Sample Images

Must Shoot Primes!? Fujifilm X-Pro1 w/XF 18-55 OIS & 55-200 OIS |
Rob Lowe

Over the better part of the last three years I have shot with prime lenses on various systems, for reasons of clarity, speed, IQ and not forgetting the fact that primes really do force us to think, and hopefully too, make us better composers of photographs. The Fujifilm XF system of lenses has however, given me cause to rethink this theory and while the 35mm 1.4 and 60mm 2.4 R Macro give me an IQ that I am delighted with, and two focal lengths that I am extremely happy and comfortable to work with, the promise of superb IQ in a convenient zoom lens, two of which cover 18-200mm (equiv: 27-300mm on the APS-C sensor of the X-Pro1, E1, E2 and the new X-T1 and, all I could possibly need) meant that this was something that could benefit me a great deal in a lot of situations.

See on roblowephoto.wordpress.com

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56 ways to spark your X-photography – Fujinon XF 56mm f/1.2R |
Jonas Dyhr Rask

Those of you who know, and even those of you who just look at my pictures will know that I have a thing for shallow DOF, ultrafast lenses and Fujifilm gear. So, of course, when Fujifilm announced back in 2013 that they would release a 56mm f/1.2 lens, I was emmidiately thrilled, psyched, happy and everything in between. The 23 f/1.4 also sparked interest, but I already own the x100s, so I really didn’t need that focal length. I rarely shot portraits of anyone except for my family and loved ones. So why on earth this craving for a fast 85mm full frame eq. lens when all I mostly do is street photography? Well. I started photographing using a Canon EOS 400D using only the EF 50mm f/1.4. So I was very used to using the FOV that a 50′ish lens gives me on an APS-C sized sensor. I really tend to miss that focal length. Come 2014 and my troubles are no longer present. I am now spoiled with an ultrafast, pin-sharp, fujinon lens that has blown me away with everything from IQ to build quality. Below I will write a little bit about my first impressions of the lens, since I really have only been shooting it for a weekend……

See on jonasraskphotography.com

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Bergwerk Ramsbeck | Wim Jansen

We finished our Photo-Project Lost Season at the Theme Park Fort Fun and took the remaining time to visit a old mine. Oh man it was so much fun and please enjoy now the below photographs! …..

See on www.wimjansen.de

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A 164 frame engagement shoot with the Fuji X-T1 and
56mm f/1.2 lens | Damien Lovegrove

Jake and Jolie are engaged to be married next year and agreed to model for my 1:2 training session with some clients from Scotland. We shot on the streets and in the bars of Bristol. I showed my clients how to find dry shooting locations if it’s raining and how to find amazing light no matter what the weather is doing. The day started with flat overcast light and ended with afternoon sunlight. These pictures were all taken using the available light and hand held. I know this new lens and camera from Fuji is hot property right now so I thought I’d show what it can do and how the pictures look when shooting portraits wide open or nearly wide open. To save you wading through lots of images here I’ve exported a web gallery from Lightroom. Just click on the graphic and you will be transported to the gallery. Some Lightroom templates don’t display correctly on Google Chrome browser but Safari, IE and Firefox seem fine. Click on the thumbnails to see the Exif data. I’ve included it so you can see the aperture set etc. I shot every frame on the Fujifilm X-T1 in manual exposure mode. I used the screen on the back or the big, bright viewfinder to set the framing and exposure of each shot before I pressed the button. This live preview is so much faster than the faff with an SLR of taking a shot, looking at it, adjusting settings etc and taking another one. I end up shooting far less pictures and get many more ‘hits’ in my output. It’s refreshing to have no ‘test’ shots that are under or over exposed etc…..

