Fuji X-Pro1

Vivid Sydney 2013 – Street Fashion Reportage-Style with the
Fuji X-Pro1 | Kent Johnson

What a difference a year makes! Last year when shooting the Vivid Light Festival I went all Old Skool with tripod and filters and tricky exposures but this year, shooting with the Fuji X-Pro1 I decided to go all reportage-style and put my focus, and the fabulous Fuji’s 35mm lens on the people attending vivid and their interactions with the Vivid event itself. All the pictures were made with Fujifilm X-Pro1, XF35mmF1.4 R iso at 3200 and givien a little extra pop using the  EF20 Flash set at-1. Camera in aperture priority mode, most shots at F2. With the camera set all I had to do was find my subjects and photograph them; which was not that tricky once I got going. Yes one certainly needs some confidence but I do think the Fuji X-Pro1 looks so different that the very camera itself  ‘cuts you some extra slack in a crowd’  and I didn’t get too many strange or agro looks. Nice! Hope you like my take on Vivid Sydney 2013…..

See on streetfashionsydney.blogspot.com.au

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My Singapore Life: hello four dollar! | Flemming Bo Jensen

Where in the world can you buy food at a post office? Where can you get a meal at the traffic police station? Where do you have no chance of running a business unless you have a food court attached? Where am I known by the name hello four dollar ? In Singapore food is number one! Singaporeans have two favorite activites, eating and shopping (luckily easily combined). Every other conversation revolves around food. And for a good reason, food here is fantastic, cheap, varied, clean and available 24/7 as there is always a hawker center nearby. A hawker centre is an open air food complex that houses many food stalls serving all kinds of Asian food, and you will find them everywhere in the suburbs of Singapore…….

See on www.flemmingbojensen.com

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The Fujinon 56mm – Bokeh Master | David Cleland

In Conclusion

If you are looking for a lens that captures sharp images and stunning bokeh the 56mm is definitely the lens to go for. The perfect partner to the 23mm it has to be one of best lenses I have used in terms of performance and image quality. The 56mm is a bokeh machine that is perfect for people photography. It is a joy to use and will be a firm favourite on my X-T1 for sometime to come. I have set up a 56mm flickr set here that will grow over time……..

See on www.flixelpix.com

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THE DISCIPLES on Exposure | Tewfic El-Sawy

… why this meaningless talk about the believer, the kafir, the obedient, the sinner, the rightly guided, the misdirected, the Muslim, the pious, the infidel, the fire worshipper? All are like beads in a rosary……
 
Fujifilm X-Pro1

See on thetravelphotographer.exposure.co

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Fuji 55-200mm – a few thoughts and pictures | Paul Melling

Here are my views on the Fuji 55-200mm lens – still a firm favourite on my X-E1 and X-Pro1. My entry into the Fuji X Series was via the superb X100 camera and that will be the subject of another blog at a later date. I was so impressed with the quality of the x100 that the X-E1 soon followed with the added benefit of the 18-55mm kit lens. Again, I was blown away by the quality of the image files and what a lens, far superior to what you might expect from a kit lens. So that brings me to the topic of this blog because it wasn’t too long after that Fuji announced the launch of the 55-200mm lens and I had to have one. I pre-ordered mine from Wex Photographic and patiently waited. I was rewarded with what must have been one of the first lenses to be delivered in the UK. Now almost 5,000 images later with this lens and numerous subjects covered, from travel photography to weddings I can report that it is a mighty fine lens.  Sure it’s quite a large lens when compared to the compact nature of the cameras but it’s still a lot smaller than the Nikon or Canon alternatives.  The only area I’ve really struggled is with moving subjects when the focus just doesn’t latch on quick enough and you get a higher than expected number of missed shots. Here is a sample of some images taken with the 55-200mm. I wholeheartedly recommend it…….

See on paulmellingphotography.wordpress.com

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Extended First Impressions: Zeiss 50mm f2.8 Touit (Fujifilm X) |
The Phoblographer

Back around late last year, we took a very early look at the Zeiss 50mm f2.8 Macro Touit lens for Sony E mount and Fujifilm X mount cameras. We’re happy to say that the new 50mm f2.8 Touit lens is right now in the house and we’re currently underway with testing it. As the company’s third offering for the lens mounts and their first macro lens, it is also the company’s longest focal length. Rendering a 75mm field of view due to the APS-C sized sensors, the lens can double as a portrait optic as well as be used by anyone that just wants some glorious bokeh due to the way that the field of view and aperture work out. With a full frame equivalent of f4.5 on a full frame camera, this lens is also by all means not small–but nor is it small on image quality……..

