I have been busy with work and out traveling again. This time instead of grabbing my trusty EM1 with a couple of lenses, I went north with my Fuji X-T1, an old Fuji X-M1 as my pocket cam and handful of lenses. I am still flirting with this camera. I wanted to give it one more go to test the focus ability and continuous autofocus capabilities shooting my daughter’s soccer tournament. In short, I don’t like it for events. I like it considerably less than my EM1. However, for still shooting and some specific types of shooting like people and portraits, I prefer it. I’ll admit that “It” could be the lenses available for the X system. They truly are spectacular and really give a specific feel and wonderful skin tones…..
Well, I’ve hinted, and I’ve posted some images taken with this beast, so I suppose I should give it a quick review thingy. Note that this isn’t a proper technical review – you’ll find those with all the resolution charts you could hope for on all the usual sites and even in print magazines. No, this is just about my early impressions of my latest X-mount lens. I’d been contemplating getting this lens for a while. If it had been somewhat cheaper, I’d have had no hesitation at all, as one thing I have missed since the move from Canon to Fuji was a nicely flexible wide-angle lens. Now I’ve got that nifty little Samyang 8mm Fisheye, which is fun but not really what’s needed for every job. And I’ve got the excellent Fuji 14mm prime, which I have to confess to not using as much as I thought I might. What I really wanted was something that would give a nicely clear wide angle view over a moderate range. And in the course of Fuji’s lens development, they duly provided one, albeit at a relatively high price. But before we moan about prices, it’s worth remembering that Fuji make very high quality lenses. It’s also worth mentioning that when new lenses are produced, Fuji provide firmware for the cameras which ensures they’ll do Clever Things with them, like correcting the distortion that’s generally regarded as the consequence of using a wide-angle lens. Another point is that unlike a lot of zoom lenses, this one maintains the maximum aperture of f/4 throughout the zoom range, which goes some way to explaining its size and weight. And it comes with Fuji’s excellent image stabilisation, which is always good to have……..
We had a great turnout of people to the Fuji photowalk event at the Evergreen Brickworks…or the “Old Brickworks” for you Toronto photographers who remember the days of sneaking strobist shoots there back in the day. Many thanks the Fuji Guys (Billy & Greg) and the other fantastic staff who made the weekend events a success. There were plenty of Fuji cameras snapping away but the star of course is the new XT-1. I’ve been using it regularly for the past few weeks as I make my rounds through portrait sessions, graduations and proms, baby portraits and commercial assignments. Stay tuned fro an in-depth review coming shortly. I occasionally do some portrait work at the Brickworks but rarely go into the buildings on the far side. I was pleasantly surprised at the way it’s been transformed from old to new with a nice mix of the old tones and textures with a new modern design. A lot of buildings in Toronto were constructed with natural resources from this complex. Some of them aren’t even around anymore or have themselves been rebranded by new owners…remember the “Standard Bank”?…I don’t lol. Long gone by the time I moved here from the United States. The Brickworks itself was abandoned well before I learned of it……..
