I’ve started this blog to focus solely on my street photography with my Fujifilm X cameras. I’ve had an X-Pro1 for about a year (although didn’t really start using it for street work until about 6 months ago on a trip to New York). About 10 days ago I got an X100s, and am absolutely in love with it. I’ll mainly be posting original content on this blog, will may also reblog some other X street photography that I come across….
See more picturres on lifeonxstreet.tumblr.com
Here is a gallery of pictures taken by Damien Lovegrove with the fabulous Fujifilm XF 60mm f/2.4 macro prime lens. All the pictures were shot on the Fujifilm X-Pro1 camera……
See more pictures on www.lovegrovephotography.com
J’aime relever les défis, aussi bien techniques que créatifs. Mercredi dernier, j’ai décidé de réaliser un shooting mode en délaissant de nouveau mon NIKON D3s au détriment de deux petits boitiers, mais pas n’importe lesquels : mon FUJI x-PRO1 et mon x100s. Voici le résultat de cette séance. La FUJI attitude :) Pour celles et ceux qui me suivent sur ma page Fan Facebook (je vous invite d’ailleurs à vous y abonner ! Dediou !), vous vous rappelez probablement d’une séance pin-up réalisée avec Ariana il y a plusieurs mois. J’avais décidé, contre toute attente, de laisser de côté le lourd matos pro pour n’utiliser que le FUJI x100s durant ce shooting Studio. Le résultat avait dépassé de loin mes espérances. Même si j’étais confiant, on a tout de même quelques appréhensions à délaisser du matériel et des habitudes de travail éprouvés pour se risquer dans de nouvelles expérimentations. Peur d’un résultat moyen, de décevoir, de constater a postériori que la qualité n’était pas là et qu’on a gâché toute une magnifique séance. Mais comme certains le savent probablement, je suis un peu fou……
See on photo.fusina.net
The Fujinon XC 16-50mm f/3.5-5.6 OIS is a fairly good standard zoom lens but it doesn’t really stand out due to a number of weaknesses. In terms of resolution, the quality is generally high in the image center and decent in the outer image field. The lens relies heavily on auto-correction with respect to its native distortion characteristic which is nothing short of extreme at 16mm. Since most users will never notice this, this is probably an acceptable compromise (albeit a lossy one). The original vignetting is rather heavy at large apertures but also corrected behind the scenes. Lateral CAs are an issue at 16mm at large aperture settings especially in the image corners. Technically there isn’t really much to complain about the build quality but you have to live with an all-plastic construction. On the up side, this means a very low weight. Size-wise it is a comparatively big lens though. The AF is reasonably fast and near-silent. We are not yet sure what to think of Fuji’s optical image stabilizer. While it surely gives some extra potential, we aren’t overly convinced whether Fuji has already mastered all the associated complexities. The field images felt somewhat more consistent with deactivated IS – which reminds us of the other two OIS lenses that we handled so far. If we had to choose between the Fujinon XC 16-50mm f/3.5-5.6 OIS and it’s in-house cousin, we would place our bets on the the XR 18-55mm f/2.8-4 OIS. Regarding the sum of its qualities, the XC 16-50mm f/3.5-5.6 OIS is just too expensive in comparison – at least when purchased separately. These extra 2mm at the wide end are an interesting value prop for landscape photographers though and when relying on the provided image auto-correction the results can be quite attractive.
Optical Quality: 2.5 / 5
Mechanical Quality: 2.5 / 5
Price / Performance: 2.5 / 5
See on www.photozone.de
Berlin really is a fascination of it’s own. I first fell in love with this city during a 5-day-stay back in 2010, when I visited microsoft’s tech ed conference. sadly I had little time during daylight to explore this city, so I promised myself to return soon. during our ski holidays in 2011 we got to know a couple from berlin and stayed in contact since then, which opened up the window for a 3 day visit of my wife after easter in the year after – an opportunity I missed due to a scheduling conflict :( so we had to come back this year in early summer and enjoyed rain and sun both together. returning to already known places (alex, main station, government district, ..) went along with exploring new sites (tempelhof airfield, pergamon museum, kreuzberg-district, “oberbaum”-bridge, boat trip on the river spree, berlin wall)…….
