Sample Images

Hands-on with Fujifilm’s new XF 16-55mm F2.8 R LM WR lens | Digital Photography Review

It’s been on Fujifilm’s X-series roadmap for a while, but now it’s real – the XF 16-55mm F2.8 R LM WR is a 24-83mm equivalent, weather-sealed standard zoom for Fujifilm’s high-end X-series interchangeable lens cameras, which offers a fast maximum aperture of F2.8 throughout its zoom range. As CES gets started in Las Vegas, we grabbed a few minutes with the new zoom….
 
Although by no means a ‘big’ lens, as this image shows, the 16-55mm is pretty substantial and definitely looks large on Fujifilm’s flagship X-T1. The combination is nicely weighted though and we suspect that the triple threat of a fast-aperture, excellent build-quality and quick AF (we only had a few minutes with a pre-production model but Fujifilm’s claims seem justified) will win over a lot of enthusiast X-series users. Obviously the proof is in the pudding, and we’ll get a sample gallery online just as soon as we get our hands on a shipping-quality sample……

Source: www.dpreview.com
 


Fujifilm Fujinon XF 16-55mm F2.8

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First Frost with the Fuji X-E1 | Thomas Fitzgerald

After a very mild winter so far here in Dublin, we had the first severe frost of the year yesterday. I awoke to a beautiful covering of white across the ground. The fields surrounding where I live were glistening with their white crystal coverings, and the rooftops were as white as if it had snowed. I had been planning to head out to do some photography anyway, so the winter scene was a bonus. I brought my trusty little X-E1 and the 35mm lens. I wish I had the macro lens, as there was lots of detail (soon) but the fuji 35mm can get pretty close on its own. Anyway, I won’t bore you with too many technical details, so instead lets just get straight to some pictures. The winter light is really beautiful this time of year, with the combination of the low sun and the deep blue of the sky making for some great contrasting colour. I was just having a bit of fun with the camera, and so I wasn’t out to get anything specific. Most of these were taken in Dublin’s St. Stephen’s Green Park, while some of the others were taken on the way. Enjoy……..

Source: blog.thomasfitzgeraldphotography.com
 


Fuji X-E1

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Winter Wonderland – Fujifilm X100T and TCL-X100 teleconversion lens | Lars Øivind Authen

Okay, I had my doubts about this one. The TCL-X100 teleconversion lens which is turning your 23mm f/2,0 lens on your Fujifilm X100/S or T model into a 33mm f/2.0, or when talking in full frame terms, the X100 /s/t 35 mm lens into a 50mm lens.  Is it sharp enough? Well, oh yes – and if you are pixel peeping you will be happy from f/4 to f/16 with the converter. But – stop pixel peeping. It doesn’t do you anything good. I admit – I do it sometimes. But since I already had the X100T I thought that I might as well try the teleconverter out. During Christmas I spend five days at Trysil. I had spend time with my familiy of course, but I managed to get away and take some pictures too. It was cold. Very cold. Minus 25 degrees Celcius. I used my Fujifilm X-T1 and X100T. I will post some X-T1 shots later…….

Source: www.larsauthen.com
 


Fuji TCL-X100

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Several months with the X-T1 (gallery) | The Photography Hobbyist

I bought my X-T1 last winter, early in the year. It’s been about 10 months now since I’ve owned it and I no longer own any DSLR gear (sold my D600). I also no longer own any micro four thirds gear (sold my E-M1). I’m looking forward to more trips and vacations with this setup next spring/summer/fall. While not the most glamorous lens in the lineup (I have the 56, 10-24 and 18-55 too), the 18-135 is probably my favorite lens, followed by the 10-24. The 18-135 is very sharp and extremely useful/versatile………

Source: www.dpreview.com


Fuji X-T1

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The return of the Fujinon XF 18mm F/2 R lens… |
Lars Øivind Authen

For a very long time now I haven’t been using my XF 18mm f/2.0 lens from Fuji. After I bought the execellent Fujinon XF 14mm f/2.8 that has been my primary wide angle lens. The 18mm isn’t as sharp as the 14mm, and for me 14mm wide was a more interesting angle for my landscape shots. But – some days ago my 14mm broke, something is wrong with the aperture ring. I will send it in for repairs. Today, the sun was shining. The ground was covered with a thin layer of snow, the sky was blue, and a thin haze was lifting from the ground. Help – my XF 14mm is broken… so I picked up my long forgotten XF 18mm. This is the result. I took lots of pictures, so maybe I will post more later in the days to come……

Source: www.larsauthen.com
 


Fujifilm Fujinon XF 18mm F2.0

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Fuji 56mm F1.2 Review / Upgrading from the 60mm |
Colin Nicholls

