The other day while going through my blog reading, I happen to come to Lloyd Chambers web site http://diglloyd.com. Which I must say is a very good review site, albeit a paid subscription is required. Mr. Chambers had a done a recent review of the new Fuji X100S. It appears Mr. Chambers is not a fan of the Fuji X-Trans sensor, which appears in the new X100S, X-Pro1 and XE-1. There are plenty of examples in his review showing “artifacts” or smearing of fine detail. The examples include a piece of worn fabric, a paper label form a bottle and a leafy scene all presented at “actual pixel size”, which I take to mean at 100%. These appear on the “free”part of his site, dated 23 April. Later on I visited Ken Rockwell’s site http://www.kenrockwell.com where I noticed he had also done a recent review of theFuji X100S. In the review there were also examples, which looked entirely different then from diglloyd’s. Even though there were some similar examples (e.g. a rope net and a brocade like fabric, both which can be viewed at 100%) there isn’t any of the smearing of fine detail that diglloyd’s has shown. Now let me make this clear, I am an owner of the Fuji X-Pro 1 and I do love my camera. It may not have the professional build quality of a Leica. Nor is it the end all camera. But it is a joy to use and produces some pretty good files. The X-Pro 1 has been in my possession for over a year now. So it is safe to say I do know a little about the camera. As of yet I have not experienced the same effects from “artifacts” or smearing of fine detail that Mr. Chambers has shown. Really! To try and at least bring to rest in my mind I decided to do a little test. In thinking about this test, I chose four pieces of material, that I thought would present some difficulty to the sensor’s ability to avoid smearing and or moire effect. In addition I chose red material as I thought this would also test the sensor. Shot in RAW and Fine jpeg. For the test I used four different RAW converters; Adobe Camera RAW 7.4, SilkyPix which came with the Camera, Raw Photo Processor 64 and Apple’s newest update to Aperture. Along with a SOOC jpeg.
See on gambofoto.blogspot.de
Well, for us, it is a way of pointing out not only the strengths and weaknesses of each model, but it is also an occasion to summarize our personal experiences with them. It is a place where we can give you advice about the style of photography that best suits these cameras, while helping you answer that tricky question: which model is best for me?
You won’t find scientific comparisons but rather our personal experience with each camera based on a real-world usage. For more information about the cameras, you can check out our reviews and galleries across the site (relevant links are mentioned throughout the article).
But that is not all: it isn’t just about us. If you’ve had the chance to use both of these cameras and want to share your opinion about them, feel free to leave a comment or even write to us at firstname.lastname@example.org. We would love to hear your two cents! ….
So, if you went through the entirety of my comparison, you can probably already guess what my conclusion is: we simply can’t say that one camera is better than the other, because they are two different models that have been designed for two completely different purposes. The important point is that both produce excellent image quality. You really have to make hypercritical comparisons to highlight the differences between the two, even though their technical specifications may suggest otherwise.
The E-M5 is certainly more versatile: the Micro Four Thirds system offers a great variety of lenses from Olympus, Panasonic and third party manufacturers, and it has all the accessories you need to use it as a real alternative to DSLRs, with the advantage of it being lighter and smaller.
The X100s is very good at what it has been designed to do: street photography. It is small, light and discreet. Despite its few weakness, I really enjoy using it and I am starting to employ it as a second body not only for personal purposes but also professional. At the same time, I know it won’t ever become my main camera, as I would always miss the beauty of a good wide angle lens, for example.
Adobe made a little noise with the release of Lightroom 4.4 and its working closely with Fufifilm to provide top notch decoding of .RAF files from Fujifilm X-Pro1, X-E1, X100S, and X-20 cameras. This lead to some speculation that Apple would be left out in the cold with Raw decoding for X-Trans sensors.
Well, apparently not. Apple today released Raw Compatibility Update v4.05 with support for these very same cameras. So how do these two applications stack up for Fujifilm camera owners?
No image editing was enabled in either application. Files were saved out at the highest export settings. So what you see here is essentially how each application decoded the .RAF files from a Fujifilm X-20 camera. (Imagine how the Raw files from the X100S look!). In my opinion, both applications do an excellent job of handling .RAF files. And the fact that both Apple and Adobe had the RAW updates so quickly after the release of the new X-Trans cameras (X-20 & X100S), says that both are taking these cameras seriously. Well done….