See on www.refro.at
I just recently came back from my first overseas assignment since moving to Miami (not counting Lebanon). Our patch extends across the southern US into the Caribbean, so I expect this first trip to be the first of many. We started off in the Dominican Republic for a few days to begin telling the story of how desperate people are to leave the island. In the last year there has been a huge spike in the number of migrants from Haiti and Dominican Republic risking their lives to reach Puerto Rico. Many of them pay thousands of dollars to take off from the northern coast. The sleepy fishing town of Nagua has earned itself a reputation as a launching point for smugglers. Yolas. That’s what they call the flimsy vessels that transport desperate migrants to Puerto Rico through the treacherous waters of the Mona Passage. They’re usually a bit bigger than the ones pictured here, but not often by much. The journey can take anywhere between 10 hours and three days……
See on blog.karimhaddad.com
The Fujifilm Xpro 1 is a superb camera and many photographers are singing its praise while making great images from this unique and high quality digital rangefinder. There are a few pieces of gear that can really enhance the Xpro1 and this post is dedicated them. After using the camera for a year and a half and having a load of friends also indulge in the Xpro1 I built this list with authority. Some of it can apply to the XE1 and XE2 and some can’t, I’ll let you know so all Fujifilm X system shooters can benefit from these suggestions. So here we go, the 9 essentials…..
See on suspectphotography.com
When the light fades in Havana and the mercury drops a notch, Havana takes on a distinctly different character. The streets, normally so full of people and scorching hot, are now largely empty. The flicker from the television sets in the houses cast a bluish glow on the threadbare curtains on the windows, like a strange deep sea jellyfish. Some streets remain brightly lit, whilst yet many others are now cast into shadow, with dim streetlights spaced well apart. The potholes and puddles in the streets have now disappeared into the darkness, until you inadvertently step into one. The chatter from houses either side of the streets tell of families gathered round dinner tables, television sets and domino games. Brief bouts of laughter punctuate the otherwise still night. The fragrant smell of cigar smoke can also be smelt coming from the windows and balconies of the houses. In the darkness, I still hear bicitaxi (bicycle taxis) riders touting their services, always promising a ‘special price’. Although dark and run down, the streets do not have a threatening air about them, more like someone turned off the lights on Daytime Havana and the volume down to a whisper. Like an unruly child asleep. I love the shadows cast by the disparate light sources at night in the streets of Havana. The already heavily textured walls and buildings of the city take on a new layer of mystery and suspense. Characters casting long shadows on the uneven ground dart and disappear around corners into the pools of darkness, adding to the drama of the scene. In each city that I visit, I make it a point to experience both the daytime atmosphere as well as the ‘night life’ and Havana has certainly not disappointed with her offerings…..
See more pictures on handcarryonly.com
We photographers love fast apertures. We are like kids at Christmas, yearning to see just how blurry and ‘bokehlicious’ the background can get. And not that there’s anything wrong with that, as a famous comedian once said. A fast aperture lens is always nice to use. And if it is a wide fast aperture lens, even better. I find these lenses way more fascinating than telephoto or portrait lenses because of the focal length factor. With a wide lens, the mix of vastitude and shallow depth of field gives more punch to your photographs and brings them closer to the much-desired full-frame look. Now that I’ve gone mirrorless, the only lens I really miss from my full-frame gear is the 24mm f/1.4 by Nikon, the best lens I’ve ever used. Though my time with it was brief (I sold much of my Nikon gear six months later), it was love at first sight. The Fujinon XF 23mm f/1.4 reminds me of it, even though it doesn’t have the same equivalent focal length. Another case of love at first sight, perhaps? The very words ‘fast aperture lens’ generally imply a high quality build and premium glass. The new XF 23mm f/1.4 (35mm equivalent on full frame format) is no exception. From the first pictures I took with the X-Pro1, I suddenly recognised the same look I’d seen with the XF 35mm 1.4 which I used on several occasions when I reviewed the camera. Wonderful bokeh, great sharpness and overall excellent lens performance. Let’s have a further look then, shall we? …..
See more pictures on www.bestmirrorlesscamerareviews.com
I love Fuji X-series cameras – they have exceptionally good image quality, superb handling and they are just a lot of fun to shoot with. I have completed reviewing all Fuji X cameras that I have had during the last few months, including the X-Pro1, X-E1, X-M1 and the X100S. In short, an amazing array of cameras from Fuji. One issue that I overlooked while reviewing the cameras though, was the spotted ghosting issue caused by the X-Trans sensor in rare situations, as demonstrated below (shot with the Fuji 60mm f/2.4 Macro lens). Since I am currently working on reviewing all Fuji X lenses, I had to go through each lens to test things like optical performance, chromatic aberrations, vignetting, distortion and flare / ghosting. During my flare / ghosting test, which involves photographing a scene with the sun in the frame at different apertures, I noticed a very interesting phenomenon – each lens that I used would produce spotted ghosts that looked very defined in a straight square pattern, in addition to the lens ghosts that we normally see from lenses. At first, I thought it was a lens issue. But then as I tested one lens after another, whether it was a native Fuji or a Zeiss lens, every single one of them showed the same pattern. After a couple of lenses, I realized that these patterns are not from optical characteristics of the X lenses or the types of coatings used in them, but rather internal reflections involving the X-Trans sensor……
See on photographylife.com