FujiFilm 14mm f2.8
When I finally got this lens, I had my doubts that it might not be wide enough for landscapes. I like to shoot landscapes at least at 17mm on full frame camera. and this 14mm translates to roughly 21mm, when factoring the crop of Fuji X cameras. I decided to give it a try. I was really impressed with the results. I think 21mm is wide enough for me, although I’m still looking forward to the new 10-24 f4 Fuji lens. Best of all, all this equipment is light, easily transportable, which makes shooting with it so much more fun. It was a perfect day. The morning was beautiful and we found a few photographers already positioned at Vermillion lakes waiting for the sunrise. The weather conditions were quite perfect for a great sunrise shoot. After the sunrise, we traveled to Lake Louise. Another great iconic location for landscapes. A day of beautiful light, beautiful mountains, and great time shooting it all……
See on www.miksmedia.net
Après la prise en main de l’exquis Fujinon 23mm 1.4 R (équiv. 35mm), voici venue celle du Fujinon XF 14mm 2.8 R (équiv. 21mm). Au départ, je ne voyais pas l’intérêt d’avoir deux « grands angles », puis mon ami Cédric s’en est mêlé… Les deux objectifs sont très différents. Le 23mm est très polyvalent mais n’est pas un vrai grand angle et il peut s’avérer un peu juste dans certaines situations. Le 14mm, lui, en est un. Large, très LARGE (mais pas trop). En ouvrant la boîte, je m’attendais à du gros et lourd caillou. Seulement 234g sur la balance contre 300g pour le 23mm (l’ouverture f/1.4 du 23mm joue aussi sur la taille et le poids du joujou)…….
See on blog.k-pture.com
- Solid casing made of metal,
- Sensational image quality in the frame centre,
- Excellent correction of the chromatic aberration (longitudinal and lateral),
- Imperceptible spherical aberration,
- Negligible distortion,
- Very low astigmatism,
- Good work against bright light,
- Fast, accurate and silent autofocus.
- High vignetting.
The Fujinon XF 14 mm f/2.8 R is an expensive lens. Its price is comparable to the price of the Zeiss Touit 2.8/12, a device more difficult to construct (because of a larger angle of view) which we tested not so long ago. If we deal with such expensive instruments our demands are very high and every slip-up in our test can be pretty costly. The Fujinon had no slip-ups. It’s obvious the exorbitant price is combined with zero tolerance for mechanical and optical compromise. You get a solidly build instrument which is optically excellent and will work very well in practice….
…..more Fuji lenses on Lenstip:
See on www.lenstip.com
It is always difficult to find even a few moments to post photos and updates when leading a workshop. But we have made it to Pushkar and that means for the participants of the Fujifilm Rajasthan Photo Trek a day of rest. We had two quick days in Delhi exploring my favorite haunts, Nizamuddin and Chandni Chowk in Old Delhi. After that a overnight train trip to Jodhpur, the Blue City of Rajasthan. Our group is diverse in make up – some folks have hardly picked up a camera and others are seasoned photographers. But everyone seems to be hitting it off and finding their groove. I hope by tomorrow or the next day I will be able to post of our participants work, it is quite impressive. The image below shows Piet Van den Eynde leading the group in an impromptu lesson on off-camera lighting. The next image shows the result…….
See on www.thedigitaltrekker.com
Famous for boat building and not just the Titanic, the Harland and Wolff cranes (Samson and Goliath) are an established trademark of the city of Belfast. I had paid the area alongside the also famous Titanic film studios in the past, see here but I have never seen it quite like this. In December the Norwegian oil rig, the Blackford Dolphin, arrived all the way from Brazil following a three month journey. The sixty day contract to allow 600 workers to embark on a complete refurbishment under the Samson and Goliath cranes is worth millions. It could be a unique view for Belfast and definitely one worth seeing at night if you around the Titanic area. The Blackford Dolphin oil rig lights up the Belfast sky and even on a Sunday night, sparks from the welding work fall like snow….