See on thedigitalstory.com
I recently reviewed the Fujifilm X-E1 and really enjoyed it. As a X10 owner, I’ve been very interest in the X series cameras by Fujifilm so I had great hopes that they would continue to improve. They have, so I was thrilled last week when my review copy of the X20 arrived, but I was shocked when the X100s arrived this week. I thought – how perfect, I can finally get to compare some of the most exciting Fujifilm cameras all at the same time! I was in the final stages of my X20 review and quite happy with what I was seeing, so to have the new X100s in the mix is going to delay my original plans a bit. However, I think many readers will enjoy a first hand account of how they compare. I hope you stick with me for this and the subsequent articles where I do just that. Now before anyone blows a gasket, I realize that the X10/20 are very different from the XPro-1, X-E1, and X100s cameras. I’m including this comparison simply because I have all of the cameras together. I also often get asked about all of the X series cameras, so here’s a one stop shop to find out what I think.
I’ll dive into more details in my upcoming X20 and X100s reviews, but let me just say – Fujifilm fans rejoice – the engineers have listened and taken these charming cameras and made them usable. I’m definitely buying my X20 review unit and I’m going to have a hard time not getting the X-E1 replacement down the road (I still prefer interchangeable zoom lenses with stabilization)….
See full article on www.ronmartblog.com
My opinion is, that the xPro1 is doing a very good job but the M is a bit better.
The question now is, would I go back to Leica?
Well, a though question – I still love the Leica feeling, the way to take pictures and the Leica look of the M – but after shooting for one hour with the rangefinder, my eye problem were back. But, even if I wouldn’t have the issues with my eye, I am not sure if I would purchase the new M. With a 35 mm lens the M costs around 8000€ – 9000€. That is a lot of money!
There was a customer at the Leica store who was asking me if the new M is worth it?
If you have the money and you love shooting with Leica YES! Instead purchasing the new M getting a used M9 or M-E – NO! The M9 is not as good as the xPro1! You get the much better package & deal with the Fujis! I will stick with Fuji! They make a brilliant job! Using the xpro1, x100 etc. is fun, it is light, fantastic lenses and the IQ is awesome and I don’t have any eye problems!
…so, what about the RAW workflow?
Last week I decided to give another try – to work just with the jpegs and change a bit my settings. But it seems that the RAW file issue is now solved! Today Adobe released the new version of Lightroom. It includes now a correction to the demosaic algorithms for Fujifilm cameras with the X-Trans sensor. YEAH – problem solved! I just downloaded the new version and I am thrilled! The files look awesome… I can get now the look I want and cant wait to start my editing process. My pictures are getting back their soul and that feels damn good!
So, back to old habits?
No – I am looking forward to I stick with Fuji – for two reasons: First of all they make fantastic cameras and lenses and secondly they hear what customers say! They improved the X100 after getting feedback from Pro photographers and customers and worked together with Adobe to solve the RAW Processing problem. I just purchased the new x100S and I’m very curious to find out about the faster AF and improvements!
Is Fuji the new Leica?
In my opinion, NO – Leica will always be Leica. These are 2 different camera systems and brands… Owning a Leica is much more than owning a camera or a tool to take pictures with. You’ll get a hand crafted camera with soul. It is a lifestyle and everyone who ever owned a Leica knows what I try to say.
See full article on nicole-struppert-rwec.squarespace.com
Kein Labor! Kein Vakuum! Es war das echte Leben, das uns an diesem Tag in Erinnerung rief, dass eine Kamera sich ganz anders anfühlt, wenn sie aus Metall ist! Und da dieses echte Leben mit Schwung aus Nord-Nordost kam, brachte es verdammt wenig frühlingshaftes mit. Wir ersparten uns das Notieren von Messwerten. Unsere verfrorenen Nasen und die Bilder sollten beredt Auskunft über gefühlte – 10° Celsius geben. Doch breiten wir den Mantel des Schweigens über unser Wehklagen, schließlich nehmen wir etwaige Vorzüge des Sommer ja auch in Kauf. Hoffentlich bald. Die nagelneue FUJI x100s war angekommen und bettelte förmlich darum getestet und verglichen zu werden. Natürlich draußen! In freier Wildbahn! Erwähnten wir die Temperaturen? Nun, es wundert Euch also nicht, dass sich niemand aufdrängte, um uns stundenlang für Vergleichsfotos Modell zu stehen. Niemand, außer dieser einen sexy Backsteinmauer. Für diese eine sexy Backsteinmauer ließen wir sämtliche digitale Kamerasysteme, mit denen wir aktuell fotografieren, antreten. Den ganzen Technik-Schnickschnack ersparen wir Euch und uns an dieser Stelle, da sämtliche Features der neuen x100s zur Genüge im Netz abgefeiert werden.
