was more interested in writing about the debate that has gone on in my head since it was added to the roadmap. The thought was that when the 23mm f1.4 was released sales of the X100s would dry up. Why would you buy an X100s when you now have a fast 35mm equivalent offer for the X-Pro1 or X-E1?……
See on northfultonphotoblog.com
2013 is an exciting year for photographers. The race amongst camera makers continues. Competition is good, it accelerates innovation, keeps pricing somewhat sane and gives us plenty of choices. The last thing we need is a single company monopolizing the market. Without healthy competition, two of my favorite, most amazing cameras probably wouldn’t exist, the Fuji X100s and the Ricoh GR. I love walking the streets of NYC, observing the flow of life, one of my favorite things to do when I am not on assignment. I find it relaxing and it keeps me alert at the same time. I am addicted to it. This addiction got a lot worse or better? since I acquired the Fuji X100s and the Ricoh GR. I have been shooting with these two cameras since the day they were released. I love the X100s and the GR, like for many, these cameras have rekindled my enthusiasm for photography just like I remember it from the film days. Every time I reach for either the X100s or the GR I have a smile on my face, like a kid picking up one of his favorite toys. The X100s is a “positive camera” or a “people friendly camera”, it doesn’t scare the one being photographed…..
See on www.mikekobal.com
We photographers love fast apertures. We are like kids at Christmas, yearning to see just how blurry and ‘bokehlicious’ the background can get. And not that there’s anything wrong with that, as a famous comedian once said. A fast aperture lens is always nice to use. And if it is a wide fast aperture lens, even better. I find these lenses way more fascinating than telephoto or portrait lenses because of the focal length factor. With a wide lens, the mix of vastitude and shallow depth of field gives more punch to your photographs and brings them closer to the much-desired full-frame look. Now that I’ve gone mirrorless, the only lens I really miss from my full-frame gear is the 24mm f/1.4 by Nikon, the best lens I’ve ever used. Though my time with it was brief (I sold much of my Nikon gear six months later), it was love at first sight. The Fujinon XF 23mm f/1.4 reminds me of it, even though it doesn’t have the same equivalent focal length. Another case of love at first sight, perhaps? The very words ‘fast aperture lens’ generally imply a high quality build and premium glass. The new XF 23mm f/1.4 (35mm equivalent on full frame format) is no exception. From the first pictures I took with the X-Pro1, I suddenly recognised the same look I’d seen with the XF 35mm 1.4 which I used on several occasions when I reviewed the camera. Wonderful bokeh, great sharpness and overall excellent lens performance. Let’s have a further look then, shall we? …..
See more pictures on www.bestmirrorlesscamerareviews.com
I have been using the Fuji X-Pro1 since it first came out, and have to say I am more than pleased with the the way this camera works, not to mention the excellent quality of its images. When if first came out, the X-Pro1 drew some criticism for is slow focus. In the interim, Fuji has remained faithful to the brand and has continually issued firmware updates that have improved the speed of auto-focus along with adding sophisticated focus peaking for improved manual focus. In addition to consistently introducing new lenses, both primes and zooms, to support this system, Fuji has also introduced new models that can also use the same set of accessories. While the X-Pro1 remains the more expensive flagship model, there are now three other models below it that use the same lenses. The bottom two models, the X-A1, and new X-M1 are specifically aimed at entry level users, but the X-E1,which is the model just below the X-Pro1 shares many of the features of its bigger brother but lacks its hybrid viewfinder. Because these cameras are essentially the same inside I am not going to present comparative images from them. The results would be the same. Instead, I will concentrate on the different features of each camera to see why someone would want one over the other. Of course another interesting consideration would be to own both….