Todays blog post is a little different from usual, being aimed at fellow photographers. Below I’ve posted a few images from a complete wedding with the Fuji X Pro 1 camera. I’ve tried to keep away from the technical details, so hopefully everyone can enjoy the photos. The Fuji X Pro 1 is a relatively new camera, that is increasing in popularity, especially with documentary wedding photographers due to its small size and amazing image quality. The camera does have a few quirks, but as already mentioned, I’m not getting into technical with this post, and will let the images speak for themselves instead, which is my way. The first complete wedding I shot using the Fuji X Pro 1 was Lydia and Michael’s, the perfect wedding opportunity as it was a lovely small intimate wedding. A relaxed affair, without some of the more ‘usual’ aspects such as 1st dance. Being unobtrusive was of paramount importance, and I think this little camera helped me achieve that. I used the X Pro 1 at this wedding alongside my trusty Canon 5d Mark III, and I would say about a 3rd of the images handed to Lydia and Michael were shot with the X Pro 1, nearly all using the 35mm lens (approx 50mm equivalent)…….
See on www.adamrileyphotography.com
What a difference a year makes! Last year when shooting the Vivid Light Festival I went all Old Skool with tripod and filters and tricky exposures but this year, shooting with the Fuji X-Pro1 I decided to go all reportage-style and put my focus, and the fabulous Fuji’s 35mm lens on the people attending vivid and their interactions with the Vivid event itself. All the pictures were made with Fujifilm X-Pro1, XF35mmF1.4 R iso at 3200 and givien a little extra pop using the EF20 Flash set at-1. Camera in aperture priority mode, most shots at F2. With the camera set all I had to do was find my subjects and photograph them; which was not that tricky once I got going. Yes one certainly needs some confidence but I do think the Fuji X-Pro1 looks so different that the very camera itself ‘cuts you some extra slack in a crowd’ and I didn’t get too many strange or agro looks. Nice! Hope you like my take on Vivid Sydney 2013…..
… why this meaningless talk about the believer, the kafir, the obedient, the sinner, the rightly guided, the misdirected, the Muslim, the pious, the infidel, the fire worshipper? All are like beads in a rosary……
I had the pleasure of meeting Matt and Clare back in January for their engagement shoot at Centre Parcs in Thetford it was a lovely sunny day and their wedding on Thursday, at the picturesque Woodhall Manor near Ipswich was no different. The entire event was held within the grounds of the manor, from the bridal preparations to the last dance, so it was nice not to have to travel to different locations. The rooms looked stunning and the service was held in the beautiful gardens of the estate, Clare had done a fantastic job with the table decorations with a lovely little touch of a Fuji instax for people to take photos, stick them in the guest book and write a little message. Matt and his best man’s speeches had everyone laughing and equally moving them. The whole day was a complete success, I had an amazing time and met some great people, so thank you Matt and Clare for asking me to be apart of your special day to capture those special moments……
Roughly ten months ago, we embarked on this round the world journey. Backpacks stuffed, camera at the ready, and hearts full of anticipation. I had left my job to take off on this trip, this flight of fancy, travelling Africa and South America, not quite sure of what to expect but certain that the sudden plunge into uncertainty would beat the dreary routine that had been gnawing away at me for a while. I still enjoyed my job, but something was missing, creative batteries needed recharging and a two week break wasn’t going to cut it this time. Something a bit more drastic was in order. Something that would jolt me out of my comfort zone, in other words, one for the bucket list. At least, we figured, it would be exciting. And exciting it was, along with awe-inspiring, eye-opening, routine-killing, perspective-changing, adrenaline-pumping, and at times, heart-breaking and tiring, but never boring. Whether it was being offloaded from a bus at midnight in a pitch black town, or being the only outsiders revelling with the locals at a South African township, or driving on a road with more potholes than tarmac, or playing dominos by the side of a road in Cuba, many adjectives could be used to describe our experience but ‘boring’, certainly wasn’t one of them…….
See on handcarryonly.com
Well, at the last minute I switched bags from the TurnStyle 5 to the Retrospective 5. It just is a little easier to swap cameras from the Retrospective 5. I don’t need any Enter & Exit Bag Procedure Intrusions. On the street I adjusted the dividers a little and now everything just works great. So, Andre’ has the 23mm on and Garry has the 50mm on and the extra pocket holds the EF-X20 Flash & the 18mm. I’ll never use all this stuff out on the street but….if I don’t use both cameras, one will go and I know it. So, I need to learn again to depend on using 2 cameras. Besides, what better way to change lenses eh? It was very convenient to swap cameras when I felt like changing Field of Views. It’s not hard to take, that I’ll say…….
See on streetshooter.net
Is the Fuji X-Pro1 a camera suitable for wedding photojournalism photography?
I don’t like talking about equipment. As you surely know, in good photography the camera itself has really low importance. However I would like to talk about a camera who have brought to me (again and more) the joy to take images. Put it together an excellent lens lineup and you have the Fujifilm X Series. Briefly, I found this camera to be a joy of use thanks to the light weight, the silent and smooth operation and the ability to completely make me invisible, and this is a very important aspect for wedding photojournalism. The AF operation is good enough for capturing everything happens in a wedding day, from running kids to the first dance with low light. The only disappoint is the slow buffer operation that makes this camera not so good for those photographers who like “spray and pray”. This flaw was finally an advantage for me, I improved my way of shooting, letting me concentrate more to achieve the best image for that moment…..
In all my travels, Sydney has been the toughest opponent when it comes to jet lag. It will lull you to sleep, then dump cold water on you at 2am. This time I played it differently. You can’t fall asleep if you don’t stop moving. I landed in Sydney from LAX at 7am. I grabbed my camera and walked around a very quiet city, and for some reason, I chose to only shoot in black and white. I guess I wanted to see the city in a new way. There is something special about a city just waking up……
See on danielincandela.com
On my return from The Sacred Cities Photo Expedition-Workshop last week, a handful of readers asked me these questions:
1. Why wasn’t I more thrilled with photographing the Holi festivities in Vrindavan and Mathura?
2. Why haven’t I used the Fuji X-Pro1 more often (only an estimated 10% of the time)?
Well, I certainly was excited to photograph Holi, particularly as the pink/fuschia, yellow and neon green powders being thrown in the air, smeared on people’s clothes and faces made for compelling color (and possibly monochrome) photography. However, something was missing….and I knew that that something would be missing much before traveling to India. The large majority of my photo expeditions are event-specific; whether it’s to photograph the mind-blowing annual death commemoration of Sufi saint Moin’uddin Chisti in Ajmer, the bloody rituals of Velichapadus in Kerala or large Ngaben (cremations) in Bali. These events are usually religious and spiritual, and masses of people attend them to express their devotion and faith…….