Es treten also an:
- Canon 5DMK2 & EF 35mm 2.0 // 21 Megapixel
- Nikon D800 & AF-G 24 @ DX-Mode (36mm Brennweite am Kleinbild ) // 16 Megapixel
- Fuji X100s & 23mm 2.0 (34,5mm Brennweite am Kleinbild) // 16 Megapixel
- Fuji X-E1 & 35mm 1,4 (52,5mm Brennweite am Kleinbild) // 16 Megapixel
Leider lässt das für diesen Test passende Fuji XF 23mm f1.4 noch auf sich warten. Ein Blick auf die Fuji Lens-Roadmap verrät aber einen Erscheinungstermin 2013. Im nächsten Post gibt es dann Bilder aus der Werkstatt von Lutz Graichen von Windflüchter Boards. Lutz baut in Rostock „Custom Made Surfboards“, also ganz nach den Wünschen seiner Kunden und Timo war mit der Fuji x100s beim Shapen eines dieser „Bretter nach Maß“ dabei…..
See on www.jungetrifftmaedchen.de
Da ich meine Fuji X-Pro1 verkauft habe und sie nun doch etwas vermisse, habe ich mir eine Fuji X100s bestellt. Zum einen da sie für Hochzeiten einfach perfekt ist – klein, unauffällig, stylisch, flüsterleise…unglaublich leise !! – zum anderen um zu sehen ob all die kleinen Probleme nun der Vergangenheit angehören. Nur soviel Vorweg, alles arbeitet perfekt. Der Autofokus ist schnell, sicher, sozusagen “spielende Kinder tauglich” und man hat nicht mehr das Gefühl das die CPU in der Kamera hoffnungslos überfordert ist. Zusätzlich ist da noch die unglaubliche Blitzsynchronisation von 1/4000sec (Zentralverschluss macht’s möglich). In den nächsten Tagen lassen wir die Kleine mal gegen verschiede Kameras antreten, darunter eine Canon 5DMK2, Nikon D800 & Fuji X-E1…..
See on www.jungetrifftmaedchen.de
I spend the evening, night and next morning with the camera (I was up at 6 to keep trying it!) and tried it in all the sort of situations that I’d normally use my X100. I had already decided I wasn’t going to upgrade (at least not yet) as my X100 is now pretty much just a personal camera and I have other commitments to buying some more professional work kit before I can go and drop £1099 on a new camera just for fun! I was none-the-less excited about the latest Fujifilm camera as I’m a huge fan of their X-Series cameras. I know I might not have had it to test for a long time, but I know how I use my cameras and I know what sort of shots I take and put it through the same sort of routine I would on a daily basis with my X100 and can spot any issues pretty quickly.
I first ran around the house chasing my little girl and trying to get photos of her (any camera that can get in-focus shots of her has got to be good!) The X100S was certainly getting a lot more hits than my X100 would normally do. I started to believe the hype surrounding this camera, and some of the things I’ve read online. I was already thinking of how I could explain to my wife that I wanted yet another camera after telling her previously that I didn’t need it! +1 for the X100S! My wife and I were due to go out to a restaurant that evening. The X100S came along (as my X100 would normally). To start with it was performing well, then it got dark. I couldn’t get it to focus on my wife’s face. I gave up and switched to MF, and using the brilliant split-screen focusing I could continue shooting without any more frustration. Wow, that split-screen focus-assist mode is fantastic – whoever thought of putting that on the X100S should get a large pay rise! Twist the focus ring, it zooms in automatically, line up the split rectangles and boom! You’ve got your shot. I do remember saying something about not using MF on my X100 and wondering why anyone would bother, well with the split-screen assist mode I can absolutely see why someone would use it! +1 for the X100S! Sadly though the love affair with this new camera was starting to fade – it was still missing in auto-focus and frustrating me. Again, it was faces that it had a problem with – I don’t know what it is with Fujifilm and faces, all their X-Series cameras seem to suffer from this issue! After we got back, I took a wander around the streets in the dark on my own (I do love night time scenes in a deserted town). This time I took both the X100S and the X100. I carefully set both cameras to identical settings beforehand. I started testing out the high ISO to compare the two cameras. The X100S really does out-perform the X100 here, anything over ISO 1600 and you can really notice the difference, get to ISO 6400 and it’s seriously ahead, another +1 for the X100S. Then things started to go wrong again. I found a bench lit by a streetlight from above. The X100S resolutely refused to focus no matter what I did. I switched to split-screen, but because the bench had only horizontal slats I couldn’t see the splits in the focus panel! Now I understand why they put focus-peeking in as well! I got it focused and took a few shots, then switched to my X100 – bang, AF locked first time!! I repeated this over and