Fuji X100s

Fujifilm X100 long exposure practice. ….. Finally | Simon Peckham

At last …. Heading out to the Lake District taking the camper I knew I would be able to find the perfect time and location for a spot of long exposure shooting. The plan was to stick faithfully to the 1Camera1Lens project however I was not able to take the normal 35mm Fujifilm XE1 combination after finding out that the sensor in this camera was very dirty. I have never cleaned a sensor before so I ordered a lens cleaning kit and waited for delivery. Unfortunately it turned up on the day we were due to leave for Lake Holiday. I did not want to rush this procedure for fear of damaging my XE 1. I took the decision to leave the XE1 at home and take the Fujifilm X100. (My old sole mate). The 10stop Hoya filter will fit all of my lenses as I have a group of conversion rings so I can swap 39mm up to 52mm if needed. So how did it go take a look after the page break…….

Source: simonpeckham.com

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Fujifilm at Photokina 2014! | Marc Horner

Last week we were at photokina, the world’s largest imaging fair, from Tuesday 16th to Sunday 21st September. It’s been a complete blast and this post will hopefully highlight the bits you missed if you couldn’t make it to Cologne this year. Our booth was big. It was made up with lots of different sections covering many different areas of our business, all with the same common goal – helping people with photography. Some were printed on FUJIFLEX Crystal Archive Printing Material and others on Fujicolor Crystal Archive Digital Paper but they were all amazingly good to look at. We’ve combined our X series cameras with many years’ experience of printing and finally the creativity of real users of our cameras to create a truly awe inspiring array of beautiful prints. Many visitors to the stand told us that they thought these were the best prints on display at the show………

Source: fujifilmblog.wordpress.com

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Tokyo: Then and Now, Film vs Fuji x100s | Thomas Alan

In the summer of 1982 I was stationed in Okinawa, Japan, as a U.S. Marine. My unit trained in mainland a couple times per year, giving me the opportunity to visit Tokyo. It was this point in my life that I discovered photography, and purchased my first 35mm SLR camera, a Yashica if I remember right. The city was a never ending playground for photography, and I went through many rolls of film, learning to use my new toy. Looking back now I wish that I had taken more photos……..

Source: thomasalanphoto.com

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10 Reasons to own a Fujifilm X Camera | David Cleland

I have been a big fan of the Fujifilm X range of cameras ever since I bought my first X100 back in June 2011. It was a big change from my DSLR, and although it had its quirks it was a joy to use. Fast forward a few years on I am literally hooked on the small form factor, versatility, performance and image quality offered by the growing Fujifilm X range of cameras. Two or three times per week I receive emails from photographers asking advice on things like, “Would the X range replace my DSLR?”. They are hard questions to address as, everyone’s needs are different, I only sporadically use my DSLR but when I do it tends to strengthen my draw to the X-range of cameras. For this reason I have decided to list just ten reasons why the Fujifilm X range is my first stop camera system…….

Source: www.flixelpix.com

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X100s in Paris | Greg Vorobiov

Here’s the second set of images that I shot with my X100s while in Paris. The first set of images were shot in Italy which can be seen in this post: http://www.dpreview.com/forums/post/54391556 Thanks for looking…..

Source: www.dpreview.com

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The Greek Holidays with a Fuji X100s | Joao Marques

My name is João Marques i`m an amateur photographer living in Lisbon and i would like to tell about my experience, this holidays, in choosing which camera to take. So this year my vacations were on the beautiful greek islands of Santorini and Mykonos. When i was making my bag i had a hard decision to make, wich gear should I take? My options were carrying my heavyweight equipment: canon5d2+zeiss 21 2.8+sigma 35 1.4+ canon 70-200 2.8 IS II+manfrotto tripod+ lee filter set. Or go with my every day camera, the small, beautiful and excellent Fuji X100s. Since I had to take 7 flights in total, the choice was pretty easy, those were not a “photographic” vacations, my plan was to relax and bathing on the warmer mediterranean waters……

Source: www.stevehuffphoto.com

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X100s in Italy | Greg Vorobiov

Just came back home to L.A. after 3 weeks in Italy and France. Had a fantastic time and loved every moment of the culture, food, architecture and history. Only brought the X100S plus three batteries and could not have been more pleased. Here are a few images from Italy and I’ll post some shots from France when I can go through them. Thanks for looking! Note: The Pompeii tattoo image is on the arm of our tour guide in front of the tattoos location with Mt.Vesuvius in the background. She was born in the area and is an archeologist who has excavated Pompeii. Her knowledge was immense and an incredible guide and I thought it would be fun to capture this image. The image of the large painted flower door with two rusting rings is from Venice. I thought it looked liked John Lennon……

Source: www.dpreview.com

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Seeing Better is Black and White (The Fuji Monochrom) | James Conley

A major impediment most new photographers face is that color is the default mode of expression. Not only are we inundated by color images in every possible medium, but digital cameras presume color as the chosen palette. The tragic fact of these defaults is that it interferes with the development of seeing subjects and places emphasis on the impossible task of trying to capture a color reality which makes little natural sense in two dimensions. The result is a great deal of frustration when the captured image doesn’t match the experience of color. Few cameras are available that address this problem. The Leica Monochrom is one of few. The Monochrom only records in black and white, and only displays its menus and previews in black and white. It’s the gold standard for capturing black and white—after film. However, the Monochrom body alone costs about $8k. That’s a lot of money to get rid of color. There are cheaper ways. The cheapest way to shoot black and white, of course, is to switch to film. Using a film rangefinder is one of the fastest routes to improving the composition and content of your images, and you don’t even need a darkroom…….

Part1: http://effeleven.blogspot.de/2014/09/seeing-better-is-black-whitepart-1.html

Part2: http://effeleven.blogspot.fr/2014/09/seeing-better-is-black-and-whitepart-ii.html?m=1

Source: effeleven.blogspot.fr

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T-Minus Cologne | Patrick La Roque

We’re almost there: tomorrow at 18h55 we fly to Frankfurt. Then it’s a train to Cologne and the adventure begins. I’d love to say everything’s packed and ready…. Sure… Like that’s how life works with three young kids in the house. But we’re getting there. Below is THE KIT: X100S with the wide and tele converters. I debated taking the X-T1 for a few hours, just enough time to realize I was reverting to exactly the same reflexes the X100 had liberated me from three years ago. Which lens do I take? This? No, that? No. Way. The reason I have the converters is because Fujifilm Canada is loaning them to me along with the X100S itself — I still have the X100 and they were nice enough to let me borrow this one for the duration of our trip. As much as I still love the original X100 there’s been quite a jump in performance since its release and I’m rather used to this by now. The X-T1 does tend to spoil a guy. The old X100 is fine for quick outings but Cologne, Venice and Rome? I might’ve regretted my choice along the way (even though I know the images would’ve been great)…….
 
Source: www.laroquephoto.com

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Tokyo | Gabor Nagy

It’s hot and humid here in the city this weekend–the summer’s last hard push before giv­ing way to cooler, drier fall weather. The close­ness of the build­ings, the wide swaths of con­crete, the subway–they all con­cen­trate and hold the heat and humid­ity close to you, like a warm damp blan­ket wrapped around you. All images were taken with the Fuji X100s and the X-T1. Enjoy……

Source: www.gaborimages.com

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