Fujifilm X-E2 REVIEW | Skyler Burt
We purchased a Fujifilm X-E2 recently, mainly because we liked the Fujifilm X-E1 so much, that we wanted to have two of these badass cameras for when we travel or shoot food. The two cameras are so very similar, you can’t Read more …
A visit to Minninglow | Nick Lukey
Last week I pulled the trigger on a new lens, one that I swore i wasn’t going to purchase. The Fuji 10-24mm arrived a few days ago, but due to other commitment,s and the weather I had not had a Read more …
Nikon to Fujifilm X | One Year After the Switch | Rick Lewis
This Blog post may surprise a few of my friends and colleagues, as I have not made a big deal of switching to a completely new, (for me), camera system. I had been a Nikon shooter since a teenager in Read more …
Choosing between the Fuji 16-55mm f/2.8, 18-135mm f/3.5-5.6,
and 18-55mm f/2.8-4 | Tom Grill
In my latest hands-on review of the Fuji 16-55mm f/2.8 I mentioned that with this lens Fuji expands its lens system with a redundancy that covers more that one solution to the same optical coverage. For the consumer, this means Read more …
PRIME TIME in NEW YORK with the FUJIFILM XF 23mm 1.4 | Björn Moerman
Whenever I go to the Big Apple, I try to do at least a few hours of hardcore street-photography, preferably shooting Black and White with a prime lens. For you non-photographers out there, a prime lens is a lens with Read more …
Iridient Developer Fujifilm X-Trans Presets | Wim Arys
Brian Griffith from Iridient Developer just released a preset pack that attempts to reproduce the Fujifilm in-camera film styles. These include all highly regarded Standard/Provia, Vivid/Velvia, Soft/Astia, ProNegStd, ProNegHi, Classic Chrome, Monochrome, Monochrome+G, Monochrome+Ye, Monochrome+R and Sepia film emulations. You’ll Read more …
Switch | Olli Thomson
I’m the camera manufacturers’ worst nightmare. I buy a camera, I keep it for years. I buy a few additional lenses and keep those even longer. So it took a lot for me to switch from Sony’s NEX system – Read more …
16-55mm f/2.8 vs. 18-55mm f/2.8-4 vs. 18-135mm f/3.5-5.6 | Fuji vs. Fuji
The pro standard zoom has long been a staple in almost every pro photographer’s bag. They are intended to be workhorses that can take anything we can throw at them. Low light, inclement weather, fast-moving subjects, you name it. At Read more …
18-135mm vs. 50-140mm vs. 55-200mm | Fuji vs. Fuji
With the advent of the 50-140mm f/2.8, Fuji X-Series owners now have 3 ways of reaching beyond 200mm in 35mm equivalence. The first two releases—Fuji’s FUJINON XF 55-200mm f/3.5-4.8 R LM OIS and FUJINON XF 18-135mm f/3.5-5.6 OIS WR—are both Read more …
Fujifilm 16-55mm f2.8 review | Cameralabs
The Fujinon XF 16-55mm f2.8 is a high-end general-purpose zoom lens for Fujifilm’s range of X-mount mirrorless cameras. Announced in January 2015, it’s the third standard zoom for the X series, following the XF 18-55mm f2.8-4 kit zoom and the Read more …