One of the most compelling reasons to have gotten the Fuji X-Pro1 camera was the announced intention of Fuji to make an m-mount adapter so that old Leicaphiles such as myself (the Leica part, not the old) would be able to make use of their wonderful Leica m-mount lenses on this yummie new type of camera. I was hot to get the adapter but resisted the temptation to get a cheaply produced third party adapter ring with no electronic/digital functionality. When I got the Fuji adapter I checked all my Leica lenses to see which lenses would or wouldn’t be functional. There is a problem with some lenses because when focused to infinity the rear element housing protrudes from the back of the lens and hits an internal baffle in the adapter. I really wanted the adapter so that I could use my 50mm f2 lens and my 90mm f2.8 lens (on the DX sensor that translates into 75mm and 135mm respectively). I did all the setup stuff that Fuji recommended: adjustments for barrel/pincushion distortion, peripheral illumination, and color shading, and did some quick tests around town. Everything seemed fine…..
See on genelowinger.blogspot.fr
Last week my girlfriend and I took a road trip to the Herräng Dance Camp, Sweden where I am teaching the tap dance classes this year. For the trip I brought the Fuji X100 and my new X-Pro 1 along with the 35mm f1,4 and the 18mm f2,0. Here are a few pictures taken while being on the road. I must say I really like the 18mm f2,0 as well. I have always liked the field of view from a 28mm lens. The autofocus seems a bit faster than on the longer lenses which does not surprise me. But like I said before I think the speed of the autofocus is not a big concern for me and once you understand how it works, you get very accurate results.
See on www.thomasmarek.blogspot.de
After selling my Leica M9, I knew that I might have a bit of a challenge shooting work events with just my X-Pro 1. Although I have the three current Fujinon X-mount lenses available, I feel much more comfortable shooting with two bodies instead of swapping lenses in the middle of a job. I also wanted to have a 35mm equivalent focal length, a lens that I rely upon for shooting events…
See on doncraigphoto.wordpress.com
I’ve never hidden the fact that my images are all extensively post-processed. I’ve written about it several times. Which doesn’t mean I fundamentally alter the nature of the original captures or distort the reality I witnessed. But I do enhance it. I do make it fit into my perception, an interpretation of what I had in mind when I took the shot in the first place. To me this is what photography’s all about, beyond choosing the moment, the angle, the exposure… It’s a holistic process, all a means to an end. Besides, we’re always spinning reality in some way, no matter how honest we pretend to be. Otherwise we’d be nothing more than glorified security cams. I can generally anticipate the final processed look of a digital image the same way film photographers could predict the effect of their chosen film stock and lab process. They knew what loading Kodachrome was going to mean. They knew how pushed Tri-X would turn out, how it would affect the end result and they shot accordingly.
See on www.laroquephoto.com
Overall I can recommend this camera to the keen enthusiast or professional photographer. The camera is light and perfect as a stand alone or second body. Shooting in low light stacks up against some of the bigger players like the Canon 5D MKIII and Nikon D800. I think the removal of the low pass filter to mimic film has paid off. Fujifilm have really developed a ground breaking camera adding to the overall success of the X series camera lineup. I look forward to seeing what other photographic boundaries can be pushed by Fujifilm in the coming year and I’m sure the X-Pro 1 will be just one of many X series cameras to wow the photographic world.
The woman in the image is the Danish model Ann we had taken with us to Sicily in May 2011 for the Overgaard Advanced Workshop. So in this case I know her but it is not a staged photograph.
She had a very nice wardrobe with her and the first evening after we had arrived we went out to have dinner araound 19:00 and she was waring this outfit. I noticed that when a tall blond woman elegantly dressed walked in the streets of Palermo, the men would stop what they were doing and admire the woman with respect.
Thorsten Overgaard is a Danish feature writer and photographer who contributes stories and unique branding to magazines, newspapers and companies through exclusive and positive articles and photos.
See on overgaard.dk
So, where do I start? Well, if you’ve been a follower on my Facebook page, you’ll know that I had recently undergone somewhat of a camera “mid-life crisis”. I had been a dedicated DSLR user ever since owning a Canon 20D… it was a time not too long ago, but still way before every soccer mom and their uncle owned a DSLR. At the time, these cameras felt special… intended for select individuals who understood the technical aspects of photography and learned it the right way (rather than the pop-up flash, “green square” shooting set). Call me a purist or a snob, or what have you… whatever. Fast forward to 2012 and I have just recently expunged my entire collection of DSLR gear along with all of the L-lens phallic symbolism associated with it. Replacing it… a Fuji X-Pro 1 plus 2 prime lenses (and that’s it). In my opinion, yes, the camera is quirky and relatively difficult to use… but, honestly, I have zero regrets so far.
See on www.oliverlopena.com
It was last year when I first started thinking about a mirrorless camera with interchangeable lenses to have with me beside my existing beloved Canon 5D MkII. I used to own a Canon G7, G9 and G11 and I was never satisfied with the image quality. They are good cameras, please don‘t get me wrong, the problem is that I am spoiled by the image quality my 5D MkII offers me. However, as much as I love my 5D MkII I hate the weight. I often took my camera with me when I was leaving the house because it could have happened that I needed my camera during my walk with my family, shopping in the supermarket or just walking down the streets. But after a time I quit that because it was just to heavy and also my shoulder punished me for this. Therefore I never gave up looking for a light weight alternative. And then, last year, I heard about the Fujifilm x100. Badooooom! The first time I hold it in my hand and looked through the viewfinder I fell in love. Not only that I fell in love with the design, it reminded me immediately of the „old days“ when I started with photography. When shooting with primes was normal or selecting the aperture was done at the lens……
See on 500px.com
For the past month I’ve been working with the Fujifilm X-Pro1, which has been on loan to me. I shot all the Pop Up portraits with it, over 5,000 frames. It got a thorough testing and I got to know it quite well. I usually shoot on the Mamiya 7, a rangefinder, medium format film camera . For the Pop Up project, due to the large volume of work, I had to shoot digitally and as I already have a Fuji X100, was keen to try out her new big sister, the X-Pro 1- another rangefinder…
See on kirstymackay.wordpress.com
Street photography is a genre that every photographer will try at least once in their career. Its broad appeal stems from the fact that you can do it anywhere; there’s a human element to the images that captivate the viewer, and if done well, can make for some extremely arresting images. However, it also requires balls. You have to get close enough to your subjects; and with people, invading personal space is uncomfortable (and possibly hazardous to health) for both photographer and subject. There’s a slight snobbishness about shooting with a longer lens, too – it isn’t seen as being hard core enough. In fact, these days, it seems if you’re not at f8, hyperfocal distance and sticking your camera and flash right up to somebody’s nose, then you’re not really doing street photography.
See on blog.mingthein.com