The Fashionable X-Pro 2 | James Conley
For a few years now, I’ve relied on Fujifilm’s X-Series as my workhorse system for documentary, street, and travel photography. Originally working with an X100s and an X-E1, I’ve now added the X-Pro2 to the stable. (These days, the X-E1 is a backup body.) However, for studio work I’ve continued to rely on Canon. Studio work involves different kinds of habits from those of the photojournalism I usually do. The thought process in working with lights, settings, models, and scenes is nearly quite the opposite kind of thinking required to capture unfolding moments on the street. Studio work is slower and more deliberate, and the distractions of the equipment cannot be avoided, with each shot requiring manual adjustments of light stands and strobe settings. For studio thinking, I always found a Canon DSLR a good match. The studio is about controlling light, and it’s often a dim place to work. Seeing directly through the lens is not only easier in low light, but it also makes me feel more connected to the model………
Source: The Fashionable X-Pro 2 by James Conley – STEVE HUFF PHOTOS