I recently spent a few days in the beautiful country of Morocco, mostly practicing street photography in the medinas (old cities) of Fès, Meknès, Rabat, and Chefchaouen. Compared to Europe or the US, I found that Moroccans are much less enthusiastic about being photographed and I got lots of refusals when I asked for permission and angry looks when I didn’t ask and was caught shooting people. I quickly realized that, if I wanted to bring home some candid street scenes, I needed to use a different, more discreet approach that consisted essentially of shooting from the hip while pretending to be looking elsewhere. Here I want to share some information about my technique. Keep in mind that it was the first time I had tried to do this with continuity and consistency, so I made lots of mistakes and won’t pretend to teach anyone how to get the best results, but in the end I came home with some good shots, so I must have also been doing something right. First, some words about my equipment. For my street photography, I used either my Fuji X100s or my Fuji X-E2 fitted with the 35mm f/1.4 lens. The X100s has one big advantage for this stealthy approach: it is incredibly silent. You can hear the sound made by the shutter only if the environment is very quiet, a condition that is not typical of a bustling Arab city……….
See on fstoplounge.com
Lust for the open road has driven hard miles on the clock of this thunderous Nissan Gloria. Appropriately camouflaged by a wax finished, seaside tan, this sleek automobile is fueled by a straight four and has been pulling its weight in gold for decades. Gloria has been delivering Little Miss Charlotte Cake and her burly protector from coast to coast throughout Aotearoa, provoking road rage in every convoy it lead. The travellers and sweet hearts from another era gave their 4×2 roller home its name after a pot hole incident back in 69 and Lilliput (short for little pot hole) has stuck ever since! Despite the modest accommodation and missing amenities, the living quarters are still respectably cosier than your typical Dunedin student flat. But do not let the exterior fool you, a fully stocked kitchen with all the essentials allows Miss Charlotte Cake to remain true to her heritage and master the housewife craft! After all, who else can whisk up a tray of triple chocolate chip muffins before bouncing through the next town……
See on www.bokeh-monster.com
In all my travels, Sydney has been the toughest opponent when it comes to jet lag. It will lull you to sleep, then dump cold water on you at 2am. This time I played it differently. You can’t fall asleep if you don’t stop moving. I landed in Sydney from LAX at 7am. I grabbed my camera and walked around a very quiet city, and for some reason, I chose to only shoot in black and white. I guess I wanted to see the city in a new way. There is something special about a city just waking up……
See on danielincandela.com
See on www.danielkcheung.com
Over the past six months, the Fujifilm X00S has traveled with me to San Diego, Seattle, Paris, London, and New York. During these trips, I’ve used it to shoot everything from snapshots to long exposures. Having used the X100S extensively as a travel camera, I wanted to share my general impressions on using it for travel photography.
What’s Good for Travel Photography
I shared my thoughts on the Fujifilm X100 a year ago, and all the things I loved about the X100 also hold true for the X100S. The small size, the excellent image quality, and the ease of use are all things that made the X100 an excellent travel camera. With the X100S, Fuji has managed to make a good thing even better. The speed of the camera has been improved all around, the resolution of the electronic viewfinder has been increased, and the sensor has been upgraded to an X-Trans CMOS II sensor. Each of these improvements have made the X100S an even better travel camera than the original X100. In addition to all the technological goodness, there are two other reasons why I find the X100 and X100S to be ideal for travel photography. The first is the simplicity that these cameras bring to my photography. By limiting myself to one focal length (sometimes two with the Wide Conversion Lens), I am able to focus more on the images I create and less on the gear I use. This in turn makes it easier for me to be in the moment and enjoy the places we visit. The second reason these cameras make ideal travel companions is because the leaf shutter they use are nearly silent. Without having to worry about the sound produced by a traditional shutter, I can capture images that I would normally pass up. Since the X100 and X100S are so small and stealthy, I find that I am also able to get quite close to my subjects without really being noticed…..
See on stephenip.com
I’ve had the XE-2 for about 3 months now. I’ve put it through its paces, and I find that I pick it up more than my Nikons now. When I first picked it up, I had a D3s and D800 and was looking for something smaller for every-day use. It was perfect. I sold my D3s and picked up a Df hoping for a similar experience. I absolutely love the Df as well, but the XE-2 is just easy. I love the fact that I can take a picture on the XE-2, transfer it to my iPhone, pop it into VSCO or Snapseed, and have an awesome shot ready to toss on Instagram in a minute or two. I have taken more keepers with the XE-2 in the past 3 months than I have with my Nikons. Not to say I don’t use the Nikons or that I can’t make great images with them. I still carry one of them plus a couple lenses with me wherever I go since I only have the Fuji 35mm f1.4. In the case of this trip, I kept the Df with an 85mm and the D800 with a 35mm on the passenger seat next to the XE-2. I just didn’t use them as much. So here are my favourite images from 10 days in Norway, taken with the XE-2……
See on mfergusson.exposure.so
Schon seit langem wollte ich mir das Death Valley anschauen. Letzte Woche war es endlich soweit. Ich musste beruflich nach Los Angeles und hatte diesmal sogar einen Tag mehr als üblich frei. Ich hatte somit zwei ganze Tage und drei Nächte zur freien Verfügung. Die Fahrt von Los Angeles ins Death Valley dauert in etwa vier bis fünf Stunden. Bei der Fahrt durch das Valley sollte man zumindest weitere zwei bis drei Stunden Fahrtzeit einplanen. Berücksichtigt man die Rückreise, verbringt man wenigstens 13 Stunden im Auto. Aber das, was sich einem bei der Ankunft bietet, entlohnt alle Mühe und ist untertrieben ausgedrückt sehr imposant. Die Weite, die sich aus kilometerlangen Ebenen und hohen Bergen bildet, ist atemberaubend und im fotografischen Bild nur schwer festzuhalten. Hilfe naht: Ich habe sehr oft die sehr geniale Panorama-Aufnahmefunktion der x-series Kameras benutzt…….
See more pictures on www.qimago.de
I was in Paris for work and we finalized our meetings around 3pm. That left a few hours of great light on a gorgeous day in France. I grabbed my Fujifilm X-Pro 1, a 8mm, 35mm and 85mm lens a got moving with a few colleagues…….
See on danielincandela.com
Last summer, Natalie and I took our first trip abroad together to the beautiful country of Morocco. We decided to take the break as early into the summer holidays as possible with Nat being a teacher, we wanted to avoid the usual family-packed places and find somewhere with some culture for us to explore and somewhere street photography would be good to do. Marrakech jumped out at us, so a mere 4 weeks before the term break-up we made a spur of the moment decision one evening and booked it. I tried to pack light, so I took the X-Pro1 (my main street camera at the time) and the 35mm f1.4 Fuji lens – a winning combination in most situations. Though now part of me wishes I’d taken the 18mm as well, but I like to limit myself to one lens and challenge my internal visualisation while shooting……
See on fullframeboy.co.uk