This is my 4th day designing a street photography course in Budapest, my companion, for this trip a Fuji X-Pro 1 Its another searingly hot day with very little breeze, it’s in the mid 30s with a high humidity, quite unpleasant for this chap from England, nevertheless I want to explore the Jewish Quarter. Budapest has the largest Jewish community in Central Europe so I head there to check it out. My first port of call is the Great Synagogue, a magnificent looking building from the outside and literature tells me that it is one of the largest synagogue in Europe. As a street photographer I wouldn’t normally pay to enter a tourist attraction but this is more than that, I wanted to find out about the history. It costs 2800 Hufs to enter which is about £8 at the current exchange rate. I have to say it is worth it. It’s stunning inside, almost theatre-esk with its balconies and what look like private boxes that seem to go all around, it beautiful and ornate. You are also allowed to take photographs as long as you don’t use flash. On entering all ladies have to cover their shoulders and the men must wear a Kippah which are provided. Part of the entrance fee allows you to go to the Jewish museum which has important pieces of art from Hungary and Eastern Europe. Part of the museum has quite shocking images of the persecution of Jews suffered during the war……..
Budapest comes alive at night.. Its early June and its starts to get dusk around 9pm, I’m using my Fuji X-Pro 1 tonight and it’s a great opportunity to capture the iconic Chain Bridge, illuminated with my Fujinon XF 18mm F2 R lens. Speaking to a local I was told all of the bridges are lit up at 9pm, so having checked out the location earlier I knew exactly where I wanted to capture the bridge from which was from the Buda side of the city and slightly downstream. I always travel light for street photography which means I never take a tripod. Sometimes I do regret this as it does hinder me when capturing movement. But I much prefer nowadays to hand hold so if I am shooting film I always have a couple of rolls of Ilford 3200asa which allows me to walk the streets and hand hold my camera in most situations, but tonight I am shooting with a digital camera. I applied rule number one in the Keith Moss night street photography rulebook and that is to underexpose by one stop. Using the Fuji X-Pro1 which is excellent at high ISO, I set it to 1600 ISO. I used an 18mm F2 Fuji lens which I have to say is excellent, exposure was 60th of a second and I shot at F2.8.. perfect…….
Budapest is hot and humid this morning, the temperature is eventually going to rise to 32c.. pretty hot for this Englishman on a street photography mission armed with my Fuji X-Pro 1. I head for the popular Vaci Utca which starts at the Great Central Market and stretches along to Voromarty Ter square and leads you to the famous spectacular Chain Bridge. The street is filled with restaurants and posh shops, high prices and high pressure selling. The prices in the restaurants and cafes are more than double sometimes triple of what I am paying near my apartment. For me its a place that offers the street photographer not a lot, so this area won’t be included in my course, but well worth a visit just to have a stroll around and enjoy the atmosphere.. Across the Chain Bridge into Buda the oldest and more historical part of the city, the best of which is situated well above the river Danube so you have to climb.. There are only two ways up, one is the hard way shanks pony the other can only be described as a near vertical funicular which will carry you from the foot of the bridge up to the Royal Palace and the Castle with grace and ease, you can guess which one I took. Once at the top it offers spectacular panoramic views of Pest across the river. You can also see the Hungarian Parliament building which was based on Westminster in London…….
We were lucky enough to spend a long weekend in Venice recently. This was a joint celebration for my mums 60th Birthday and my Aunt taking part in the annual Vogalonga boat race. We have wanted to go to Venice for a long time and were not disappointed. Arriving in Venice is like arriving on a film set. It is like no where else in the world I have been. Its an incredibly beautiful city with lots of culture and amazing architecture. We were treated to four days of perfect weather with blue skies and bright sunshine. Venice is the perfect place just to wonder and get lost. Exploring the alleyways and weaving around the canals is a lot of fun. I took my trusty Xpro1 along to keep the weight down. There were so many incredible sights I didn’t know where to point my camera, it really is one of the most photogenic cities I have visited. Here is a selection of my favourite shots from our trip. All taken with the Fuji X-Pro1 with XF 35mm & XF 18mm lenses and edited with VSCO Film……
See on samburtonphoto.com
An official guidebook for the premium interchangeable lens camera, FUJIFILM X-Pro1. The Photographer’s Guidebook is intended to help users enjoy photography even more with tips on how to use each of the various functions.