See more pictures on www.flixelpix.com
After fighting a cold in Bariloche I fled south hoping to put some serious miles on my motorbike and really get stuck into Patagonia. I re-entered Chile at Futalefew and started my journey on the Carretera Austral, a very well known road for cyclist and motorcyclist. Just after crossing the border I entered the unpredictable environment of Patagonia. It rained, it was windy, it was cold. I found the road to be absolutely terrible, it was like riding on a dried up river bed where some sections the rocks the road was made of were bigger than my head. I persevered and made it to a small road side town La Junta. My boots were full of water, I was cold, wet and shaken to my bones from the road.. I checked into a hotel and the day was over……
See on www.michaelmcqueen.com.au
Beauty and the beast. The Fujinon 14mm f/2.8 encapsulates everything that is good and bad about the Fuji X-Pro1 system. The lens is a solidly constructed, masterful piece of optics, so well corrected that it doesn’t rely on computing power to eliminate distortion. It maxes at f/4 to f/5.6, the range where most rangefinder (and most SLR prime) lenses are wide open and challenged. The mechanical design is mostly elegant. Unlike with a Leica, where you bolt on a distorted accessory finder that may have a level in one orientation only – leaving you to DxO Optics Viewpoint for verticals – the Fuji lets you watch the action and align it on a gridded electronic viewfinder (EVF) (you can, of course, see a gridded distorted wide-angle optical viewfinder (OVF), too…).
A few weeks ago I returned to a favourite location of mine called Bloody Bridge, it’s situated at the foot of the Mourne mountains where Bloody river meets the Irish Sea. The bridge dervies its name from a massacre in 1641, tradition holds that a number of Protestant prisoners were being brought under escort to Newcastle in exchange for Irish prisoners. However a massacre occurred and the bodies of slain Protestantsn were thrown over the bridge into the river, turning it red and so the river became known as the Bloody Bridge River. Bloody Bridge car park is approximately 3 miles south of Newcastle and is right beside the river, you can either head down to the sea or head up the track towards Slieve Donard. On this occasion I headed towards the sea. This was the first time I’d travelled down there with the Fuji X-E1 and the 14mm lens. It’s nice being able to travel with so little gear. When you set off in the dark and rely on the weather forecasts to be correct you take a big chance, especially in Northern Ireland. Thankfully there was about 30 minutes of nice light just after sunrise so I wasn’t disappointed, here are a few other photos from that morning …….
In our last blog entry, “Photography is easy. Really?” we wrote about the importance of concentrating on the art of crafting an image. Nowadays it doesn’t come easily because the constant need (and in some cases addiction) to be connected doesn’t allow our minds to calm down and settle on ONE task. However, there are some places where quietness comes naturally, concentration comes easily and your artistic inner self can show itself without any outside disruptions. For me, Westminster Abbey in Mission, BC is one such place. I find that a stunning location and beautiful grounds always calm me down. They allow me to put aside all the noise and just wander around with my camera. There’s no pressure, no purpose, no distractions! I have visited this place many times and each time I encountered stunning views and different conditions which created a magnificent mood. All images were shot with the Fuji X100S and Fuji X-Pro1 with XF 14mm F2.8 and XF 60mm F2.4. Processed in Iridient Developer and NIK Silver Pro……
See more great pictures on olafphotoblog.com
…. Fuji 14mm/2.8 samples & my thoughts
Yes. I’ll be getting one of these for sure, it will be awesome for landscape work and anything where you need a super wide, all that things you have read about this lens are true but you really need to get hold of one to know for yourself. The distortion that you get with going wide isn’t there, not even a little, its really sharp, nice and bright. It is also small and built really well, the pull back manual focus is really nice and is something I like in lens design, this also gives you the hyper-focal scale which is a nice touch. In short I love it and its going to be in my bag before I head back to Iceland in March for sure, I think I’ll be selling up my DSLR gear soon and go full Fuji, there really is no good reason not to. There are some samples of this lens below, I hope you enjoyed / found helpful this review, feel free to share on social media or leave a comment below!