Why photography satisfies | Ming Thein

My earlier article on why we photograph led me to spend a little more time thinking specifically about what it is about the photographic process that is enjoyable. It seems that it’s engaging on many levels – firstly, there’s the anticipation of buying new equipment, and continually pursuing gear – I suppose you could call that the ‘collectors’ itch’. As much as I see cameras as tools, I admit there’s a certain satisfaction in finding, acquiring and owning/ using something rare; the F2 Titan, for example. Like every other accessory or object we choose to use – it signals something about the tastes of the owner. (There’s also the ego-stroking fact that it promotes jealousy amongst other photographers, but I’m going to ignore that and say it really is all about the image. Then there’s the simple tactile pleasure of handling some of the objects and paraphanelia associated with the hobby – I’m talking about things that go beyond cameras and lenses, though these are certainly the two main categories; but tripods, flashes, bags, filters, grips, cases, straps…the list goes on. There’s a reason why cameras like the Leicasonics and [Hasselblad Lunar] make some sense even if they are just rebadged/ redesigned base cameras; it’s the materials and tactile feel. I doubt you could say a basic, entry-level DSLR is an especially nice thing to use – frankly, it’s soulless – but to somebody coming from a compact – the sound and feel of a real shutter is a significant improvement on a recorded noise, or nothing – at least until they realize that stealth and silence are golden, and then we go back around in a circle again in search for the smoothest, most quiet shutter available. Personally, I still like the feel of a good mechanical shutter…

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