Sample Images

Fuji 56mm F1.2 Review / Upgrading from the 60mm |
Colin Nicholls

I’ve done it. The age of the 60mm is over, the time of the 56mm has begun. Here is a short review, a few sample images and a bit about why I’ve decided to change from the Fuji 60mm F2.4 to the [non APD] 56mm F1.2. I was in Birmingham recently on a trip to an SWPP mini convention, there I got the chance to have a play with all the latest Fuji gear, one thing I had my eye on was the 56mm, I’ve been reading reviews and comparisons for a while now and felt I really needed a hands on play to make my choice. I love the 60mm lens, its a great performer and you can read my review of the 60mm here, but there was one thing I wanted to be different about it, and it wasn’t the focus [because that’s one of the most complained yet unfounded things about this lens] it was simply; light gathering capability. The F1.2 of the 56mm was calling, and I could feel it while I worked. When shooting a wedding I usually have the 35mm lens around my neck and a bag on my shoulder, usually with a strapless body with the 60mm on it to grab for when I need a bit more reach. However I’ve recently found that this lens gets no use once the sun goes down favouring the much faster 35mm or [now sold] 85mm Samyang 1.4 lens, this left me in one of two places, either having to manually focus or not having enough reach…….

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Tokyo Salaryman Fuji X-Pro1 | Nicolas Lambert

Le salaryman

Au Japon, ou plutôt à Tokyo on s’habille en costume noir pour aller travailler dans son entreprise. Ces hommes ont des horaires assez difficiles, debout très tôt et au lit très tard.


Une série un peu contrastée ( au Japon il y a Moriyama donc ça peu passer ) sur mes rencontres de la journée.


Toutes les photos ont été prises avec le Fuji X-Pro 1 comme objectifs j’ai utilisé le 35mm ainsi que le 18mm. Pour ce genre de traitement, un point and shoot ou un smartphone feraient l’affaire.


Pas grand chose pour le traitement: simplement assez dur. J’ai amélioré mes images dans lightroom avant d’utiliser SilverEfex pour le passage au noir et blanc.
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La Ferme | XF 56mm APD | Patrick La Roque

These are tentative steps, her first away from us; away from home. We spend a few hours moving in, exploring every nook and cranny, sharing her joy and excitement. But when the time comes for us leave… All that freedom becomes harder to bear. We walk away through tears and it’s hard but we know it’ll pass. A week from now, when we come back, she’ll barely say hello — too busy with her newfound friends. Letting go is the toughest necessary thing we do……

The New Fuji 56mm f/1.2R APD | Nathan Elson

All of the portraits above were shot in RAW with the Fuji X-T1 body combined with the new 56mm f/1.2R APD lens and processed in LR5 with my own black & white presets. The lens itself was a prototype, so until a full production version of the lens is released I can’t really give an opinion on things like the focus speed, manual focusing, etc. In regards to the lens, what’s new about it? Well, not a whole hell of a lot. It’s the exact same lens on the outside in terms of size, build quality, filter size, etc. It’s the insides that have changed, but as I said, it’s not a huge leap. Below is a side by side, using straight out of camera JPG’s using the in-camera black and white preset, with the exact same settings (ISO 200 – f/1.2 – 1/2000sec) with the image from the original 56mm being adjusted -1 stop in LR5 to keep the exposure consistent. For those of you wondering why I had to adjust the exposure when using the exact same settings, it’s because the original 56mm lens lets in roughly 1 stop of light more than the new APD version, so at the exact same settings the photo from the older version of the lens will come out a stop brighter. That loss of 1 stop of light could be a good or bad thing depending on the shooting situation, but its due to the APD filter they added within the lens………


Fuji XF 27mm a great little guy | Jorge Ledesma

So I finally completed my Fujifilm kit. A few days ago, I scooped up an XF 27mm 2.8 (silver) to pair of with the XE2 and I couldn’t be more delighted. Initially, I had wondered if it would give me the same experience as I had with my previous X100/s and I most say, it does. The XF 27mm transform your Fuji XE2/1/XT1/XPRO1 into an X100/s like experience. Here’s a recent image from a photowalk.
Things I like the XF 27mm

  • diminutive size aka stealth factor
  • sharp as a razor where it needs to be

I can see this lens permanently glued to my XE2 as my daily driver. When I need shallow depth of field or low light, in comes the XF 35mm and for an all around lens then there is the XF 18-55mm………