over, checked the settings on both cameras – the X100S totally refused to focus where the X100 got it every time. I couldn’t really believe it – after everything I had read about how wonderful the new AF system on the X100S was and that it was slaughtering the poor old X100, but here I was with the X100 locking AF where the X100S just wouldn’t! Several other incidents that night proved to show the same thing. I got up early the next morning and sat the X100S and X100 up side-by-side to do a video comparing the two, running through the differences and the new X100S menu system, followed by some AF tests. Initially the X100S was outperforming the X100, as I fully expected that it would do, then I turned the lights out – the X100 started focus quicker than the X100S. I closed the blinds and they both ended up pretty much identical! There is one case where the X100S is very clearly way ahead of the X100 and that’s close range shooting – you no longer have to switch to macro mode for things that are at close-ish range (30-50cm) to get it to autofocus reliably – and that’s where the X100S was beating my X100 the previous evening shooting my little girl. The X100S is so much faster than the X100 at that, you can hardly tell that they are related. The problem comes when you get into low light, where phase-detection doesn’t work all that well. For some reason it looks like Fujifilm have installed an older AF firmware routine in the X100S than the X100! As I say in the video (below) I think a lot of people, particularly ones that only ever used the X100 at launch don’t realise just how much better the X100 became after Fujifilm started releasing firmware updates for it. If you don’t believe me then have a look in the video below. I’m not trying to put the X100S down, I’m a massive Fujifilm X-Series fan and I’d much rather tell you that it’s better and harp on about how wonderful it is and you should buy it, but I’m not going to lie just because I love Fujifilm! ….
See on www.photomadd.com
It’s been a while since I posted something on my blog. I needed a little break from photography and time to reflect last year! I have been on the road for more than 6 months lately. It was an exciting and fantastic year! I got a contract with a press agency, shot at the Olympics in London, the US-elections and switched my gear from Leica M to Fuji X-100 & Fuji X-Pro1. The x-Pro 1 is not a Leica – honestly I miss my Leica from time to time – but the xPro is a trusty partner in nearly all situations. But there is one thing that I don’t like with the x-Pro – working with the RAW files! I used to work with Aperture. But till now they don’t support the RAW files of the x-series of Fuji. I hope that this will change with the upcoming Aperture X ! There are so many rumors with Apple releasing the new Aperture X – but I finally came to the point that I am not willing to wait anymore! With the x-series, I switched from Aperture to Lightroom. I have never been a huge fan of Lightroom – I never liked the interface – but with every software there are pro’s and con’s. So I tried to make the best of the situation to get along. I have to admit – I have never spend so much time editing my files! Till now, after hours of editing I still don’t get the look I want with Lightroom. It really sucks, cause usually I uploaded my Leica DNG files, edited a bit the curves and that was it. You can imagine that I was very excited when Capture Oneannounced the support of the x-files! I downloaded the trial version and I tested C1 for a few weeks. All I have to say – it is such a relief! The RAF files are looking great! The colors, the details & skin tones of the pictures look amazing! Here is a comparison of 2 random shots from Venice Beach last year. RAF files straight out of the camera – not editing at all. The jpegs look great in Capture One, but I have to admit, that I do like the Aperture file a bit more. So finally after months and weeks I came to the decision that I will work with Capture one & Aperture! Capture One – because of the fantastic RAW Converter & Aperture for the interface, the file managing and the plug-In’s (VSCO, Nik Software) I use. I know that Capture One is not cheap at all and again I have to get used to another software – but at the end of the day I want to achieve the best result for a picture within a minimum of time. I know it will take a bit of time to get used to Capture One – but there are fantastic Online Tutorials on youTube and everything looks pretty easy so far. I also like that u can switch the interface & tools the way you prefer it. For me – my Odyssee has ended and I feel pretty good with my decision. I hope I could help some of you who are in a similar position but at the end of the day it is a personal question of the preferred look and feel! ….
