I remember when the Fujifilm x100 first came out. It was quite the commotion– it seemed like the best camera for street photography. It was designed like a rangefinder, but didn’t have the sticker price of a digital Leica. It sported a compact body, fixed 35mm f/2 lens, and an optical viewfinder. It seemed like the perfect camera for street photography. Early adopters of the camera either really loved the camera or were very frustrated with it. Common complaints I heard was the slow autofocusing speed, complicated menus, and difficulty to use manual focusing with the camera. But for those who stuck with the x100– they learned to work around the quirks of the camera and really made some superb images from it (like Rinzi Ruiz, Jack Simon, Brian Day, and many more). When the x100s came out, it solved a lot of the issues from the original x100. The menus were simpler, the autofocusing speeds were drastically improved, and the sensor was also given an upgrade………
See on erickimphotography.com
. . . In my previous post I wrote that I’d purchased the XF35 & XF60 Fuji lenses as replacements for the XF18-55mm Zoom. I couldn’t wait to put them through their paces and discover if this was indeed the right choice . . . . . . Living as I do in the UK’s equivalent of the Australian Outback (the Western Lake District), Street Photography would appear to be an odd choice of hobby. My predicament was recently made all the more unbearable with these two new lenses that desperately needed trying out. Fortunately, a 30 mile trip to Barrow-In-Furness appeared unexpectedly, so I jumped at the chance to spend a couple of hours taking photo’s with the new ‘tools of the trade’…….
One of the most important things about street photography is to have a keen eye for your surroundings. Sometimes, it’s the subtle relationships that make for a great image. Take a quick look at this photo by Flickr user Sabrina M., and you’ll notice it has nice framing, strong lines and a pleasing composition. But it’s the subtext of the photo — the emotional distance of the two women — that makes it great. The women are standing just a few feet apart, each smoking a cigarette and each seemingly oblivious to the other. It’s almost as if they’re taking great pains to avoid making eye contact. Are the women using their cell phones because they need to send important texts or is it because it gives them a reason for not making small talk? These are things that Sabrina says went through her mind when she came upon this scene in her hometown of Antwerp, Belgium. This photo was taken near Antwerp’s city hall in an area where many of the homes have survived from the 16th Century……..
See on www.huffingtonpost.com
Zack Arias spent three days in Marrakech, Morocco with the FujiFilm X-T1 and shared a few tips and tricks on getting the best out of your camera for street photography. All still images are from the FujiFilm X-T1 using the following lenses: The new 10-24mm, 27mm F2.8 Pancake lens, the 23mm F1.4 lens.
Filmed, Edited & Produced by Harun Yasin Tuna
Music by the excellent Maalam Driss Gnaoui and L’hiba (Qanoun Player)
See on youtube
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The last couple of months my go to camera for street photography and actually for everything else was the Fuji X100s. As I was getting ready for my next photo walk in the city I checked my equipment and realized that some of the batteries needed to be charged, but the charger just gave up, it didn’t work anymore. What to do now, I had a few photo shoot coming up where I was going to use the X100s, but I had only 3 fully charged batteries left, so there goes my little friend back to the bag and I grabbed my old friend, the Fuji X-Pro1 with the 35mm lens. Uh, I missed this beast. And shame on me because of thinking of selling it and get a new X-T1 instead. I’m sure the X-T1 is great and I was really looking forward to try it out but after holding it in my hand for a minute in a camera shop, I still don’t know. So we will see if the final nail in the coffin of my Canon kit will be the X-T1 or some other future Fuji camera. (If somebody from Fuji reads this and want to make my decision easier by lending me an X-T1, I wouldn’t say no.)…….
See on gaborimages.blogspot.de
In this video I shot with the Fujifilm x100s and pre-focused my lens to around 5-10 meters (manual focus), shot at f/8, ISO 800, aperture-priority mode, optical viewfinder, and worked on trying to get more layers in the shot. The technique I used here was trying to get someone in the extreme foreground in the photo, and the subject in the background sharp. You can read more about this approach in my “Multiple Subjects” composition lesson. In addition, I also made a conscious effort to stick around and “work the scene” — by taking multiple shots of the same scene, rather than just taking one shot and moving on…….
See on erickimphotography.com
So, back to the streets of Dublin with my little friend the Fuji X100s. Dublin is an amazing city, there is always something happening and it’s full with interesting places and people. There is no bad time to go for a photo walk, you just have to grab a camera and do it. The more I do street photography the more I love it. And I hope you will enjoy the following images that I took around Dublin city centre in the last couple of weeks……
See on gaborimages.blogspot.de
What a difference a year makes! Last year when shooting the Vivid Light Festival I went all Old Skool with tripod and filters and tricky exposures but this year, shooting with the Fuji X-Pro1 I decided to go all reportage-style and put my focus, and the fabulous Fuji’s 35mm lens on the people attending vivid and their interactions with the Vivid event itself. All the pictures were made with Fujifilm X-Pro1, XF35mmF1.4 R iso at 3200 and givien a little extra pop using the EF20 Flash set at-1. Camera in aperture priority mode, most shots at F2. With the camera set all I had to do was find my subjects and photograph them; which was not that tricky once I got going. Yes one certainly needs some confidence but I do think the Fuji X-Pro1 looks so different that the very camera itself ‚cuts you some extra slack in a crowd‘ and I didn’t get too many strange or agro looks. Nice! Hope you like my take on Vivid Sydney 2013…..
Well, at the last minute I switched bags from the TurnStyle 5 to the Retrospective 5. It just is a little easier to swap cameras from the Retrospective 5. I don’t need any Enter & Exit Bag Procedure Intrusions. On the street I adjusted the dividers a little and now everything just works great. So, Andre’ has the 23mm on and Garry has the 50mm on and the extra pocket holds the EF-X20 Flash & the 18mm. I’ll never use all this stuff out on the street but….if I don’t use both cameras, one will go and I know it. So, I need to learn again to depend on using 2 cameras. Besides, what better way to change lenses eh? It was very convenient to swap cameras when I felt like changing Field of Views. It’s not hard to take, that I’ll say…….
See on streetshooter.net
Jeff Seltzer, 43, sucht leere schöne Räume in überfüllten Großstädten. Der US-Amerikaner zeigt auf seinen Fotografien auch gerne Überbleibsel, die Menschen auf Straßen oder Flughafen-Wartehallen hinterlassen haben: Zigarettenstummel, Bremsspuren oder Kritzeleien. Vor allem aber hat er es auf Parkplätze abgesehen. Seltzer wurde in Los Angeles geboren und studierte dann Kommunikation und Rhetorik in San Diego. Er lebt und arbeitet als Fotograf in L. A.
See on www.spiegel.de