See on www.prophotonut.com

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Zirkus Lamberti – Low light with 60mm Macro and X-E2 | Ming Art

Lamberti has been around in the 7th Generation. “We were always artist, but are not recognized as a cultural institution so not getting support like other cultural institutions,” says Zinnecker. Despite the constant worry about the future that he had never thought to stop. “We live to make the circus. Fact is that we can barely make a living.” In December a fire has destroyed the entire wardrobe. A tragedy for circus family. “It´s a tough, but also wonderful life” ……

See on mingart.de

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Rock & Roll with The Fuji X-Pro1 | Paul Archer

…. so you may look at my camera settings and think, ‘why such high ISO?’ well the answer lays in the story of the day. The shoot was almost cancelled due to the guys car breaking down on route form Liverpool to London that morning… They eventually made it but late into the afternoon, as it was winter the sun left the sky around 4pm so we had to work fast. It was not ideal but these things happen and you have to adapt and work it all out quickly. So thank you Fuji and the nice high ISO… I must say the quality is great even though they were shot as the day entered dusk. I shot everything on the Fujinon 35mm f1.4 lens, its nice and fast for the lowlight and you can get that beautiful bokeh from the wide open lens…..

See on roughly365.wordpress.com

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Nordic Beauty workshop shot with Fuji X-T1 with 56mm, 35mm and
23mm lenses | Damien Lovegrove

Here are 80 of my pictures shot using the Fuji X-T1 in jpeg mode. I shot RAWs too but don’t have a means of processing them yet. I switched the camera to monochrome and did any final tweaks in Lightroom. Jpegs have very little latitude for adjustment so I’ve pretty much left them as shot. Enjoy!
 
Model: Camilla
Hair: Chris Thomas at Kutt&Chriss of Hamar
Make up: Kathrine Holmen at Kutt&Chriss of Hamar
Project management in Norway: Chris Thomas
Project management in the UK: Blaise and Laura at Passion
Camera: Fujifilm X-T1 with 23mm f/1.4, 35mm f/1.4 and 56mm f/1.2 lenses
Lighting: Lupolux 800 spotlight, Scattergels, Canon 580EX2 Speedlight, Lastolite Ezybox

See on www.prophotonut.com

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Fujifilm Velvia Tags | Ming Art


These images coming straight out of the Fujifilm X-E2, using Velvia Filmsimulation and positive settings on color, highlights and shadows…..


See on mingart.de

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My first pictures with the new Fujifilm XF 10-24 F4 R OIS |
Markus Worsdorfer

Before I share the following images with you I have to say a few words about the new XF10-24. If you think this lens is small and compact, you’ll be disappointed. It is pretty much exactly the same size as for instance Nikon’s 10-24 or 12-24 equivalent. However, there is absolutely no way that you can compare these lenses. The minute you pick up the Fuji you will realise that the build quality is on another level all together. It feels as if it was made from a solid block of metal. It is just so perfectly put together. Everything works so smooth it is a total pleasure in the hand and balances just fine on my X-E2 with the optional grip attached. Both in size and weight. I have to say that with every new lens Fuji releases the quality gets better and better…….

See more pictures on mworsdorfer.blogspot.de

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Fuji XP1 & 35mm Find The Light … and Some Other Things |
Streetshooter

So Andre’ the XP1 and the 35mm 1.4 that thinks it’s a 50mm 1.4 and I  went for a walk today. The weather started of around 37f and slightly overcast. For me it doesn’t matter cause I go out in anything but Andre’ has a bad attitude about getting wet. He’s got a cousin and it’s the unnamed XT1. Talk about a crazy camera….The XT1 loves getting dirty and wet and cold, whatever but the lenses…well….See, I’m from Philly and here we like things to match and get along…remember, Philly is the city of brotherly love….So, it just seems to me that if’n a camera is weatherproof…shouldn’t the lenses be also…I’m just sayin’.   Don’t sweat friends, in no time Fuji will release the best dang weatherproof lenses ever…..you’ll see. The 35mm is a monster lens but it’s also a gentle giant. I like all of youin’s love the detail, sharpness, contrast it provides. I also the the way it just seems to capture kinetic energy. I get into all kinds of things because I’m not a specialist in any kind of photography, I just specialize in responding to what I feel and see..well maybe see, sometimes see…wish i could see…hmmmm……

See on streetshooter.net

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