The Guidebook includes….
- An interview of photographer Mr.Yoichi Sone and a gallery of his works from Macao.
- Instructions on how to use the attached RAW file converter……
See on offers.fujifilm.com.au
It has been over two years since I switched over from Canon DSLR to the Fuji X-Pro1 and I haven’t looked back. I’ve traveled all over the world with this camera. I road from Paris to Lausanne with her slung around my back. I’ve shot photos for commercial clients and for publications. This little camera has more than met my expectations as a professional use camera. My initial review of the X-pro1 on PINP, I gave a lot of insight on what I liked about the camera and some things that needed improvement, such as focus speed and shutter lag. However, after 2 years and a few firmware updates, a few of these issues have been fixed. Shutter lag and auto-focus speed has improved. It might not have improved enough for some, but for me it was enough to keep it at my side………
See on theradavist.com
Yesterday I went on a motorcycle ride with my outlaw biker brothers (and fellow photographers) out of NYC and into Long Island. I brought along my trusty Fujifilm Xpro1 looking forward to shooting some portraits during the ride. I wanted to shoot pretty wide open to get a blur going on the background, but it was mid-day and quite bright so f4.0 was about as open as I could go. I also wanted to show off the bikes, so I would be further back then my normal portrait shooting distance, thus increasing detail in the blur. The background would have to be considered and thought out as importantly as the subjects. As a matter of fact, I can’t emphasize enough a good background! I like to treat my photographs in three layers, a foreground (in this case the front of the bike), the middle layer (the subject) and the background. I place the emphasis in portraiture on the middle and the background; they are certainly the most critical of the composition, and finding a good foreground being a bonus……
See on suspectphotography.com
Great show tonight by the young Kiwi band Broods – very impressed with them, I can see why they’re touring with Ellie Goulding at the moment (and she’s a fan, too). Be proud of them, New Zealand! They’re going to get very big, very fast…..
See on robertcatto.com
The Fujifilm XF 10-24mm F4 R OIS is a new ultra wide-angle lens for the X-system, offering a field of view equivalent to 15-36mm in 35mm terms. People familiar with my work, know I really love ultra-wide lenses. The Sony 16-35mm f/2.8 Carl Zeiss Vario-Sonnar T Lens is my most used lens on my old trusty A900 full frame. Ideal for landscape photography and super sharp, even at F2.8. The Fuji 14mm is my favorite x-mount lens. But in some situations it just isn’t wide enough. So I was looking forward to the 10-24mm when Fuji anounced it over a year (!) ago. Was it worth the wait? We had a new trip to the south-west of the USA planned, in the spring of this year. Our 20th visit to the USA, so a perfect occasion to revisit some of the highlights of previous trips to the deserts of California, Utah and Arizona. An ultra-wide lens would be ‘indispensable’.The lens wasn’t available in Europe in march, but I contacted Camera West in Rancho Mirage, California. They reserved one for me and I picked it up during our visit to Joshua Tree National Park. The dollar-euro rate made the pain in my wallet a bit more tolerable. During the rest of the trip it was the main lens on my X-E1, while the 14mm was the companion for my X-PRO1. After three weeks of traveling through the South-West USA, I noticed that my Sony & Zeiss only left my camerabag once……..
See on www.arnyzona.com
After years of shooting with my Canon 5D and other big camera’s I bought a Leica M8.2 a little over a year ago along with two nice Elmarit lenses. In the end, it wasn’t for me. I loved shooting with and getting that Leica feeling, but the ISO performances were so bad that I could not justify it. Thought of buying a M9 instead, but even for the extra money I could not just do it. I also bought the Fuji X100S when it came out and loved it. I did sell it after 2 months because the fixed focal length wasn’t for me. So I sold everything and bought the Fuji X Pro 1 with the 18mm 2.0 and the 35mm 1.4. Fell in love with it. Wasn’t the Leica M but it was what I was looking for. So when I went to New York for the first time in my life (actually flying for the first time in my life after being scared of flying my entire life) I brought the X Pro. One day… I will go back to Leica… but for now… the Fuji helped in capturing the people of New York. Just wanted to share! …….
See on www.stevehuffphoto.com