See on www.thephoblographer.com

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Event Photography with the Fuji 55-200mm lens |
Stephen Mc Curry

Recently I spent the day doing a spot of event photography at the Baltic Art Gallery, Gateshead.  The event, Public Sector HR Summit 2014 was a vibrant collection of some of the best speakers on the subject and attracted a good spread of attendees from across the country. As far as photography is concerned it provided something else – a reason to break out the Fuji 55-200mm lens on my X-Pro1 and test not only its telephoto range but also its image stabilisation. The lens is certainly different to use with the Fuji cameras than the primes I have become accustomed to and immediately brings back thoughts of using a DSLR style setup.  It is longer and heavier than my other lenses and with the hood in place it requires a bit more work to remain discrete when zoomed to its fullest extent.  This being said, it is small and nowhere near the heft of something like the Nikon 28-70 I was shooting with on a D700.  Indeed the combined weight of the X-Pro1 and the 55-200mm felt less than that of the 28-70 alone and the overall dimensions are around the same length but about half the width……..

See on www.notofthisearth.co.uk

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Guanajuato, Mexico – Images | Nicolo Famiglietti

This gallery features color images of Guanajuato, Mexico. Once a small mining town known for boozed-fueled carousing, Guanajuato, Mexico gradually grew to first a villa and then an extremely wealthy city with a cathedral and some 35 churches, many of which were destroyed and never rebuilt following the devastating floods that were once an integral part of the city’s history. Today, the city is the bureaucratic center of the state of Guanajuato and a tourist Mecca for visitors from near and far. Street performers, sporting elaborate theatrical make-up and costumes, some homemade and some professionally prepared, and looking to cash in on the tourist dollar, are a common sight in the city’s streets. Some of those artists as well as other aspects of a city many consider to be the prettiest in Mexico are featured in this gallery. All images featured in this gallery were captured with the Fujifilm X-E1……

See on eyeniccolo.photoshelter.com

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Zeiss Touit 12mm e 32mm | Max Angeloni

Zeiss’s presence into the CSC camera market seems the final consecration of such cameras. They are no longer a “second choice” camera systems but effective photographic tools capable of satisfying the needs of the most experienced photographers.

During their first years of life the CSC cameras have had to find a spot of their own in the wild photographic market. Many thought that such cameras would have lead to a quick fall of the DSLR cameras systems in favour of the new mirrorless camera systems. Reality is different and the high end compact cameras are the ones that suffered the most because of the CSC cameras. There are various reasons for this. First of all, the fact that these young systems were rough, were not as mature as the DSLR ones, especially for what concerns the overall performances. Also, the limited number of lenses available, compared to the incredible amount available for the most used systems forced the CSC cameras to be a consumer oriented product rather than a professional one…….

See on riflessifotografici.com

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Rokinon 12mm f2.0 for X-Mount – a first look | Alan P. Smallbone

The Samyang/Rokinon 12mm f2.0 for x-mount was recently announced and has arrived in the stores. Samyang is the original manufacturer and the lens is also rebranded and sold under several names, including Rokinon.  I ordered one to take a look, nice and compact and it was certainly priced right. It is manual focus, manual aperture with no EXIF data being sent to to the camera, which is something that really irritates me, but oh well. At least Fuji anticipated that people might use other brands of lenses that might not provide that information so you can at least set the focal length using the camera menu. This allows you to identify the lens when you are using it in the field, but you do not get any aperture information. I received my copy of the lens, packaged well for shipment in a plastic shell with a small manual and small cloth bag to hold the lens if needed in the camera bag. The lens shade is detachable and made from plastic. The locking mechanism  for the hood seems a bit weak and may wear after some on and off use, maybe not but I do not have a lot confidence in it. The aperture ring is smooth and has half stop detents from f2 to f22. The end of the lens barrel is threaded for 67mm filters. The focusing ring was smooth and gives a nice feel when focusing. The lens itself seems to be well built and rugged, it is not weather sealed. When inserted into the camera there is some play, it did not lock in place firmly.  I was able to twist and shift it a small amount between the stop in the lens mount, since there are no electrical contacts this should not really be a problem, although I wished it would lock in place better, this might be just manufacturing tolerances. The lens is light enough that it balances well with the camera…….

See on www.aps-photo.com

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