The photo workshop continues. We are all having so much fun roaming the streets of Paris for miles every day. Spending a week with people who share the same passion for photography is so awesome. I don’t shoot much when I teach a workshop but I grab a shot here and there with my little Fuji x100s whenever the opportunity arises. Do you have any favorites in the series below? Please leave a comment :)
We were lucky enough to spend a long weekend in Venice recently. This was a joint celebration for my mums 60th Birthday and my Aunt taking part in the annual Vogalonga boat race. We have wanted to go to Venice for a long time and were not disappointed. Arriving in Venice is like arriving on a film set. It is like no where else in the world I have been. Its an incredibly beautiful city with lots of culture and amazing architecture. We were treated to four days of perfect weather with blue skies and bright sunshine. Venice is the perfect place just to wonder and get lost. Exploring the alleyways and weaving around the canals is a lot of fun. I took my trusty Xpro1 along to keep the weight down. There were so many incredible sights I didn’t know where to point my camera, it really is one of the most photogenic cities I have visited. Here is a selection of my favourite shots from our trip. All taken with the Fuji X-Pro1 with XF 35mm & XF 18mm lenses and edited with VSCO Film……
See on samburtonphoto.com
Ein Wochenende in der ’ Le sault de la truite’ am Ballon d’ Alsace | Fuji X-E1
See more pictures on hdbrand.tumblr.com
The Fuji X-T1 is quite a camera, it is fast, responsive, quick to focus and that EVF is stunning. The image quality is the typical, high standard, Fuji offering. The images from the X-T1 are possibly the best I have seen from a non-full frame camera, same goes for the ISO performance. Image quality is certainly better than what my Nikon D3 produced. People get quite aggressive when comparing image quality, ridiculously comparing cameras 3 or 4 times the cost and laying that down as a marker. Is the quality better than Nikon D4 or Phase One medium format? I would say probably not, however it does stand up to the best full-frame cameras from a couple of years ago and thats good enough for me. The camera is compact, but not too small, I have quite large hands and I can hold it comfortably and it all feels natural. Is this the so called “DSLR Killer”? Depends on who you are and what you shoot. I would say that for some people the DSLR died a couple of years ago. I know a number of people who committed to mirror less systems a long time ago, both amateurs and pros. I, myself, swapped about 2 years ago. For some applications DSLRs still have the upper hand, sports and wildlife are probably still easier with a DSLR. In some areas of advertising and commercial photography the need for larger file output may still exist, somewhere where a Full-frame DSLR or medium format camera might be better. One things for sure, with the XT-1 Fuji have a camera which will have all, but the very top pro cameras looking over their shoulder……
See on blog.darrenobrien.co.uk
It’s been a while since my last Berlin post. I headed back home to visit my mum and dad (doing fine, thank you) in their strange, dystopian world of no-internet. So for over an entire week there was no checking of emails, browsing of blogs or updating of my website. Instead I gleaned my information through the reading of words, printed in mysterious black fluid on a strange, flexible material made from the pulped remains of trees. You get used to it. So, back to Berlin! ……
See on petetakespictures.com
The weather dictated the theme of weekly photo project. It has been raining for three days straight in New York with some occasional mist and haze — just the kind of weather I love to photograph. I sent my X-T1 off to Fujifilm Repair to have the light leak fixed so it was time to dust off my X-Pro1 and take it out for some exercise. From the point of view of design, the X-Pro1 is still my favorite camera, but it is beginning to get treated like a poor cousin as its newer relatives have been receiving all the updates. I usually like to give myself some restrictions whenever I do these exercises. This time, in addition to using the X-Pro1, I primarily shot with the 55-200mm zoom. For the close-ups I carried along a Nikon 5T and 6T set of 62mm close-up lenses, which have found a new life on my 62mm Fuji lenses……
See more pictures on aboutphotography-tomgrill.blogspot.de
Vor gut zwei Wochen habe ich mich von meinem geliebtem Voigtländer Nokton 50mm f1.5 getrennt und mir anstatt das viel gelobte Fujinon xf 56mm f1.2 gekauft. Die in etwa eine halbe Blende mehr ist natürlich schön, tatsächlich war dies aber nicht der Hauptgrund, weshalb ich wechselte. Ich bin nicht so der Offenblende-Fanatiker. Klar benutze ich gerne große Blendenöffnungen, auch als gestalterisches Mittel, jedoch habe ich meist die Erfahrung gemacht, dass mir die Bildergebnisse bei den Objektiven, die ich so in meiner Laufbahn hatte, bei offener Blende selten zusagten. Ich blende oft ein bis zwei ganze Blendenstufen ab, sodass ich sehr oft bei Blende 2.8 lande. Letztlich war es vor allem der fehlende Autofokus des Voigtländer Objektivs, welcher mich zum Fujinon greifen ließ. Das manuelle Fokussieren macht mir schon viel Spass, aber es gab doch immer wieder mal Momente, wo ich den Autofokus eben doch vermisst hatte. Bis zum Erscheinen des Fujinon 56mm gab es auch keine Autofokusalternativen für ein schönes Portraitglas. Kurz vor meinem Death Valley Trip kam dann das Objektiv bei mir an. Ich hatte gute zwei Wochen Zeit dieses Objektiv in all den Bereichen zu testen, die mich persönlich interessieren (Außer für Street, aber da mag ich so lange Brennweiten eh nicht!). Von Portrait über Landschaft bis hin zu Architektur habe ich es benutzt……..
See on www.qimago.de