A visit to a Jacobean gem | Paul Melling

Astley Hall in Lancashire is the type of location that Fuji’s 10-24mm lens and X-Pro1 were made to cover.  Astley Hall is a Jacobean mansion on the edge of Chorley and it has bags of character. There’s no doubt it’s a great building to photograph. I spent a little while walking around the outside waiting for the sun to break through the clouds. I’m not keen on boring skies so was aiming for a bit of sun on the building with plenty of detail in the sky. Thinks changed quickly and the sun was sometimes only out for only seconds.  Some of the pictures taken close to the house gave the images impact with the converging verticals as I tilted the camera up, while on other pictures I tried to keep things straight and used a bit of correction in Lightroom. Inside the house, you are free to wander around and take pictures. The light levels were quite low in some rooms and it was a good test for the image stabilisation capabilities on this lens.  No need to worry because even with the lens wide-open at 1/15 second the images are sharp……..


Out flirting with the Fuji X-T1 again….. | Jason Boucher

I have been busy with work and out traveling again. This time instead of grabbing my trusty EM1 with a couple of lenses, I went north with my Fuji X-T1, an old Fuji X-M1 as my pocket cam and handful of lenses. I am still flirting with this camera. I wanted to give it one more go to test the focus ability and continuous autofocus capabilities shooting my daughter’s soccer tournament. In short, I don’t like it for events. I like it considerably less than my EM1. However, for still shooting and some specific types of shooting like people and portraits, I prefer it.  I’ll admit that “It” could be the lenses available for the X system. They truly are spectacular and really give a specific feel and wonderful skin tones…..


Fuji XF10-24mm Lens | Les Bessant

Well, I’ve hinted, and I’ve posted some images taken with this beast, so I suppose I should give it a quick review thingy. Note that this isn’t a proper technical review – you’ll find those with all the resolution charts you could hope for on all the usual sites and even in print magazines. No, this is just about my early impressions of my latest X-mount lens. I’d been contemplating getting this lens for a while. If it had been somewhat cheaper, I’d have had no hesitation at all, as one thing I have missed since the move from Canon to Fuji was a nicely flexible wide-angle lens. Now I’ve got that nifty little Samyang 8mm Fisheye[1], which is fun but not really what’s needed for every job. And I’ve got the excellent Fuji 14mm prime[2], which I have to confess to not using as much as I thought I might. What I really wanted was something that would give a nicely clear wide angle view over a moderate range. And in the course of Fuji’s lens development, they duly provided one, albeit at a relatively high price. But before we moan about prices, it’s worth remembering that Fuji make very high quality lenses. It’s also worth mentioning that when new lenses are produced, Fuji provide firmware for the cameras which ensures they’ll do Clever Things with them, like correcting the distortion that’s generally regarded as the consequence of using a wide-angle lens. Another point is that unlike a lot of zoom lenses, this one maintains the maximum aperture of f/4 throughout the zoom range, which goes some way to explaining its size and weight. And it comes with Fuji’s excellent image stabilisation, which is always good to have……..


Fujifilm Walk In The Park | Photowalk at The Evergreen Brickworks | Leigh Miller

We had a great turnout of people to the Fuji photowalk event at the Evergreen Brickworks…or the “Old Brickworks” for you Toronto photographers who remember the days of sneaking strobist shoots there back in the day. Many thanks the Fuji Guys (Billy & Greg) and the other fantastic staff who made the weekend events a success. There were plenty of Fuji cameras snapping away but the star of course is the new XT-1. I’ve been using it regularly for the past few weeks as I make my rounds through portrait sessions, graduations and proms, baby portraits and commercial assignments. Stay tuned fro an in-depth review coming shortly. I occasionally do some portrait work at the Brickworks but rarely go into the buildings on the far side. I was pleasantly surprised at the way it’s been transformed from old to new with a nice mix of the old tones and textures with a new modern design. A lot of buildings in Toronto were constructed with natural resources from this complex. Some of them aren’t even around anymore or have themselves been rebranded by new owners…remember the “Standard Bank”?…I don’t lol. Long gone by the time I moved here from the United States. The Brickworks itself was abandoned well before I learned of it……..


Snapshots of Everyday Life in Paris ~ Part Deux! | Valérie Jardin

The photo workshop continues. We are all having so much fun roaming the streets of Paris for miles every day. Spending a week with people who share the same passion for photography is so awesome. I don’t shoot much when I teach a workshop but I grab a shot here and there with my little Fuji x100s whenever the opportunity arises. Do you have any favorites in the series below? Please leave a comment :)


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