We will talk a little more on the evolution of autofocus for X-T2 and X-Pro2 Ver.2.00 by comparing it to the AF performance of X-Pro2 Ver.1.00. First, there are more AF points. Take a look at the screenshot below. You will notice that there are two additional lines of AF points at both right and left end of the display. The number of AF points for the phase detection pixels remains the same. They are for the contrast AF, but with the 384fps readout capability of X-Trans CMOS III, the fast processing power of X-Processor Pro, and the newly designed lens range will make the contrast AF fast enough that we are certain you will see the difference. X-Pro2, Is the AF faster? This will especially be valuable if your style of photograph is to have the camera on a tripod and compose your picture carefully before deciding on the focus point…….
After 2.5 years or so shooting with various lenses and my amazing Fujifilm XE2, I decided that I had had enough. Too many lenses and options including bigger lenses (xf23 1.4). My favorite lens has been the 27mm for the reason that it made photography fun and have captured some of my favorite photos ever with it since I would often have it with me. I also have a 70d kit with a few zoom lenses to take out when I really want to cover an event, usually motorsport or surf etc, so really I felt I didn’t really need two full systems with lens options for each. The simple one lens option makes you think less about options and just more about the shot, its light and a joy to use and shoot with. BUT I found that with the Fujifilm I was always constantly unsure which lens to take as they are all so good……..
Our friends at DP Review have published an illuminating report of an interview with Yuji Igarashi, general manager of Fujifilm’s Electronic Imaging Division, Takashi Ueno, manager of Fujifilm’s Electronic Imaging Group Sales and Marketing and Optical Device and Electronic Imaging Products Divisions and Ryouichi Takamoto, Optical Device & Electronic Imaging Products Division, Sales and Marketing Staff. The full article by Barney Britton can be found here and I would encourage you to read it.There seems to be a bit of internet angst over some of what is reported as having been said, with three things in particular attracting comment, both pro and anti: „The X-Pro series are special cameras for snapshooting, reportage and so on. But the X-T2 is a multipurpose camera, so we’re trying to sell the X-T2 to DSLR users, compact camera users—all photo enthusiasts and professional photographers…..
Following the launch of the Fujifilm X-T2 last week, we sat down with senior executives from Fujifilm.
- Yuji Igarashi, general manager of Fujifilm’s Electronic Imaging Division.
- Takashi Ueno, manager of Fujifilm’s Electronic Imaging Group Sales and Marketing and Optical Device and Electronic Imaging Products Divisions.
- Ryouichi Takamoto, Optical Device & Electronic Imaging Products Division, Sales and Marketing Staff.
We talked about the X-T2, Fujifilm’s plans for lenses, and why the company is putting a lot of energy into video. The following interview is taken from on-record portions of our conversation, and has been edited slightly for flow and clarity. …..
On Thursday and Friday last week I had the privilege of being part of the European launch of the brand new Fujifilm X-T2 in Paris and at the Le Mans Classic. Fujifilm invited 200 guests from all over Europe to travel to Paris for the official launch of the camera with a press conference and then a chance to have a ‚hands on‘ session with the X-T2 over a buffet and a few drinks. The press conference included a Q&A session with fellow X Photographer John Rourke with Fujifilm’s Marketing Manager Andreas Georghiades. It was also great to see a set of images on display in the room which included my shot of Danny Watts sitting in the Strakka Racing Gibson in the Le Mans Pitlane in the pouring rain. A good example of how good the weather proofing is on the camera…..
Source: Fujifilm X-T2 at Le Mans Classic
This is not a review, but rather a collection of some thoughts for the serious non-professional photographer, about the Nikon D500. I say for the non-professional because if you are making money with photography you pretty much know what is going to work for you and what is not. And, by “serious” I mean folks that tend to shoot mainly or always in RAW. If you are shooting in Jpeg, and there is nothing wrong with that at all, I still recommend Fuji cameras over all others. Again, this is not scientific, just my thoughts. Your milage will vary! A few days ago I took delivery of the D500. I’ve shot quite a number of images now, using most all of the features that are touted by Nikon. One exception is shooting fast action. I don’t get much opportunity to do so, and, to be quite honest, if this thing has the same focus system as the D5, well, my guess is it’s pretty darn good at tracking……
Well, good news! Adobe updated both Lightroom CC and Photoshop CC this month, and it looks like Adobe has dramatically improved their X-Trans processing capabilities. It’s not something they announced, but after a few tests, I’m pleased to report that both programs now produce much shaper conversions of Fujifilm RAW files, and they’ve even added color profiles for the new Acros black and white film simulation that were included in the X-Pro 2. Adobe apps automatically apply their own standard Adobe color profile to any RAW file. This means the Fuji film sim you chose for that picture is erased once you open the file in Photoshop or Lightroom. However, you can reapply whatever Fuji color profile you wish under the “Camera Calibration” tab in both programs. Note, they’re not perfect reproductions of the actual Fuji film simulations, but they’re pretty close…..
Through my short time of shooting I’ve always been faced with the question „What camera do you shoot with?“. When I had my Canon T3i, I hated this question, I felt answering it honestly would cause other photographers to think I was less of a professional. I didn’t know much about the business then, I just knew my camera was one of the cheaper ones, I myself felt inadequate, and because my camera was considered a consumer option I rarely shot with it. After a few months went by I noticed the Canon 60D starting to significantly drop in price, I was able to pick one up a second-hand unit for $500. The first thing I noticed was that it had the dial on the left-hand side of the camera, I remember someone telling me that only the professional cameras had that option, so I was ready to take over the world at that point.At the time I didn’t know this too was an APS-C sensor, I thought I was walking around with top quality, and my lens collection was A+ as well. I had the Sigma 18-35 f/1.8 and the Canon 24-105, I was covered in every area and my images were great for my level of experience……