I’ve done it. The age of the 60mm is over, the time of the 56mm has begun. Here is a short review, a few sample images and a bit about why I’ve decided to change from the Fuji 60mm F2.4 to the [non APD] 56mm F1.2. I was in Birmingham recently on a trip to an SWPP mini convention, there I got the chance to have a play with all the latest Fuji gear, one thing I had my eye on was the 56mm, I’ve been reading reviews and comparisons for a while now and felt I really needed a hands on play to make my choice. I love the 60mm lens, its a great performer and you can read my review of the 60mm here, but there was one thing I wanted to be different about it, and it wasn’t the focus [because that’s one of the most complained yet unfounded things about this lens] it was simply; light gathering capability. The F1.2 of the 56mm was calling, and I could feel it while I worked. When shooting a wedding I usually have the 35mm lens around my neck and a bag on my shoulder, usually with a strapless body with the 60mm on it to grab for when I need a bit more reach. However I’ve recently found that this lens gets no use once the sun goes down favouring the much faster 35mm or [now sold] 85mm Samyang 1.4 lens, this left me in one of two places, either having to manually focus or not having enough reach…….

Source: www.colinnichollsphotography.com
 


Fujifilm Fujinon XF 56mm F1.2

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Tokyo Salaryman Fuji X-Pro1 | Nicolas Lambert

Le salaryman

Au Japon, ou plutôt à Tokyo on s’habille en costume noir pour aller travailler dans son entreprise. Ces hommes ont des horaires assez difficiles, debout très tôt et au lit très tard.

Série

Une série un peu contrastée ( au Japon il y a Moriyama donc ça peu passer ) sur mes rencontres de la journée.

Matériel

Toutes les photos ont été prises avec le Fuji X-Pro 1 comme objectifs j’ai utilisé le 35mm ainsi que le 18mm. Pour ce genre de traitement, un point and shoot ou un smartphone feraient l’affaire.

Traitement

Pas grand chose pour le traitement: simplement assez dur. J’ai amélioré mes images dans lightroom avant d’utiliser SilverEfex pour le passage au noir et blanc.
 
Source: www.nicolaslambert.be
 


Fuji X-Pro1

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La Ferme | XF 56mm APD | Patrick La Roque

These are tentative steps, her first away from us; away from home. We spend a few hours moving in, exploring every nook and cranny, sharing her joy and excitement. But when the time comes for us leave… All that freedom becomes harder to bear. We walk away through tears and it’s hard but we know it’ll pass. A week from now, when we come back, she’ll barely say hello — too busy with her newfound friends. Letting go is the toughest necessary thing we do……
 
Source: www.laroquephoto.com
 


Fujifilm Fujinon XF 56mm F1.2 APD

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The New Fuji 56mm f/1.2R APD | Nathan Elson

All of the portraits above were shot in RAW with the Fuji X-T1 body combined with the new 56mm f/1.2R APD lens and processed in LR5 with my own black & white presets. The lens itself was a prototype, so until a full production version of the lens is released I can’t really give an opinion on things like the focus speed, manual focusing, etc. In regards to the lens, what’s new about it? Well, not a whole hell of a lot. It’s the exact same lens on the outside in terms of size, build quality, filter size, etc. It’s the insides that have changed, but as I said, it’s not a huge leap. Below is a side by side, using straight out of camera JPG’s using the in-camera black and white preset, with the exact same settings (ISO 200 – f/1.2 – 1/2000sec) with the image from the original 56mm being adjusted -1 stop in LR5 to keep the exposure consistent. For those of you wondering why I had to adjust the exposure when using the exact same settings, it’s because the original 56mm lens lets in roughly 1 stop of light more than the new APD version, so at the exact same settings the photo from the older version of the lens will come out a stop brighter. That loss of 1 stop of light could be a good or bad thing depending on the shooting situation, but its due to the APD filter they added within the lens………

Source: www.nathanelson.com
 


Fujifilm Fujinon XF 56mm F1.2 APD

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Fuji XF 27mm a great little guy | Jorge Ledesma

So I finally completed my Fujifilm kit. A few days ago, I scooped up an XF 27mm 2.8 (silver) to pair of with the XE2 and I couldn’t be more delighted. Initially, I had wondered if it would give me the same experience as I had with my previous X100/s and I most say, it does. The XF 27mm transform your Fuji XE2/1/XT1/XPRO1 into an X100/s like experience. Here’s a recent image from a photowalk.
 
Things I like the XF 27mm

  • diminutive size aka stealth factor
  • sharp as a razor where it needs to be

I can see this lens permanently glued to my XE2 as my daily driver. When I need shallow depth of field or low light, in comes the XF 35mm and for an all around lens then there is the XF 18-55mm………

Source: ledesmaphotography.wordpress.com

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