See full article on nicolestruppert.com
What happened was, this month includes trips to Tokyo and the Big Island. And lately I’ve been reading about cameras full of shiny new ideas. So I decided to indulge myself; here are way too many words about the state of cameras in general and in particular the one I bought. SLRs are fat-bodied because you need a big glass prism to bend the light from the lens to the viewfinder. If you lose the prism, you free camera designers from a bunch of constraints. Most obviously, you can have smaller thinner bodies that are friendlier to hand and handbag…..
Nice Things About the X-E1
The viewfinder is just brilliant. If I have my glasses on I can compose on the back of the camera. If I don’t, I put the viewfinder to my eye; it’s got a proximity sensor and lights up automatically. The visual readout in the viewfinder is very good, and it’s got a diopter adjustment for less-than-perfect eyes. The ergonomics are nifty; there’s no mode dial! The aperture and shutter speed are visible at a glance and on manual dials, looking down at the camera top. If both are on “A”, you’re in full-auto mode. If you set the shutter speed you’re in shutter-priority, if you set the F-stop, you’re in Aperture priority, if you set both, you’re in manual. Which makes the mode dials on most SLRs feel kind of superfluous and stupid. The menus aren’t that great but you’ll never need to use them. There’s a button marked “Q” that brings up a grid of the most commonly-used settings. It’s stupidly quick and easy to twiddle what you need to. It’s a bit lighter than my K-5, and both the prime & zoom are a lot lighter than their counterparts. In particular, the X-E1/35mm combo is really a treat to hold in your hand, or to sling over your shoulder for hours at a time.
Below from left to right: Canon S100, X-E1 (with the 35mm F1.4), and K-5 (with that Sigma). The Pentax and Fuji are about the same width, but the Fuji (and its lens) are smaller along every other dimension. The camera makes outstanding JPGs, creamy-smooth and with great white-balance guessing. I shoot raw anyhow because I like fiddling with pictures in Lightroom (had to install the 4.4 beta), but you probably don’t really need to, and in some low-light shots the camera might do a better job at noise reduction than Lightroom ……
Of course, you still need to see what you’re shooting. One approach is the traditional optical rangefinder, as in the Leica M; a little window through the camera that looks out beside, not through, the main lens. Or you can take what the sensor is seeing and route it electronically to a screen on the back of the camera, or to a viewfinder you hold up to your eye, or both. Generally speaking, serious cameras which have managed to lose the prism are now called “compact format”. For a while, it looked like we’d say “EVIL”, for Electronic Viewfinder Interchangeable Lens, but that didn’t quite catch on; a pity.SLRs are fat-bodied because you need a big glass prism to bend the light from the lens to the viewfinder. If you lose the prism, you free camera designers from a bunch of constraints. Most obviously, you can have smaller thinner bodies that are friendlier to hand and handbag. Of course, you still need to see what you’re shooting. One approach is the traditional optical rangefinder, as in the Leica M; a little window through the camera that looks out beside, not through, the main lens. Or you can take what the sensor is seeing and route it electronically to a screen on the back of the camera, or to a viewfinder you hold up to your eye, or both. Generally speaking, serious cameras which have managed to lose the prism are now called “compact format”. For a while, it looked like we’d say “EVIL”, for Electronic Viewfinder Interchangeable Lens, but that didn’t quite catch on; a pity. I suppose this is partly a review of the X-E1, but if you want to know the most important thing (what kind of pictures it takes) just follow the blog for the next week or two. I’ll do a pictures-from-Tokyo series that covers a lot of different photographic styles. What Once We Called EVIL · For a while there, everything was either a point-&-shoot (meh) or an SLR (good); SLRs compete in a nice linear way around megapixels and sensitivity and ergonomics and lenses. I suppose this is partly a review of the X-E1, but if you want to know the most important thing (what kind of pictures it takes) just follow the blog for the next week or two. I’ll do a pictures-from-Tokyo series that covers a lot of different photographic styles. What Once We Called EVIL · For a while there, everything was either a point-&-shoot (meh) or an SLR (good); SLRs compete in a nice linear way around megapixels and sensitivity and ergonomics and lenses…..
See on www.tbray.org